#lotg2018

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Car Seat Headrest 8/16/18, Live on the Green Nashville, TN

Photos by Nathan Zucker

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The New Respects 8/30/18, Live on the Green Nashville, TN

Photos by Kate Cauthen

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Cold War Kids 8/16/18, Live on the Green Nashville, TN

Photos by Nathan Zucker

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Show Review

Live on the Green Featuring Dr. Dog, The Wild Feathers, Roots of a Rebellion, Rival Sons, Savannah Conley, The New Respects 8/30/18

There was a thrill and a sense of rush in the air as Nashville geared up for the first of the three-day finale for 2018’s Live on the Green Music Festival. Unlike previous weeks of the fest, a second stage was erected for this week’s events, and instead of the usual four act evening, Lightning 100 upped the ante to six acts, split between the stages.

The smaller of the two stages, dubbed The 615 Stage, was dedicated to Music City itself, and featured an array of local talent. The evening began with The New Respects, a four-piece family band that was edgy, groovy, and full of personality. I had heard a few of their songs, like “We Ain’t Going Nowhere,” on the radio before, but seeing them live was a whole new experience. The way they bounced around the stage, grinning from ear to ear with the occasional synchronized dance move, they were having a blast and took their audience with them with the instruction, “We play, ya’ll dance.”  Not only that, but they sounded amazing. Vocals from all four members were on point, and songs like “Shoes” and “Something to Believe In” killed it. To kick off the evening with an act like this set an extremely high bar for the rest of the night.

The rest of the night on The 615 Stage stayed at the same level. Singer-songwriter Savannah Conley wooed the crowd with her laid-back vibe, focusing on songs from her recently released EP. “Never Be Ourselves” and “All I Wanted” exhibited her smooth, airy yet warm vocals and was a mellow change of pace from the other acts playing the fest. Meanwhile, Roots of a Rebellion put us on island time with their rock-infused reggae. These Belmont alums got the crowd bobbing their heads through songs like “Peace and Love,” and I swear with every note, I could see the stresses of the day being lifted off everyone’s shoulders. It takes a special band to make people forget about the weight of the world, and these guys have fine-tuned it.

Over on the Main Stage, Rival Sons jolted fans to life with the sounds of straight up rock n’ roll. Grungy guitars, heavy beats, wailing vocals – this group had it all as they shredded through eleven songs, including “Electric Man,” “Keep on Swimming,” and “Open My Eyes.” Following them were LOTG veterans The Wild Feathers, who just released their 3rd full length, Greetings from the Neon Frontier, earlier in the summer. Their set sent me down a nostalgic path, remembering their performances from LOTGs past with songs like “Backwoods Company” and “Left My Woman,” but they still had plenty of new tunes sprinkled in the set as well. “Quittin’ Time” rang true to the sound of the Feathers’ country/Americana spirit, and their songs made me feel like I was on a road trip through Route 66.

Unfortunately, by the time headliners Dr. Dog took the stage, many people had left the fest due to Nashville’s infamous late summer rains. This didn’t stop Dr. Dog, who rewarded those who stuck around with an 18-song setlist, spanning their nearly 20 years of music making across 10 records. Their performance was dynamic, as they jangled and rocked through feel-good melodies containing contrasting, not quite as optimistic lyrics, like “Heart Killer” and “That Old Black Hole.” They even included a cover of Architecture in Helsinki’s “Heart It Races,” a personal favorite of mine that I (and it seemed, everyone else in the audience) was happy to dance along to in a live setting. Since the induction of the fest, Dr. Dog has always been a natural fit for the Live on the Green stage, and I was happy to see them return after a seven year absence.

The end of the summer always has a sense of drowsiness to it – routines return as vacations come to and end, students return to school, etc. And while many of us look forward to fall (#basic and I don’t even care), there’s still a level of bummer that comes with the summer fun coming to an end. Live on the Green’s arrival has and will always be a late season welcome, a brief reprieve as we slip back into our schedules to let us dip out periodically for some fun. It’s the perfect transitional event for this time of year, and it’s changed Nashville for the better.

Reviewed by Cathy Smitley

[juliemuncy]

Nice shot 📷👍@liveonthegreen captured the magic of @thewildfeathers @taylorburns + @rickyyoung during their performance #lotg2018 ✨Big thanks to @lightning100 for your hospitality✨ (at Live On The Green Music Festival) https://www.instagram.com/p/BnMmLlEDISY/?utm_source=ig_tumblr_share&igshid=bziaioawe3vd

[suburbanroads]

Show Review

Live on the Green Featuring Alanna Royale, Parquet Courts, Rainbow Kitten Surprise, Trampled By Turtles 8/23/18

The sun was shining on week 3 of Live on the Green, and after grabbing some food and a beer, I sat down on the grass behind a couple with two puppies and another couple with two kids.  I watched as strangers came up to pet the puppies, and the kids jumped around in the sun with smiles on their faces.  Seeing smiling faces before music had even started was a pretty powerful sign that nothing could go wrong on this day.  

Alanna Royale kicked off what she dubbed the “Pre-Beyonce show, sponsored by Lightning 100.” And boy, if fans did use this as a pre-show to Beyonce, they would have made a perfect decision.  Backed by a funky band complete with back-up singers, horns, and everything else you’d expect, Royale belted her way through 30 minutes of hip-shaking soul.  And not only could she belt it, but she also knew when to keep it calm to really create the big moments.  “I Used to Dream” off her month-old EP So Bad You Can Taste It started off slow and smooth, but a few minutes in, her and the band exploded into a full blown “take-me-to-church” jam.  

It’s probably my own personal lack of knowledge about the band, but Parquet Courts was way more punk rock than I was expecting, and in the best way possible.  They’re the kind of punk rock that makes you want to dance around with a smile on your face in the mosh pit, unlike pits I’ve seen at metal shows.  Highlights included “Before the Water Gets Too High” where lead singer A. Savage picked up an omnichord to add that ominous drone that carried through in the background.  The title track from their latest release Wide Awake was a big hit as well.  Fans danced along to the somewhat sarcastic cowbells, funky guitar and bass lines, and the whole band shouting together “I’m wide awake!”  

Rainbow Kitten Surprise’s set was really a surprising thing to witness.  Again, maybe I’m just oblivious, but it seemed like they came out of nowhere and are now commanding big slots at festivals all over the country.  People love these guys, and even if you weren’t able to have your Instagram comment made solely of emojis, these North Carolina natives would still be a massive hit.  They pulled out “Seven” from their debut 2013 release early on in the set, and the sing-along began.  And man, Nashville sung along like no other crowd I’ve seen.  A combination of one of the biggest LOTG crowds I’ve seen, paired with an unwavering love of RKS, resulted in the crowd literally drowning out lead singer Sam Melo on the song “First Class.”  I wonder if Beyonce heard RKS’s crowd?  I also wonder if Beyonce is jealous of Melo’s salsa-esque dance moves?  All together, RKS was one of the most well received shows I’ve seen at Public Square Park.  

From dancing to singing along, and then, to clapping along, Trampled By Turtles brought the bluegrass.  With the absence of a drummer on stage, the crowd willingly volunteered to fill the percussion role as they clapped along immediately.  The absence of a drummer also made for a visually exciting show as well.  The six string players all stood in a line harmonizing flawlessly, and then all together stepped back from their respective mics in unison.  But of course, they were all the best at their instruments.  As solos and harmonies poured out over Public Square Park, music fans danced along with never-wavering smiles.

What I love about Live on the Green is it feels like a month-long homecoming.  It’s a constant this time of year that I don’t foresee ending anytime soon, and every year I run in to friends I only see once a year.  It’s a beautiful thing whenever a community gets together to see music, even a better thing when it’s free, and literally the best thing when you get to reconnect with friends, don’t have to buy a ticket, and get to see bands that everyone else in the world has to pay for.  

Reviewed by: Nathan Zucker

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Show Review

Live on the Green Featuring Cold War Kids, Car Seat Headrest, Colony House, *repeat repeat 8/16/18

The staple Nashville free music concert series entered week two on a humid but rain-free (!!) Thursday.  College kids poured in early while the working class watched the clock till 5:30 or so, and soon enough, Live On The Green was packed with fans excited for some good food, cold beer, and free live music.

A couple years ago, I saw *repeat repeat kick off the second stage during the Labor Day Weekend portion of the festival.  Two years and an album later, the Nashville locals were ecstatic to be opening up the main stage.  I mean seriously, they were so happy to be there they stopped their sing-along hit “Girlfriend” halfway through to thank Lightning 100 for all the support, before crashing back in with a final huge chorus.  I always love seeing bands make progression with a festival, and *repeat repeat definitely deserves the success they’re seeing.

I’ll be honest, I didn’t know Colony House before their show.  It’s fun going in to a show not knowing what to expect, and even more fun when the show is great.  When you walk out to “The Boys Are Back in Town” and start your show with tasteful vocal effects/autotune (not exactly sure what they used, but it did sound a bit like Bon Iver, if that gives you an idea) over a down-tempo, driving groove, I’m hooked.  Colony House is a captivating bunch.  The band is very energetic on stage, and even if they weren’t singing in to a mic, everyone on stage was still singing along.  They’re also great at making big moments.  Exhibit A, their song “Moving Forward.”  Lead singer Caleb Chapman played the first verse and chorus alone on stage.  The rest of the band walked on stage during the second verse, and by the time the second chorus hit, brother Will Chapman came in on the drums and the remaining members harmonized.  Colony House was an incredible 45 min of singing, clapping, and jumping along.

It’s possibly (probably) my personal bias, but Car Seat Headrest stole the show.  Their music lives in this weird space where, listening alone, it can feel a bit melancholy, but when you’re in a crowd of people all singing, “Hangovers feel good when I know it’s the last one, Then I feel so good that I have another one” it’s a beautiful thing to know you’re not the only one who’s been there.  Cheesy, I know, but isn’t this why we all go see live music…to be a part of something bigger than ourselves?  And aside from Will Toledo’s brilliant ability to connect with us millennials, the band was incredible live.  I knew that percussion was a part of their sound (did Christopher Walken have a hand in producing “Destroyed By Hippie Powers”??), but I didn’t know how much of an effect percussionist Andrew Katz would have on their live sound.  Playing everything from bongos to cowbell the entire night, this unexpected element was something new to keep your ears on.  Later in set, Toledo handed his guitar off to Katz, moved over to the keyboard, and the newly organized band launched in to “Drunk Drivers/Killer Whales.”  Public Square Park exploded as thousands of people screamed, “It doesn’t have to be like this!”  

Live on the Green veterans Cold War Kids closed out the night.  They were in this same position a few years ago, and made a triumphant and welcomed return.  These guys are such a great rock band for Nashville - they know how to write catchy sing-alongs and put on a true rock ‘n roll show.  Speaking as a photographer, it’s tough to shoot a show with little-to-no front lighting on the band members, but I have to appreciate it as every aspect of their live show brings you back to seeing shows at dirty dive bars where the music is always more important than image.  And Cold War Kids knows how to play music.  As their carefree rock ‘n roll spirit poured out from the stage, Nashville danced along from start to finish.

Week two was over, and the only thing better than thinking back on singing along with thousands of strangers is thinking ahead to the two weeks left of Live on the Green.  Lightning 100 has really created something special.  For 10 years now, Thursdays in August/September have brought Nashville together.  

Reviewed by: Nathan Zucker

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Colony House 8/16/18, Live on the Green Nashville, TN

Photos by Nathan Zucker