Indie Power TV – Film Maker Mark Adler MARK ADLER Rocks INDIEPOWER! On the HMMA's Red Carpet mark breaks down what he does & advice for those coming up!
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Indie Power TV – Film Maker Mark Adler MARK ADLER Rocks INDIEPOWER! On the HMMA's Red Carpet mark breaks down what he does & advice for those coming up!
Summer of 1986 | Flight of the Navigator
Explore Capricorn Theater’s first theme season with Summer of 1986, a series of short reviews focusing on the summer films released in 1986. Today’s review: Flight of the Navigator.
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Merchants Of Doubt Now On DVD, Own The Soundtrack
Merchants Of Doubt Now On DVD, Own The Soundtrack
Director Robert Kenner’s documentary, Merchants Of Doubt, is out now on DVD! Kenneth Turan of the Los Angeles Times calls it: “An enthralling film. As fascinating as it is horrifying.” Merchants Of Doubt (Original Motion Picture Soundtrack) released by Lakeshore Records features score by Mark Adler (Food Inc.). Preview the album below and learn more about the critically-acclaimed film! (more…)
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Huge Supersonic Parachute Ripped to Shreds in NASA 'Flying Saucer' Test
A gigantic supersonic parachute that NASA is developing to help land heavy payloads on Mars was torn apart during yesterday's "flying saucer" test flight over Hawaii, agency officials said. The 100-foot-wide (30 meters) parachute — the biggest such chute ever deployed — unfurled well and apparently inflated fully, or nearly fully, Monday (June 8) before being ruptured by the fast-rushing air during the second flight test of NASA's Low-Density Supersonic Decelerator (LDSD) project. "At some point at or near full inflation, the parachute was damaged, and the damage propagated further until the parachute could no longer survive the harsh supersonic environment," LDSD principal investigator Ian Clark, of NASA's Jet Propulsion Laboratory (JPL) in Pasadena, California, said during a news conference today (June 9). http://dlvr.it/B8pVmH
La NASA ya está probando un "Platillo Volador" para enviar humanos a marte
La agencia espacial estadounidense (NASA) lanzó este lunes a la atmósfera terrestre por segunda vez y con una semana de retraso el “platillo volador” que busca aumentar la capacidad de carga y probar tecnologías con las que algún día espera transportar a humanos a Marte.
El Desacelerador Supersónico de Baja Densidad (LDSD, por sus siglas en inglés), más conocido como “platillo volador” incluso…
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Merchants Of Doubt: Mark Adler's 'Snazzy' Score And Film's 'Solid Reporting' (Wall Street Journal) , Join The Q&A With Director Robert Kenner!
Merchants Of Doubt: Mark Adler’s ‘Snazzy’ Score And Film’s ‘Solid Reporting’ (Wall Street Journal) , Join The Q&A With Director Robert Kenner!
Mark Adler’s Score For Merchants Of Doubt Is Out Now, Join The Q&A With Director Robert Kenner In New York, Los Angeles, Washington D.C., Vancouver, Toronto, Boston And More!
Solid reporting ties together battles over seemingly unconnected perils like cigarettes and flame-retardant chemicals. Snazzy graphics and music—and appealing interview subjects—move things along, and a kick-in-the-gut plot…
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Merchants Of Doubt's Composer Mark Adler 'Shows The Power Of Documentary Scoring' | Film Music Magazine
Merchants Of Doubt’s Composer Mark Adler ‘Shows The Power Of Documentary Scoring’ | Film Music Magazine
Yet having worked together on the impactful “Food, Inc.,” [Mark] Adler, and [Robert] Kenner also know there’s a serious point here for all of the snarky laughter they provide. And as the hugely entertaining “Merchants” reaches its sad, if still hopeful final point for a situation that’s pretty much irreversible, Adler’s once-humorous melodies darken to reveal themselves as serving as poignant…
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Merchants of Doubt Is Certified Fresh! Preview The Soundtrack Feat. Emmy Winner Mark Adler, Film Opens On March 6 In New York And Los Angeles!
Merchants of Doubt Is Certified Fresh! Preview The Soundtrack Feat. Emmy Winner Mark Adler, Film Opens On March 6 In New York And Los Angeles!
One of the things I like about film scoring is that over the years, different projects have commanded different types of music and I’ve always been able to dial in something that I personally like stylistically in order to serve that particular film. The other thing is that I never want to feel that I’m becoming a hack and recycling old stuff. It’s really important that I respond to the picture…
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