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Announcement! NEW SPRING 2026 Matta Book Club is set to begin! Ricciardi returns.
Le avventure di Commissario Ricciardi continuano con “Un posto di ognuno” The adventures of Ricciardi in 1930's Naples continue with "Un posto di ognuno" Continuiamo la saga di Ricciardi questa primavera 2026: Un giallo italiano “cozy-ish” per chi ama le lingue Continue the Ricciardi saga with us this spring - A cozy-ish Italian crime read for language lovers Il Matta Book Club torna ad aprile 2026—e, su richiesta dai lettori (ancora!) proseguiamo con Commissario Ricciardi! I gruppi dell’autunno 2025 e di gennaio 2026 hanno apprezzato moltissimo i primi due romanzi e hanno chiesto di continuare, riprendiamo la storia con il terzo libro della serie: Il posto di ognuno. The Matta Book Club returns in April 2026—and once again by popular request, we’re continuing with Commissario Ricciardi! Our Fall 2025 and January 2026 groups thoroughly enjoyed the first two novels and asked for more, we’re picking up the story with the third book in the series: Il posto di ognuno. Se sei nuovo a Ricciardi, sei il/la benvenuto/a. Non è necessario aver letto i libri precedenti: ogni romanzo funziona anche da solo come un mistero avvincente, e puoi unirti in qualsiasi momento. Preferisci un ritmo più tranquillo o un’esperienza più personalizzata? Puoi anche leggere il libro uno a uno con Melissa, in un book club privato. New to Ricciardi? You’re absolutely welcome. You don’t need to have read the earlier books—each installment works as a compelling mystery on its own, and you can jump in anytime. Prefer a quieter pace or a more personalized experience? You can also read the book one-on-one with Melissa as a private book club. Leggilo in versione stampata, leggilo in digitale o ascoltalo! Read it in print, e-read it, or listen—Ricciardi is even better in audio! Sono felice di continuare con la serie di Ricciardi—soprattutto perché ho ormai letto tutti e 15 i libri tre volte e continuo ad amare lo stile di Maurizio de Giovanni. Per questo book club puoi leggere il romanzo in formato cartaceo o digitale, e ti consiglio vivamente anche l’audiolibro: il narratore fa un lavoro splendido, molto teatrale, e riesce davvero a far rivivere la Napoli degli anni Trenta. I’m happy to keep going with the Ricciardi series—especially since I’ve now read all 15 books three times and I still love Maurizio de Giovanni’s style. For this book club, you can read the novel in print or digitally, and I highly recommend the audiobook too—the narrator does a wonderful, very theatrical job that really brings 1930s Naples to life. Ricciardi is such a rich world for language learners: you’ll pick up tons of vocabulary and expressions, soak in little details of Italian history and society, and fully immerse yourself in Naples in the ’30s—its rhythms, its heat, its contradictions, and its unforgettable atmosphere. Ricciardi è un mondo ricchissimo per chi studia le lingue: impari un sacco di vocabolario ed espressioni, assorbi piccoli dettagli della storia e della società italiane, e ti immergi completamente nella Napoli degli anni ’30—con i suoi ritmi, il suo caldo, le sue contraddizioni e un’atmosfera indimenticabile. E non preoccupatevi: non è necessario aver letto i primi 2 libri! De Giovanni fa un ottimo lavoro riassumendo gli eventi principali per i nuovi lettori. And don’t worry: you don’t need to have read the first two book!s The author, De Giovanni masterfully brings new readers up to speed and you won't miss a beat as you enter Ricciardi's 1930's Napoli! Perché leggere un romanzo in italiano in gruppo è così potente Why reading an Italian novel in a group is so powerful Leggere un romanzo (o ascoltarne la versione audio) in italiano è uno dei modi più efficaci — e piacevoli — per migliorare le tue competenze linguistiche. Nel Matta Book Club non solo leggerai una storia avvincente, ma avrai anche l’opportunità di parlarne liberamente in un gruppo intimo e accogliente, sciogliere le inibizioni e praticare la conversazione in modo naturale. Reading a novel (or listening to an audio version of the novel) in Italian is one of the most effective—and enjoyable—ways to improve your language skills. In the Matta Book Club, you won’t just read a gripping story; you’ll also have the chance to talk about it freely in a warm, intimate group, loosen your inhibitions, and practice speaking naturally. Insieme esploreremo nuovo vocabolario, condivideremo brevi riassunti, scambieremo idee e impressioni, e approfondiremo la nostra comprensione del romanzo attraverso conversazioni animate, domande stimolanti e gli spunti intelligenti degli altri partecipanti. È un’esperienza che unisce l’apprendimento linguistico al piacere della lettura — e settimana dopo settimana sentirai la tua sicurezza sbocciare! Together we’ll explore new vocabulary, share short summaries, exchange ideas and impressions, and deepen our understanding of the novel through lively conversations, stimulating questions, and thoughtful insights from fellow readers. It’s an experience that blends language learning with the joy of reading — and each week you’ll feel your confidence blossom! Un breve riassunto della trama del terzo romanzo: Il Posto di Ognuno A brief plot summary of the third novel: Il Posto di Ognuno L’anello, l’anello, hai tolto l’anello, l’anello mi manca! The ring, the ring—you took off the ring. The ring is missing! Nel terzo romanzo della serie del Commissario Ricciardi, Il posto di ognuno, torniamo a Napoli nell’agosto del 1931, quando un caldo brutale e senza aria si posa sulle strade della città e nelle stanze in ombra dei palazzi. La festa di Santa Maria Regina, con il suo tradizionale falò, è appena finita quando la duchessa Adriana Musso di Camparino viene trovata morta in casa, scoperta dalla governante. In the third novel of the Commissario Ricciardi series, Il posto di ognuno, we return to Naples in August 1931, where a brutal, airless heat settles over the city’s streets and the shadowy rooms of its palazzi. The Feast of Santa Maria Regina, with its traditional bonfire, has only just ended when the Duchess Adriana Musso di Camparino is found dead in her home, discovered by her governess. Ricciardi si ritrova coinvolto in un’indagine in cui le apparenze possono ingannare e in cui i dettagli più piccoli—una frase sentita di sfuggita, una parola scelta con cura, uno sguardo trattenuto un attimo di troppo—possono fare la differenza. Come sempre, il caso è segnato dal suo dono inquietante: Ricciardi percepisce le ultime parole della vittima, un’eco che resta nell’aria e chiede in silenzio di essere compresa, guidandolo passo dopo passo verso la verità. Ricciardi is drawn into an investigation where appearances can be misleading and where the smallest details—an overheard remark, a carefully chosen word, a glance held a moment too long—can matter. As always, the case is shaped by his uncanny gift: he hears the victim’s final words, an echo that lingers and quietly insists on being understood, guiding him step by step toward the truth. Sul fondo di una Napoli quasi sospesa tra afa e tensione, Il posto di ognuno è un giallo mosso da gelosia e possesso, e dai compromessi segreti che si fanno per proteggere reputazione, status e desideri. Sotto i rituali formali della vita aristocratica, i sentimenti ribollono: un amore che vuole possedere, una libertà che sembra irraggiungibile, un rancore che cresce in silenzio. E nell’aria opprimente dell’estate, ciò che sarebbe potuto restare taciuto viene a galla—finché Ricciardi non riesce a collocare ciascuno esattamente al proprio posto nella storia, e nel delitto. Set against a Naples that feels almost suspended in heat and tension, Il posto di ognuno. is a mystery driven by jealousy and possession, and by the private bargains people make to protect reputation, status, and desire. Beneath the formal rituals of aristocratic life, emotions simmer: love that wants to own, freedom that feels out of reach, resentment that grows in silence. And in the oppressive summer air, what might have remained unspoken begins to surface—until Ricciardi can place each person exactly where they belong in the story, and in the crime. E Livia torna. Nella Napoli rovente dell’estate 1931, riaffiorano emozioni mai sopite e si accendono nuove tensioni—portando ancora più romanticismo e suspense nell’ultima indagine di Ricciardi. And Livia returns. As Naples swelters in the summer of 1931, old feelings resurface and new tensions flare—adding an extra spark of romance and suspense to Ricciardi’s latest case. 2026 Spring Book Club Schedule – 5 Week 1-Hour Meetings Dates and times will be determined by Reader Schedules (we are flexible!) Week 1 – April 3 Read / Discuss: Chapters 1–10 (pp. 4–72) : ~69 pages Week 2 – Aprile 10 Read / Discuss: Chapters 11–19 (pp. 73–139) : ~67 pages Week 3 – Aprilre 24 Read / Discuss: Chapters 20–28 (pp. 140–205): ~66 pages Week 4 – May 1 Read / Discuss: Chapters 29–37 (pp. 206–273): ~68 pages Week 5 – May 8 Read / Discuss: Chapters 38–48 (pp. 274–343): ~70 pages What you’ll receive as a Matta Book Club member: A downloadable Reader Guide, available exclusively to club members on a password-protected page. • guided 1-hour sessions led by Melissa • extensive chapter notes containing • overview of themes • reader questions • plot summaries • character analysis • title’s significance • background on Naples and key settings • extensive vocabulary list to help with reading comprehension • Quizlet flashcard study links Purchase the novel and the audiobook "Il posto di ognuno" on Amazon Please purchase your own copy on Amazon using this link: Iscriviti ora e comincia a leggere! Sign up now and start reading! Non vedo l’ora di leggere con voi e continuare le avventure del nostro commissario preferito! I can’t wait to read with you and continue the adventures of our favorite commissario! 🇮🇹 Un consiglio dalla Matta 🇮🇹 Matta Italian Language Tip! Ognuno Ognuno means “each person / everyone” but with the sense of people taken one by one, not “everyone” as one big group. In the title Il posto di ognuno, the idea is: the place where each of us belongs — with a “to each their own” nuance—roles, boundaries, responsibilities… and in a mystery, sometimes secrets, too. Ognuno ha il suo posto. = Everyone has their place. Ognuno per sé. = Each for themselves. A ciascuno il suo. = To each their own. Matta practical tip: Try swapping ognuno with ciascuno in a sentence. Ciascuno often sounds a bit more literary/formal, while ognuno feels very natural and everyday. Another Matta Tip: If you'd like to print or create a PDF of this post you can easily do so using the Chrome Browser Extension ----> GoFullPage! It works beautifully! Read the full article
Pensarci, pensare di, pensarne, pensare che: four ways to “think” without losing your mind
I pensieri ti tengono sveglia, almeno impariamo a coniugarli: Thoughts keep you up at night, let’s at least conjugate them! Ore 2:17: il cervello va in modalità “troppe finestre aperte”2:17 a.m.: your brain goes into “too many windows open” mode Se ti capita di essere pensierosa alle 2:17 di notte—quell’ora magica in cui il cervello decide di aprire dieci schede contemporaneamente—benvenuta nel club. Una scheda dice: “Ho risposto a quell’email?” L’altra: “Ho preso i biglietti?” E poi arriva la domanda che ti fa inciampare anche se studi italiano da anni: “Ho detto ci penso o penso di?”If you ever find yourself “thoughtful” at 2:17 a.m.—that magical time when your brain opens ten tabs at once—welcome to the club. One tab says: “Did I answer that email?” Another: “Did I buy the tickets?” And then comes the question that trips you up even if you’ve studied Italian for years: “Did I say ci penso or penso di?”E quando la mente parte in modalità sovrappensare (alias: “analizziamo tutto, subito, e possibilmente con ansia”), ti ritrovi circondata da una famiglia intera di verbi e sostantivi parenti di pensare. Non sono mostri: sono solo “cugini” che vogliono entrare nella conversazione al momento sbagliato. Tipo: ripensarci (ci ripenso e cambio idea), pensarci su (ci rifletto un attimo… o tre ore), ripensamento (ops, ho cambiato rotta), impensabile (neanche per sogno!), pensiero fisso (quello che non molla), pensiero ricorrente (il ritorno del pensiero, stagione 4), pensare troppo, pensare ad alta voce e persino pensare male (eh sì: in Italia si può fare anche quello!).And when your brain flips into overthinking mode (aka: “let’s analyze everything, right now, with extra anxiety”), you suddenly meet the whole extended family of words related to pensare. They’re not monsters—just “cousins” who love to jump into the conversation at the worst moment. Like: ripensarci (rethink it and change your mind), pensarci su (think it over… briefly… or for three hours), ripensamento (oops, new plan), impensabile (no way!), pensiero fisso (the thought that won’t let go), pensiero ricorrente (the recurring thought—season 4), pensare troppo, pensare ad alta voce, and even pensare male (yes—Italian allows that too!). Pensarci, pensare di, pensarne, pensare che: four ways to “think” without losing your mind! PENSARE + A ------> PENSARCI(thinking about a task or something to do) “Ci penso io” — Questo è l’italiano della vita vera: “Tranquilli, ci penso io.”“Ci penso io” — This is real-life Italian: “Relax, I’ve got it.” In Italian, pensare a means “to think about” a specific thing—a task, a responsibility, a plan, or an option already on the table. When that “thing” is understood from context, Italians often replace it with ci, and pensare a becomes pensarci: Ci penso = “I’ll think about it / I’ll take care of it / I’m considering it.” pensarci : Task or responsibility Hai pensato al biglietto? → Sì, ci ho pensato.Did you think about the ticket? → Yes, I did / I considered it.Devo pensare alla prenotazione. → Ci penso io.I have to think about the reservation. → I’ll take care of it / I’ll handle it.Pensiamo al programma per domani. → Ci pensiamo stasera.Let’s think about tomorrow’s plan. → We’ll think about it tonight. pensarci : Thinking about doing something (Previously referred to) Pensi a comprare i biglietti online? → Sì, ci penso io.Are you thinking about buying tickets online? → Yep, I’ll handle it.Sto pensando a cambiare posto. → Ci sto pensando.I’m thinking about changing seats. → I’m thinking about it.Abbiamo pensato a partire dopo lo spettacolo. → Ci abbiamo pensato.We thought about leaving after the show. → We considered it. pensarci : Considering an option (Previously referred to) Pensi a venire al concerto? → Sì, ci penso. (= ci sto valutando)Are you considering coming to the concert? → Yeah, I’ll think about it.Hai pensato a una soluzione? → Ci sto pensando.Did you think of a solution? → I’m thinking about it.Pensate a un altro film? → Sì, ci pensiamo.Are you considering another movie? → Yes, we’ll think about it. PENSARCI : Imperative / Command Tense Reminder: “Don’t forget / think it through!” When pensare a turns into the imperative—“Pensaci!”—it’s not just “think about it.” It works as a quick reminder (don’t forget!) or a nudge to think it through before you decide. It’s like saying: “Hey—keep it in mind… and think twice.” Mi mandi il link del trailer? Pensaci! (= non dimenticare)Will you send me the trailer link? Remember!Quando arrivi, pensaci: devi spegnere il telefono.When you arrive, remember: you must turn off your phone.Pensaci bene prima di comprare i posti in galleria. (= riflettici)Think it through before buying the balcony seats. PENSARE + DI (intention or planning to do something) PENSARE DI: il piano che ti fai in testa (prima che la realtà intervenga)PENSARE DI: the plan you make in your head (before reality steps in) Pensare di is your go-to structure for expressing an intention, plan, or likely future action: “I intend to / I’m planning to / I think I will do X.” It’s followed by an infinitive (andare, fare, prenotare, chiamare…), and it lives entirely in your head as a decision-in-progress.The key point: with pensare di, there’s usually no specific “thing” already mentioned that you’re referring back to—so there’s nothing to replace with ci. You’re not saying “I’ll think about that”; you’re saying what you believe you’re going to do. PENSARE DI + INFINITOintention or Planning to do something Penso di andare in Italia quest'estate.I’m planning to go to Italy this summer.Pensiamo di vedere un film dopo cena.We’re thinking of watching a movie after dinner.Penso di prenotare online.I think I’ll book online. PENSARE + NE(your opinion of something) PENSARNE: “ne” = il tuo verdetto (mi piace, non mi piace, boh)PENSARNE: “ne” = your verdict (love it, hate it, meh) Pensarne is what happens when pensare teams up with ne to express an opinion. Think of it as Italian’s compact way to say: “What do you think of it?” or “What’s your opinion about…?”The little word ne points back to something already mentioned (or about to be mentioned), and it usually corresponds to what would be introduced with di: di questo, di quel film, di quell’idea. That’s why you’ll hear questions like: PENSARE + NEyour opinion (of something) Domande tipiche / Typical questionsChe ne pensi del film?What do you think of the movie?Che ne pensate di andare a teatro?What do you think about going to the theater?Come rispondere / How to answer Ne penso bene. (mi piace / buona opinione)Ne penso bene. (I like it / good opinion)Ne penso male. (non mi piace / cattiva opinione)Ne penso male. (I don’t like it / bad opinion)Non ne penso molto / granché. (non mi impressiona)Non ne penso molto / granché. (I’m not impressed) PENSARE + CHE(I think that… + a full clause) PENSARE CHE: quando “I think” apre un mini-film (con indicativo o congiuntivo!)PENSARE CHE: when “I think” launches a mini-movie (indicative or subjunctive!) Pensare che is the structure you use when your thought isn’t just “to do something,” but a full idea you want to state out loud. It introduces a complete clause—a mini sentence with a subject + verb.And this is where the Italian soap opera begins: after penso che, do you use the indicative or the subjunctive (congiuntivo)?In everyday conversation, many Italians often use the indicative because it feels quick and natural, especially when the speaker believes something is likely true (Penso che è tardi). But in more careful speech and in writing, the “classic” choice is the subjunctive, because penso che expresses an opinion, uncertainty, or a personal viewpoint (Penso che sia tardi).A helpful rule of thumb: when your sentence is clearly subjective —and especially when it’s negative—Italian strongly leans toward the congiuntivo: PENSARE CHE + a full clause(I think that / A personal opinion) ++++++++++++++++++++++++++++++++++++++++++++ Indicative — very common in speech. Many Italians use the indicative in everyday conversation when it feels “likely true,” or simply because it’s fast and natural. Penso che è un bel film. think it’s a good movie.Penso che domani piove.I think it’s going to rain tomorrow.Penso che loro arrivano tardi. I think they’re arriving late.++++++++++++++++++++++++++++++++++++++++++++ Subjunctive — more standard / more polishedTraditionally, after “penso che” (opinion, subjectivity), writing and careful speech prefer the subjunctive. With negation it is extremely common Penso che sia un bel film.I think it’s a good movie.Penso che domani piova.I think it’ll rain tomorrow.Penso che arrivino tardi.I think they’re arriving late.Non penso che sia vero.I don’t think it’s true.Non penso che venga stasera.I don’t think he/she is coming tonight. Pensieri notturni? Tisana, sorriso, e la frase magica: “Ci penso domani.”Night thoughts? Herbal tea, a smile, and the magic phrase: “Ci penso domani.” Se stasera i pensieri tornano a bussare (“E se avessi detto penso che è invece di penso che sia?!”), fai così: una tisana, un sorriso, e ripeti come un mantra: “Ci penso domani.” (E guarda: hai appena usato pensarci perfettamente.)If tonight your thoughts come knocking again (“What if I said penso che è instead of penso che sia?!”), do this: herbal tea, a smile, and repeat like a mantra: “Ci penso domani.” (And look: you just used pensarci perfectly.) 🇮🇹 Un consiglio dalla Matta 🇮🇹 Matta Italian Language Tip! Quick Guide how to Use PENSARE So you can get some sleep at night! PENSARCI → think about that thing / handle it / consider itLa prenotazione? → Ci penso io.The reservation? → I’ll handle it. PENSARE DI → intention/plan + infinitiveDomani che fai? → Penso di andare al museo.What are you doing tomorrow? → I’m planning to go to the museum. PENSARNE → opinion (“What do you think of…?”)Il museo com’è? → Ne penso benissimo!How’s the museum? → I think it’s great! PENSARE CHE → “I think that…” + full clause (indicative/subjunctive)Vale i soldi? → Penso che sia un’esperienza unica.Is it worth the money? → I think it’s a unique experience. Another Matta Tip: If you'd like to print or create a PDF of this post you can easily do so using the Chrome Browser Extension ----> GoFullPage! It works beautifully! Travel with Melissa and learn Italian in Italy! View the current Italian language and culture immersion programs. Read the full article
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