Ben Hur (2010)

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Ben Hur (2010)
Ben-Hur
por Lewis Wallace
We can (and should) still tell the truth and check our facts: The job of storytelling, of truth-telling, is not going away. But it is getting harder and more complex, in the face of unknowable datasets, lying federal leaders, Facebook algorithm dominance and a changing but also opaque market for online news that tends to bring the foamiest of fluff to the top and confuses even the most savvy consumers. All of that said, the people consuming news are savvy. They know that news is curated and complex; that the editorial choice of what to report and how to report it is always a subjective one; that facts are real, but so are priorities and perspective. I think we are past the point where they expect us to speak to a fictitious and ever-shifting center in order to appear “neutral.” In other words, we can check our facts, tell the truth, and hold the line without pretending that there is no ethical basis to the work that we do.
Objectivity is dead, and I’m okay with it - Lewis Wallace - Medium
Nemes György
via DSPACE
Ilustrações de Ben Stahl para o espetacular, magnífico e soberbo Ben-Hur, de Lewis Wallace.
Fonte: Aqui
A riqueza bate asas, os confortos desaparecem, a esperança fenece, mas o amor sempre permanece conosco. O amor é Deus.
Ben-Hur, de Lewis Wallace
Dzień po Walentym czyli Charles Andre van Loo
Dzień po Walentym czyli Charles Andre van Loo
Dzień po Walentym w naszym kalendarzu Francuz, przedstawiciel malarstwa rokokowego, przez niektórych francuskich historyków sztuki uważany za największego malarza Europy Charles Andre van Loo, prawnuk Holendra Jacoba van Loo i brat Jana Baptysty van Loo, również malarzy tej artystycznej holenderskiej rodziny osiadłej w Paryżu. I chociaż Charles namalował więcej portretów Marii Leszczyńskiej,…
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