Digimon LOST AU Headcanons part 2/? - Early Koushiro-centric stuff
Made for @izumikoushiroweek and also for my Digimon Lost AU! Headcanons under the cut
Koushiro Izumi:
Age: 25
Flight main section/beach camp
Koushiro is technical minded and analytical, and also deeply curious.
He has a hard time believing the Island contains real supernatural elements. He believes it’s digital, a realistic simulation/virtual reality like a holodeck from Star Trek. His beliefs are constantly being put to the test as he dedicates himself to studying the Island
From the moment they land on the island and Koushiro is alert, he searches desperately for his carry on luggage that contained his laptop. His smart watch screen shattered in the crash and doesn’t work. His phone seems to be somewhere in the wreckage or in the ocean
It seems no one has cell phone that will turn on or function in any capacity, which distresses Koushiro a great deal. He can’t even check to see if there’s cell service wherever they crashed. Statistically speaking since there are two dozen people here both alive and dead, shouldn’t someone’s phone work? He is still determined to get to his laptop in the off chance it functions
Koushiro watches as Jou and Taichi try to save people after the initial crash. He doesn’t know what he can do right now— he’s squeamish and definitely feeling the shock and trauma of surviving a plane crash. So he just continues looking for working tech. He does not find his laptop (at least for now) and is REALLY mad he didn’t bring his satellite phone on the flight
When they retrieve a radio transceiver from the cockpit, Koushiro goes on an expedition with Mimi and Jou to find a high enough area to get a signal. When they finally do get a signal, it’s a repeating distress call from someone who claims she’s been stranded on the Island for three years (this eventually turns out to be Meiko Mochizuki)
Flashback: For two years, Koushiro has been the CEO of a tech company in Tokyo that focuses on virtual reality. They have been making astounding breakthroughs since he started, and are almost ready to launch the next generation of virtual reality that can help people who are sick or bedridden. He wants to prove that even though he’s young and not very personable, he can be a good CEO and make a difference in the world through his technology.
Flashback: Through a mysterious informant, Koushiro learns that there is a handful of engineers in the company working behind his back to steal tech secrets and start a company of their own or possibly sell information. Koushiro is non-confrontational and doesn’t know what to do with this situation
Flashback: He learns that a few of these conniving employees are traveling to California to potentially make a deal with a US tech company to sell Koushiro’s company’s secrets. He takes time off work to follow them, but still doesn’t know what to do.
Flashback: Koushiro lands at LAX and plans to take a connecting flight to Silicon Valley. But his informant suddenly asks to meet him in person in Los Angeles. Koushiro feels like he’s being strung along on a potential wild goose chase at this point, but agrees to meet. The informant, who Koushiro doesn’t recognize, is a man named Haruhiko Takenouchi, who researches mythology, folklore, and anthropology. He believes Koushiro’s company can bring folklore creatures to life in the real world and can be used to study them. Koushiro is skeptical that his technology could bring to life something worth studying, as they can only input data they already have. They can’t “create life”, digital or otherwise. Mr. Takenouchi is insistent. He’s concerned the people trying to steal tech secrets from Koushiro are going to use it for the wrong reasons, and he wants to stop that. Koushiro… doesn’t know what to make of this. Mr. Takenouchi and Koushiro fail to track down the conniving employees, and it is suggested Koushiro return home to Tokyo from Los Angeles.
As the story on the Island progresses and they encounter monsters and strange occurrences, at first Koushiro believes this place is virtual reality, possibly his own company’s doing. That this place is inorganic and digital. As Koushiro learns more about the Island, he starts to doubt his theories. He wonders if Haruhiko Takenouchi sent him here on purpose to study the kind of tech that can create “life” without a data input. He becomes deeply entrenched in the lore of the Island. He wants to know why everyone was called here, why he was called here, and if there’s something they’re supposed to do. Koushiro wants to know what makes the Island tick— he wants to rip it apart at the seams.
He is sometimes at odds with those who are trying to get off the Island. At first he thinks the people aren’t real to begin with. But as it becomes apparent the people around him are very real, he starts to think they need to stay on the Island to accomplish something important.
For @izumikoushiroweek, for the “Adoption/family” prompt.
I wanted to make these screencaps look like manga scans you might see in the 90s. I hope I accomplished that!
In any case, I thought the scenes where he saves his parents with the barrier were some of the most interesting Koushiro moments in the series. They were so bittersweet and meaningful, and only two episodes later that they had the adoption conversation.
I chose to include the original dialogue first, and then I made the same 4 pages using the english dub dialogue. I happen to adore the meaningfulness of this scene in both versions (please NO dub bashing on my post, thank you!)
I chose some of my favorite little Koushiro moments that include other people, across different time periods. I apologize for the dark shift in that last one, but that Koushiro and Yamato scene happens to be THE most memorable moment in Kizuna for me.
for @izumikoushiroweek for the “Mochimon” prompt, I’ve got another screenshot redraw with Kizuna designs! I hope everyone had a really wonderful Koushiro Week! And thanks so much to our amazing host!
