#luis lopes

[narizentupidocartazes]

[2026] 17 de Maio | Sísifo no Monta-Cargas#4 | RUÍNNAZ | Ada Rave & Ziv Taubenfeld & Luis Lopes | Damas

Cartaz [Susana Mouzinho]

[narizentupidocartazes]

[2026] 17 de Maio | Sísifo no Monta-Cargas#4 | RUÍNNAZ | Ada Rave & Ziv Taubenfeld & Luis Lopes | Damas

Cartaz [Susana Mouzinho]

[narizentupidocartazes]

[2026] 07 de Março | Concertos do Chão#11 | Luis Lopes | Mothers of Exit | Escola do Largo [Largo do Chiado 15]

Cartaz [Isabel Simões]

[narizentupidocartazes]

[2025] 27 de Setembro | Fim de Emissão#53 | Escada | Luis Lopes | Paixão | Desterro

Cartaz [André Lemos]

[narizentupidocartazes]

[2024] 24 de Março | Vicente Mateus & Zé Maldito | Luis Lopes & Hugo Costa

Cartaz [Zé Maldito]

[narizentupidocartazes]

[2023] 10 de Agosto | Mofaya! | Luis Lopes | Prisma - Lisboa

Colaboração [Nariz Entupido | Associação Terapêutica do Ruído]

Cartaz [Alena Koleso]

[burlveneer-music]

Luis Lopes ABYSS MIRRORS - echoisms - Clean Feed is on a tear, check out this slab of free jazz from Lisbon

From the music recorded in two days at Namouche Studios Lisbon, and reaching the public through this cd, comes a constantly changing sound and atmospheric passages, managed with the tense restraint of someone who listens and understands their place within a great formation and moments of collective ecstasy with no final destination. Movements of elusive harmony that revolve around themselves in line with the haunting lyrics of 'He Loved Him Madly' by Miles, along with a whirlwind of strings that brings that liberation of Alan Silva's ensembles, electronic phrases as meta-rhythmic as landscapes and more detours and certain continuities, in an abysmal game of mirrors. The name is well placed! The troop, the Abyss Mirrors, invoked by guitar player Luís Lopes, as described in his own words draws from inspirational foundations and a search for continuity to music that is born from the ensembles of Sun Ra and advances through the electric periods of Miles Davis and Ornette Coleman, to continue with Wadada Leo Smith, and pinching from electroacoustic giants like Stockhausen or Gabriel Prokofiev. A Herculean task but full of intention, built by an ensemble made up of a dozen figures, 4 nationalities: Portuguese, Swedish, Finnish, and Brazilian, all currently based in Lisbon, coming from areas as disparate as intersectional: obviously from jazz but also free improvisation and experimental styles, from electronic to underground techno, contemporary or rock, with a good balance between electric and acoustic. All people recognized and recognizable in a collusion of more or less usual cronies from Lopes various wanderings. creditsreleased March 21, 2023 Luis Lopes electric guitar Flak electric guitar Jari Marjamaki electronics Travassos electronics Felipe Zenícola electric bass Yedo Gibson tenor , alto, soprano sax Bruno Parrinha alto, soprano sax Helena Espvall cello Maria da Rocha violin Ernesto Rodrigues viola All music by Abyss Mirrors under Lopes direction

[moodswingsabz]

Luis ‘Duk’ Lopes: a not-so-local legend in the making

As I sat in the South Stand, watching our new unknown quantity look like he was absolutely killing himself to chase a ball down the channel, I was finding myself asking more questions, rather than finding any answers to the ones that had arrived with Luis Lopes. How would a player without any real senior football adjust to life in the Scottish Premier League? Is a striker or a winger? Why is he called ‘Duk’? And now I found myself wondering if this guy was up to match fitness? Did he have the ability and flare that been stated when he signed? Whenever he reached the ball he looked as if he needed to catch his breath before he could do anything with it. Not long after this I remember being in The Bobbin beer garden, catching the last of summer, when my Celtic-supporting pal told me that he thought Duk was a real player. I was non-committal, I still wasn’t sure either way I told him. Thankfully, the answers the to these questions and a certainty of feeling, for myself and surely all Dons fans, weren’t long in the post. The likability of Duk as a character and the sheer joy of shouting ‘DUUUUUUUK’ whenever he scored, created something, put in a tackle or simply ran close enough to the Red Shed gave him an instant rapport with the Dons support during matches but in the initial stages it did still feel like the jury was very much out on what we were going to see from Duk across the season. He was prone to perhaps overplaying slightly and losing the ball too often and Jim Goodwin was only too happy to remind the media and fans that he wasn’t yet up to match fitness, often accompanied by a random percentile. Then came the goal against Ross County, a sublime touch and finish that lit up an afternoon that would end in frustration for Aberdeen. After this, Duk began starting games and it was in only his second start at Pittodrie, against Hearts, that the all the scraps of talent and desire that had been seen in previous performances came to fruition, with a cool finish through the legs of Craig Gordon followed by an assist, where whilst down injured, he managed to receive the ball, work his way past the Hearts defence and the lay the ball on a plate for Vincente Besuijen. For me it was then that we really knew what kind of player we had on our hands. Last time out I spoke of the affections that can be garnered for a hometown hero but it can be just as enjoyable, even if very different, seeing a player come from the relative unknown and really find their feet for your team. We’ve been lucky enough to see it a few times recently at Aberdeen with the likes of a James Maddison, Danny Ward or Sam Cosgrove (arguing this is probably a tougher sell than it was getting him off to Birmingham) and this season we could be seeing this scenario for two or three in the squad with Bojan Miovski, Leighton Clarkson and of course, Duk. It’s quite a rare phenomenon and no one would argue that we haven’t had to endure our fair share of duds, players who landed with plenty of promise that really never took off, who left Aberdeen with not much more than the knowledge safely secured that you can put pasta in a pie, but when it works, it works. It’s simply a great feeling as a fan to see a player come in from parts unknown and really take to Aberdeen as both a place to develop their football and a city as a whole. Reading what Luis had to say about his time at the club and city this week, how at times it almost felt like he’d been in born in Aberdeen, had me feeling a bit more emotion than I’d usually like to admit on a football blog. There were a very tough few months for Aberdeen post the World Cup break and Duk wasn’t immune to this but with the recent turnaround in performances under Barry Robson, he is back to his blistering best. The back heel at Tannadice felt like the springboard for what is hopefully a huge turnaround in our away form this season and the brilliant early double against Hearts confirmed that with the resurgent Dons, comes a resurgent Duk. Inevitably the conversation has already started about how long we’ll get to enjoy seeing Duk’s moments of magic in an Aberdeen shirt, his brilliant and passionate celebrations after scoring and the general ‘scenes’ he seems to be able to create at Pittodrie. There is already talk of other, more financially fruitful clubs coming knocking and that we should enjoy Luis whilst he’s here. However, as a football fan, it could be said that there is no certainty of enjoyment in the future and quite often the present can be too stressful to be fully enjoyed (other than those magical times where ball hits net) and it’s really the past we look to, to find our satisfaction. Despite everything that has happened this season, Duk has delivered many brilliant moments , some mentioned in this article but also many more. So of course, we’ll need to enjoy him whilst he’s here but no matter what happens next, no matter what happens with the young lad from Benfica B, Duk has given us memories to look back on and enjoy for many years to come.