#klesmer

[lottalovin]

[shinyrays]

collaborative busking. #folk #roma #klesmer #banjo #accordion #streetmusic #missoula #montana #nightlife #performanceart (at Missoula, Montana)

[merchant2018]

[kulturei-blog]

[attackfish]

Daniel Kahn and the Painted Bird - Good old bad old days

[soundslikeanearful]

Music from the "What Have We Done?" episode of Sounds Like An Earful

[j-august]

Outsiders might have been more apt to think that Klesmer's position was dangerous for himself if Miss Arrowpoint had been an acknowledged beauty; not taking into account that the most powerful of all beauty is that which reveals itself after sympathy and not before it. There is a charm of eye and lip which comes with every little phrase that certifies delicate perception or fine judgment, with every unostentatious word or smile that shows a heart awake to others; and no sweep of garment or turn of figure is more satisfying than that which enters as a restoration of confidence that one person is present on whom no intention will be lost. What dignity of meaning goes on gathering in frowns and laughs which are never observed in the wrong place; what suffused adorableness in a human frame where there is a mind that can flash out comprehension and hands that can execute finely! The more obvious beauty, also adorable sometimes—one may say it without blasphemy—begins by being an apology for folly, and ends like other apologies in becoming tiresome by iteration; and that Klesmer, though very susceptible to it, should have a passionate attachment to Miss Arrowpoint, was no more a paradox than any other triumph of a manifold sympathy over a monotonous attraction. We object less to be taxed with the enslaving excess of our passions than with our deficiency in wider passion; but if the truth were known, our reputed intensity is often the dullness of not knowing what else to do with ourselves. Tannhäuser, one suspects, was a knight of ill-furnished imagination, hardly of larger discourse than a heavy Guardsman; Merlin had certainly seen his best days, and was merely repeating himself, when he fell into that hopeless captivity; and we know that Ulysses felt so manifest an ennui under similar circumstances that Calypso herself furthered his departure. There is indeed a report that he afterward left Penelope; but since she was habitually absorbed in worsted work, and it was probably from her that Telemachus got his mean, pettifogging disposition, always anxious about the property and the daily consumption of meat, no inference can be drawn from this already dubious scandal as to the relation between companionship and constancy.

George Eliot, Daniel Deronda

[j-august]

"One may understand jokes without liking them," said the terrible Klesmer. "I have had opera books sent me full of jokes; it was just because I understood them that I did not like them. The comic people are ready to challenge a man because he looks grave. 'You don't see the witticism, sir?' 'No, sir, but I see what you meant.' Then I am what we call ticketed as a fellow without esprit. But, in fact," said Klesmer, suddenly dropping from his quick narrative to a reflective tone, with an impressive frown, "I am very sensible to wit and humor." "I am glad you tell me that," said Gwendolen, not without some wickedness of intention. But Klesmer's thoughts had flown off on the wings of his own statement, as their habit was, and she had the wickedness all to herself.

George Eliot, Daniel Deronda