Mar 19, 2023
Daphne Byrne #3 [Textless] (Variant Cover) (2020)
Art by: Dustin Nguyen
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Daphne Byrne #3 [Textless] (Variant Cover) (2020)
Art by: Dustin Nguyen
Ask an Environmental Expert: What’s the Carbon Footprint of the Internet?
Our digital habits are worse for the environment than flying. That toll is expected to grow
When it comes to our growing carbon footprint, it’s easy to blame cars, agriculture, or factories. But what about the internet? Since the start of COVID-19, screen time has, by some estimates, increased between 60 and 80 percent for most adults, and it turns out that there’s a lesser-known impact of all those extra hours spent watching Netflix. To learn how our digital habits affect the environment, we turned to Laura Marks, a professor at Simon Fraser University who researches the environmental impact of streaming.
Read more at thewalrus.ca.
Illustration by Irma Kniivila (irmaillustration.com)
Daphne Byrne 1 #
Review: Daphne Byrne #6 (FINAL ISSUE)
Review: Daphne Byrne #6 (Final Issue) @DCComics #DaphneByrne #DCComicsNews
Review: Daphne Byrne #6
[Editor’s Note: This review may contain spoilers]
Writer: Laura Marks
Artist: Kelley Jones
Colorist: Michelle Madsen
Letterer: Rob Leigh
Reviewer: Tony Farina
Summary
The full scope of Daphne’s relationship with the mysterious Brother is revealed – and so is the full strength of their combined power. God help anyone in their path…
Positives
Kelley Jones everyone.…
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When images cannot be made to represent, when they refuse to connect to memory, they float loose from history. Unearthed in the excavation of discursive history, these images stare up at us, like "strangely active fossils, radioactive, inexplicable in the present where they surface, and all the more harmful and autonomous. Not recollections but hallucinations" (Deleuze 1989, 113). Such images are "harmful" because they cannot be reconciled with either official history or private memory—but they are more harmful to official history, because they falsify it or reveal it to be incomplete. They are volatile treasures for intercultural cinema, because if they can be made to speak they can activate the process of memory.
Laura Marks “Skin of Film” The Memory of Images, pg. 51
Daphne Byrne #1 (2020)
Art by: Piotr Jabłoński
Review: Daphne Byrne #5
Review: Daphne Byrne #5
[Editor’s Note: This review may contain spoilers]
Writer: Laura Marks
Artist: Kelley Jones
Colorist: Michelle Madsen
Letterer: Rob Leigh
Reviewer: Tony Farina
Summary
Daphne Byrne#5 features a betrayal. A death. Blood in a fountain. Madness. More betrayal. Memory loss and best of all maniacal laughing. Just who does which thing? Is it possible that Daphne might be…
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Daphne Byrne 3 #