Soho Shoot #3 (Shoho Market) - Contact Sheets

seen from United States
seen from United States

seen from Canada
seen from United States

seen from Netherlands

seen from United Kingdom
seen from United States

seen from United States
seen from China
seen from United Kingdom
seen from China

seen from United States
seen from United Kingdom

seen from United Kingdom
seen from United States

seen from Italy

seen from United States

seen from United States

seen from Bangladesh
seen from Brazil
Soho Shoot #3 (Shoho Market) - Contact Sheets
I've studied the front cover of a magazine that I read myself. These covers feature a lot of text, which are arranged in various ways, all in which are visually pleasing.
'Pictures on a Page' final spreads
Studio Mono Shoot - 28th April
Unfortunately our model did not show, after making several phone calls and emails, we had no option but to find an alternative. We called up several other people who we had considered, however we couldn't find anyone available. Being left with minimal time, we resorted to using each other as models.
Canary Wharf
I have decided not to shoot at Canary Wharf.
Pros -
Lots of restaurants
Park
Cons -
Upper class/business area
Not very cultural
Lacks diversity - All very alike
Soho
I have visited Soho a couple of times, and I found is much more fitting to this project. I will return to continue shooting for the 'Pictures on a Page' Magazine Project.
Soho Square - People/Statues/Building
Range of cafes/restaurants/coffee houses
Church
I will make sure I avoid any areas surrounding Soho, such as Oxford Street and Region Street as they are very commercial.
April 7th - Notes
People scan web pages the same as print page, bottom - right.
Designers know which parts of a page that our eyes are attracted to, these are called active and passive areas, and they use this knowledge to their advantage.
Colour hotspots draw attention, this can be within a photograph, or a page where both a photograph and text are combined - This would be a combination of a photographer and designer’s work.
Particularly in magazines, there is often a white area left blank, this is called ‘dead space’. Sometimes an image will be ‘bled out’ which means it continues to be printed right to the centre of the magazine, where it is often stapled and part of the image is missing. A full bleed fills the enter surrounding white space.
There is often more white on top of the page, than the bottom. This is visually pleasing, and prevents the feeling that the contents of the page are falling).