Lost in the quiet power of the Látrabjarg Cliffs—where the edge of Iceland meets the end of the world.
seen from Germany

seen from United States

seen from United States
seen from Malaysia
seen from China

seen from United States

seen from Israel

seen from South Africa

seen from Austria

seen from United States
seen from China
seen from Russia
seen from China

seen from United States
seen from Malaysia
seen from Netherlands

seen from United States
seen from Malaysia
seen from Malaysia
seen from United States
Lost in the quiet power of the Látrabjarg Cliffs—where the edge of Iceland meets the end of the world.
There's a tiny label in the upper right corner of this print that tells a second story. It says "Au Printemps" - a Parisian department store - and a price: 0 fr. 95. Less than one franc. That's what Hiroshige's vision cost a Parisian shopper in the late nineteenth century. Ando Hiroshige's "8 Views of the Kanazawa Temple" - from his Hundred Famous Views of the Provinces series - traveled from an Edo workshop to a department store shelf in Paris, priced somewhere between a bar of soap and a ribbon. Japonisme wasn't just an aesthetic movement; it was a retail event. Prints like these arrived in France by the thousands, sometimes as coveted collectibles, sometimes wrapped around exported ceramics as packing material. That zigzag staircase cutting diagonally up a sheer cliff, tiny figures visible near the base, deep Prussian blue bleeding into blue-green pines. The architecture glows pale against dark rock. Hiroshige died in 1858; decades later, his prints were still sold in Paris for pocket change. The sticker outlasted him. The department store closed. The temple endures. Quelle: meisterdrucke.com
View Near Hudson from "The Hudson River Portfolio" (1822)
Artist: William Guy Wall (1792-1864) Printmaker: John Hill (1770-1850) Publisher: Henry J. Megarey (active: 1818-1845)
Hiroshi Yoshida, Park in Canton (廣東公園 / Kōtō Kōen)
Artist: Hiroshi Yoshida (1876–1950, Kurume, Fukuoka) — a leading figure of the shin-hanga (new print) movement, celebrated for his landscape prints and paintings that fuse Western realism with traditional Japanese woodblock techniques
Year: 1941
Medium: Woodcut with colored inks, jizuri (self-printed) seal
Dimensions: Approx. 20.5 × 27.0 cm
Signed: In sumi ink "Yoshida" with artist's seal "Hiroshi" and jizuri seal; pencil signature "Hiroshi Yoshida" in the margin
Subject: A park scene in Canton (Guangzhou), China — one of many works born from Yoshida's extensive travels across the globe, including the United States, Europe, India, Southeast Asia, and China
Characteristics: The print demonstrates Yoshida's mastery of subtle color gradation and atmospheric light, achieved through meticulous multi-block printing. His ability to capture the air and mood of a foreign landscape through traditional Japanese woodblock techniques remains distinctive among shin-hanga artists
Catalogue reference: No. 243 in The Complete Woodblock Prints of Yoshida Hiroshi (Ogura, Abe Shuppan, Tokyo, 1987)
Gordon Mortensen ‘Desert Flowers’ Woodcut Art Print, 1987.
(via ebay - american_design_ltd)
Fall by Gordon Mortensen
Reduction woodcut, 2002
No. 307 (1887) - Louis Kinney Harlow
Hello, tumblr! If you like my photos, I’m looking forward to meeting you on etsy! 🥰Just search for Travelograph 📸and enjoy more adventures around the world! 🌍