'a study,' john singer sargent, lithograph, not dated.
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'a study,' john singer sargent, lithograph, not dated.
Leonor Fini (1907-1996), 'Sphinge ailée', 1975
Pushkin in Translation
This 1943 Limited Editions Club edition of Alexander Pushkin's Eugene Onegin (first published in 1833) is not just a book — it’s a carefully crafted object. The volume features original lithographs by German-American illustrator Fritz Eichenberg (1901-1990) and a special rag paper with the smooth hand-finished, deep-toned surface made exclusively for this volume by The Worthy Paper Company. The binding is of boards covered with polished black leather and a printed pattern developed from a drawing by Eichenberg, using early “repeat-pattern” photography.
The text itself was translated by American poet Babette Deutsch (1895-1982) and edited by her husband Avrahm Yarmolinsky (1890-1975), a leading figure in Slavic studies in New York. Printed on custom paper with elegant Bodoni type, the book reflects a moment when literature, design, and craftsmanship came together as one.
Alexander Pushkin (1799-1837), is often called the creator of modern Russian literature because he brought everyday spoken language into “high” literature. At a time when the aristocracy preferred French or English, he chose to write in Russian and to describe ordinary life and real emotions, especially in Eugene Onegin, influenced by Romanticism and writers like Byron. His work helped shape the Russian literary language, but it was also deeply connected to the imperial world he lived in. He wrote about freedom and individuality, yet at the same time contributed to a cultural tradition that later became central to imperial identity. This contradiction is what makes Pushkin so interesting — not just as a great writer, but as a figure who shows how culture is created within systems of power.
The illustrations by Fritz Eichenberg add another layer to this intersection. A German artist who fled Europe during World War II, he brought his mastery of printmaking into this edition. His work transforms the text into something visual and atmospheric, multiplying meaning through image just as Pushkin did through language.
This book is more than a classic — it’s a meeting point of cultures, histories, and artistic traditions.
View other posts with works by Alexander Pushkin.
View other posts with illustrations by Fritz Eichenberg.
View other posts with Russian literature.
-- Kate, Special Collections Graduate Art History Fieldworker
Enciclopedia delle Arti e Industrie 1885 Color lithographic process using superimposed impressions from four different stones.
Marc Chagall Le Cirque, 1967 colour lithographs
Nightfall is the second in my 'Seasons of the Two Moons' collection - representing Spring, full of life and the spirit of the hunt. The collection brings together my favourite comic series ElfQuest (recently beautifully reprinted by DarkHorse) and the elegance of art nouveau ✨
These limited edition lithographs prints are nearly sold out! Visit Stands to get yours before they are all gone!
Celebrate ElfQuest’s seasons with four 11x17” lithographs in Art Nouveau style—Leetah, Nightfall, Moonshade & Kahvi as Summer, Spring, Autum
Alphonse Mucha (1860-1939) La Primevere & La Plume (1899) Source (20MP)
lithographs in colours on wove paper
I found this 1888 illustration of a wren on the Internet Archive while looking for crow illustrations. Thought of the Dead Letter Office of Somewhere, Ohio. This little wren looks so joyous and defiant.
Two days later, still thinking about Wren and the DLO. So it goes.
(all 50 illustrations are gorgeous if you want to check if your favorite bird is out there)