Is a solo exhibition ever truly solo? Maria Maea’s All in Time highlights the collaborative ways she exists and engages within her community.
Using plants and repurposed material, Maea builds film set-like sculptures that relate to storytelling and myth-making; with decades of experience in film production, she understands the invisible labor and processes that happen behind the scenes. And as a Mexican-American and Samoan artist, she wanted to showcase the often invisible, marginalized diasporic experiences and histories that have allowed her to arrive at her “here.”
Read Joelle E. Mendoza (JEM)’s review.
















