12.21.25 Mark Morgan at the Stereo Mandrax series at Pianos on Ludlow Street in the Lower east Side, Manhattan.

seen from Brazil
seen from United States
seen from Singapore
seen from United States
seen from France

seen from Australia
seen from United States
seen from Yemen
seen from Spain
seen from Malaysia
seen from United States

seen from Canada
seen from United States
seen from Malaysia
seen from United Kingdom

seen from United States
seen from Malaysia

seen from United States
seen from Malaysia
seen from Singapore
12.21.25 Mark Morgan at the Stereo Mandrax series at Pianos on Ludlow Street in the Lower east Side, Manhattan.
The 2026 WIP Big Bang & WIP Reverse Bang Is Open For Sign-Ups!
Welcome to a new round! This is the thirteenth year we've hosted the WIP Big Bang, which is for finishing fic and getting art to go with it, and introducing the third year we've had the WIP Reverse Bang, which is for finishing artwork and getting fic to go with it. All fandoms/ratings/ships are welcome, including original works!
Please read our FAQ before signing up.
Schedule
All times are by 11:59pm PST. Convert time zones.
Big Bang/Reverse Bang Sign-ups- April 1st - June 1st Big Bang/Reverse Bang Check In #1- May 22nd - May 29th Big Bang/Reverse Bang Check In #2- June 15th - June 22nd Big Bang/Reverse Bang Snippets Due- July 1st - July 11th Big Bang Art Claims/Reverse Bang Fic Claims- July 17th - August 14th Big Bang/Reverse Bang Check In #3- July 22nd - July 29th Big Bang/Reverse Bang Posting Claims- August 23rd - September 1st Big Bang/Reverse Bang Check In #4- August 31st - September 7th Official Big Bang/Reverse Bang Postings- September 8th - November 30th Emergency Big Bang/Reverse Bang Postings- December 1st - December 31st
SIGN UP LINKS
WIP Big Bang | WIP Reverse Bang
FAQ
Sightings - Perforated - Live at Northsix, 3-21-04
Happy Anniversary
Wishing Mike Fielding and Mark Morgan a very Happy 9th Anniversary. Congrats guys xxx
A new variant has been added!
Grand Cayman Thrush (Turdus ravidus) © Mark Morgan
It hatches from extinct, and last eggs.
squawkoverflow - the ultimate bird collecting game 🥚 hatch ❤️ collect 🤝 connect
Were there any lawsuits over the "sampling" of copyrighted music on the Fallout 1 & 2 soundtracks? Were royalties paid for the samples? I love Mark Morgan's work, but it is rather blatant. Great blog btw!
Hey, thanks for the question and thanks for the compliment! :D
In February 2008, Mark Morgan was asked the following question during an interview on website, Game-OST:
“Timothy Cain said that he likes dark gloomy music and is a big fan of Aphex Twin. Some Fallout compositions are quite similar to work by Aphex Twin - were you influenced by Timothy's tastes?”
Mark Morgan replied with this:
“When Interplay was thinking of using me for the game, they sent over some music that they liked and wanted me to do something similar as a demo. The CD they sent me had no titles or artists’ names, just a few pieces of unidentified music. I gave Interplay what they wanted and I think they must have used some of my demo in the final game. At the time, I wasn’t familiar with the work of Aphex Twin. To me, it was just my interpretation of what Interplay asked for.”
On October 10, 2022, Tim Cain said this in an interview with website, DualShockers:
“I had so much of this music that I gave the list of my music to Mark Morgan and said I wanted the game to sound like this." Included in the list were Brian Eno's Discreet Music, Ambient Works 1 and 2 by Aphex Twin, and a CD called Ambient 4: Isolationism.”
From the information provided above, Mark Morgan was not familiar with Aphex Twin at the time, and he was providing Interplay with what they asked for. We're not aware of any lawsuits regarding the use of any samples, however.
Additionally, in an interview on January 28, 2015 with website The Audio Spotlight, Mark Morgan provided a list of gear that he used during his time on Fallout and Fallout 2:
“At the time I was using a NED Synclavier as my workstation controlling a few midi synths and modules like a Nord 2, Virus, PPG 2.3, Jupiter 6 and a rackmount synth called a Morpheus by EMU. The Morpheus, like a lot of the rackmount modules in the ‘90s, had this little screen with tons of pages to figure out which made programming painful, but once I figured out the programming architecture it yielded some interesting clangy metal sounds and some strange ambiences, which became a big part of the palette and sound of Fallout.”