idk but johnlock and KRATIDES are the same number of letters
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idk but johnlock and KRATIDES are the same number of letters
write out the entire script to the bee movie
...i accept ur challenge my friend
@hoaxfish submitted:
On today’s episode of “Hoaxfish and Kratides Can’t Handle Pasi’s Sadism”
Hey, just popping into your ask box to provide a happy solution to a Sherlock problem. The version of Jim saying "there's two of you" is the version of Jim inside Sherlock's head, meaning the existence of Moran is possible and Sherlock just doesn't know he exists. (to be fair I am deluded and too emotionally attached to MorMor to believe otherwise but I hope this helps in some way!)
Yes, I actually thought of that right after I made that post! So there’s still hope! (otoh, do I trust Moftiss with Moran. That’s another question. Someone going to get on that “let’s film TVD” project.)
PEOPLE HAVE BEEN DOING CLOSE ANALYSIS ON MY WRITINGS
IF ANYONE NEEDS ME I WILL BE IN A PUDDLE IN THE CORNER
UNABLE TO SPEAK
BECAUSE PUDDLE
ur aesthetic is John Cena's introduction song (i mean actually Drive by Halsey or Ghost by Halsey or something Marina/Melanie Martinez is ur aesthetic bae AND GIANT WOMAN IN STEVEN UNIVERSE TOO because that shit is cute af <3)
omg omg omg yesss i love all of these yEs i love you!! ♥
♥send me a song that you think matches my aesthetic (or might just remind you of me idk aha)♥
yooooo here is a word (although this is a name but w/e) for your ask box thing: Shakespeare
So I have a lot of feelings about Shakespeare. I’ve been in three plays (sort of, one of them was The Complete Works of William Shakespeare Abridged, so there’s a bit of overlap) and that’s really where my appreciation for Shakespeare started. I had this amazing director who would make us comb through our scripts at the beginning of every rehearsal so that we’d 1) understand what the fuck we were actually saying and 2) find out ways to make sure the audience could understand what the fuck we were actually saying.
I definitely enjoy acting Shakespeare more than reading it though. There’s always something that gets lost in translation when it’s just read aloud, as opposed to seeing the plays performed or performing it yourself. It’s oddly freeing too -which I never would have expected because you’re not allowed to change the text - because there are so many different ways to play each and every character. You can walk in and say “Today I’m going to play Holofernes as a hippy cult leader” or “Every character can actually hear all of the asides” and no one can say that you’re wrong. It’s fucking beautiful and chaotic. And regular plays just aren’t like that.
Those aren’t actually facts about me, I know, but I felt the need to geek out a bit, sorry. An actual fact about me is that one time I played Viola in a marathon drinking version of Twelfth Night (we rehearsed for 7 hours, then continuously did the show for another 5 at a bar, where the job of the patrons was to watch and buy us drinks that we had to drink while we performed) and it was seriously the most fun ever. By the end, our Olivia was a dominatrix, Malvolio was her sub (which made the whole cross-gartered part truly breath taking), Sebastian and Antonio had definitely fucked several times, Viola had stabbed Andrew Aquecheek (don’t hand me sharp things when I’m drunk) and a bunch of other shit that I, frankly, don’t remember.
yoooo 29 for the disney thing bro \m/
29. If you could live in any world from a Disney movie, which would you choose?
ooooh shit um damn (tempted to say lilo and stitch tbh) or big hero 6 ahhhh idk thank you man♥
♥send me a number for these Disney asks c:♥