Things I love in Jessica Jones Season 1 that I don't see anyone else talking about:
• The bond Trish and Jessica share. That even before Jessica thought of turning herself in she went to see Trish's abusive mom, called her out on her bullshit (multiple times) and told her to stay away from her. That Trish tells Jessica she hopes she can allow herself to be happy, gives her money to run, and stands by her even if she doesn't understand her. Trish tolerates her mom presence and future possibility of same to know about Jessica's past accident and what made her like this.
• Luke, I liked how we wasn't written as her saviour for one moment. He supported her, called her out on his wrongs, lashed at her in hurt, and helped her. I loved how the writers didn't deviate from this being Jessica's story and only hinted at Luke's past to show why he lashed out at her and of course to create buzz for Luke Cage.
• DAVID TENNANT. How he made me feel hopeful Kilgrave could be redeemed, when there was none. Yes, he doesn't know love or good relationships because of what his parents did to him, yes he may be like this because the virus in him may affect his morality and judgements but after the bus stop, he had the chance to let go and live alone. He didn't. So the virus just influences mind control, not his desire to have a connection, or as he called it his yearning for her. Or how when he said, "I can't be hero without you" saying that it shows that before her he never considered using his powers for good because why would he, the world's safest people for children- his parent's tortured him (to treat him, of course, I'll talk more about that later). Moving on, there was anger and sadness when he said "I'll make her want me and then leave her. Make her feel despair" (heavily paraphased) shows he is hurt by her not choosing him, accepting him, understanding him and the anger and jealousy for choosing and understanding Luke instead. Or when he compelled Jeri's wife to make thousand cuts on Jeri because he understood and empathised with her because in his perspective, Jessica made a thousand cuts on him too (honestly, thinking about this scene even now gives me chills) Or the joy he felt when he could control her again because he genuinely believed that with time and control she would understand and forgive him because of that 18 seconds. He remembers those 18 seconds like that because that 18 seconds made him realise that's what he wants with her. He wants her to be with him because he feels for her. Otherwise, why would he be angry and scared she wanted to jump "I don't care about anyone's life but you. The rest are fungible to me"
• Jessica telling people to deal with their own grief (the jewellery person who wanted to kill her because of her mom's death - which valid, her mom shouldn't have lost life under a building caused by extraterrestrial- superhero war that could be avoided but that also doesn't give her right to kill people with superpowers) or how she calls out Kilgrave's parents for wanting to be God. They defended by saying he would die of neurogenerative disease at 12 years if they didn't do this, but that was also playing God. And if it was just him, you experimented on other kids, HOW do you explain that?
• Malcom throwing the drugs away after Jessica says that Kilgrave did that to isolate her (which yes abusers do), Malcom's prayer for Reuben (A beautiful funeral doesn't guarantee Heaven), Robyn telling Malcom that she forgives him and she hopes there is express shipping in heaven.
•(Edit 1) Kilgrave dying with with a snap of neck and while I was a bit disappointed then and thinking , "Oh? That's it? No showdown of epic proportion?" now that I think about it, that was beautiful. Because no matter what mind control super power Kilgrave had, or whatever power he had that made him super human- him dying with a snap of neck showed he was still vulnerable, and human. That no matter how powerful you are, there are chinks in your armour (and here I wrote why it reminded me of Harry Potter)
P. S it was nice to see you Claire Temple.
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