AWHHH look at him taking a video

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AWHHH look at him taking a video
I always loved this song, Simply Red was a great band and Mick Hucknall still has one of the best voices I've ever heard live 😁
For Axl, Dizzy, and GNR fans. Pics recently posted on Reddit.
Thought I'd share.
The last pic is evidently before he threw a chair out of a hotel room? Just a funny caption, lol, but does look to be a chair in his hands, lol.
Top photo posted by: u/Head-Owl4687
Bottom photo posted by: u/Hauntedrosie
Above photo generously submitted by @awrestlinggirlwholoves80sbands which might follow the last Reddit photo I shared?! Great catch, girl. 🥎 🤙🏼 Great throw, Ax. 🪑 🤘🏼
unnatural history
The Sound and the Fury.
Who knew being in a band would mean craft projects? I’ve had the sewing machine out and have been making autumnal Green Man masks for me and my band-mates. Not the singer though, he’s going to be a “sexy goth bird man”
I enjoyed it but I really don’t need another new hobby 😭
Lead singer: Alright, now I KNOW you know the words to this next one!!!
Guy who just came to see a band his friend likes: uh... I don’t... uh, I mean, yeah sure, I know the words
Jacoby Shaddix, Danny Worsnop, and Matty Mullins 🤘🏻
Urie said he was "floored" by the talent he saw in the children and young adults in Notes for Notes. "These kids are phenomenal. It blows my mind," he said.
Nearly four million students across the United States have no access to music education, despite its documented positive effects on cognitive function and academic performance. Now, thanks to famous figures like Panic! At the Disco lead vocalist Brendon Urie and non-profit Notes for Notes, children and young adults can explore their musical talents regardless of their financial situation.
Notes for Notes began when then-parking lot valet Philip Gilley convinced the city of Santa Barbara to give him some space where he could set up a music studio. He had been mentoring a youngster through Big Brothers/Big Sisters, and figured music was a fun activity they could share.
"But there was no place to go and do that," he said.
Fellow Big Brother Rod Hare soon partnered with him when he said he realized he had the same idea years earlier.
"I said, 'You know we could do this anywhere'," Hare recalled. "'You could put one of these in any city in America. Would you be willing to make this your life's work?'"
A little over a decade later, Notes for Notes has 25 studios in 16 cities, and has attracted some famous mentors.
"If I had access to this studio at these kids' age, I would have been much more well prepared and well versed for the music industry. When 'Panic' was started, we just head-dived first in," Brendon Urie told CBS News' Michelle Miller. "Not knowing what things to be wary of, what things to jump into. Yeah, definitely would've helped to have some kind of guidance like, this is how you write a song, this is how you produce something."
Urie said he was "floored" by the talent he saw in the children and young adults in the program. "These kids are phenomenal. It blows my mind," he said.
The teens have no trouble relating to Urie either, despite his pop star status.
"He's famous, but at his core, he's a guy who sings," young musician Tae McKinney said. "It's not hard to have a conversation with someone you can relate to."
"I’ll always have Notes for Notes to thank for so many memorable moments throughout my musical journey, including meeting @brendonurie & attending @lollapalooza for the first time ever." - Devon, aka D-Vo. Read his entire interview here! @StateFarm https://bit.ly/2kQ3Gcb
Gilley said that providing access for free is important for the children's development.
"They can get all the instruments, they can get all the resources for free, no barriers to entry of not being able to afford something, or it not being available in school. And then sort of that way you learn would be more about building a bond with someone, as you're focused on learning something together," he said.
Teens like 15-year-old Demelle Cooley do not take the gift for granted. When asked what importance having access to these facilities meant to him, he replied, "It's power I haven't felt before. But like, with that kind of power I can change what's around me."
Others, like Zuzu Black, said that it was the equipment in the facilities that help her grow as a musician and have made it possible for her to produce her song, "Tide."
"It's not just like walking into your school band room," she said. "It's more like here's what you can get out of all this stuff – express yourself better as an artist and a person."
At the end of the day, Gilley says, "music has the power to change lives."
"That means many different things for some children," he explained. "We give them those tools of confidence, creativity, compassion, and community. That if they know it can exist here, then it can exist wherever they go next, and that transpires in their lives."