True north Walton's first symphony: The debt of Walton's First Symphony to Sibelian models of symphonic form is often acknowledged, but the debt's wider implications are seldom considered. The inter-war English idolization of Sibelius may help to explain why Walton should use characteristic Sibelian procedures such as rotational form, heavy dependence on pedal points for structural purposes, and focus on a sound-sheet or Klang—however individually Walton treats these devices—but it does not account for all that is interested At this moment in British musical history. In this article, a richer context is drawn by locating Walton's Sibelianism in a more general contemporary artistic concern with what Michael Saler calls 'the myth of the North': an inter-war emphasis on the industrialized north of England. This 'myth', a development of modernist preoccupations with the relationship between technology and humanity, is reflected both in what Jed Esty calls an 'anthropological turn' in writers such as Eliot and Woolf (a turn to a romantic nationalism), and in Heidegger's philosophy of art—connections that open up a range of ethical and political considerations.
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