ALEX KINGSTON as MARY FOSTER in “Shoot the Messenger”
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ALEX KINGSTON as MARY FOSTER in “Shoot the Messenger”
I’ve come seeking expressions of interest for a project that a few Kinglets and I have developed the concept for in the past few days.
As this year marks our lovely queen’s 60th birthday, we wanted to do a little something to celebrate her.
Knowing how she loves her fans and also values creativity, we thought that a scrapbook would be the best way to do so and are now looking for submissions of letters of appreciation, art which features Alex herself or a character she portrays, and photos of yourself with Alex if you have them. We’d also love it if you could include a picture of yourself to add with your letter (if you’re comfortable with that) so Alex can put a face to the name.
If the idea of any of those seems daunting, a quick Happy Birthday message would also be lovely to add.
If you’d like to take part, please take a moment to register your interest on this poll so that we know how large the book will need to be to accommodate content:
What's your opinion? Vote now: Yes - Letter, Yes - Art, Yes - Art and letter, Yes - I just want to wish her happy birthday and let her know
We need these things to be submitted ASAP so the scrapbook can be assembled as it will be presented to her at her next convention appearance (17th-19th March)
If you’d like something to be included, they can be sent to [email protected] by the 12th of March
Mary’s ballgown was blue.
Again.
She was not sure if Jedediah would remember the dress she’d worn to the Green’s ball during the War, the one that had been ruined during Aurelia’s emergency hysterectomy; it had been an extravagance to bring a taffeta ballgown to the hospital and she could not regret its loss very much, though it had reminded her of who she had been before she had become Nurse Mary. It was Mrs. von Olnhausen’s best dress, because she had never been called Baroness by anyone in Manchester, not even in jest. Gustav, at his most mirthful, might call her meine Baronin in a very grave tone; this was most often when she was scrubbing the kitchen’s flagstones or red-cheeked in an apron, stirring something on their temperamental stove.
The dress she’d brought to Mansion House Hotel was watered silk in bleu de Lyon, a hue richly deep and vivid, darker than the dusk of summer sky but with something of that light in it. Jedediah, a Marylander brought up on the bay, preferred the seashore but she was reminded of a lake she’d loved in the New Hampshire woods, the blue of the irises that her mother had grown. Mary did not care for the elaborate styles of fashionable dress, preferring narrow plaits instead of wide, lace or bows but not both; she had acceded to the dressmaker’s insistence on trimming the dress with silver lace and velvet insets with as good grace as she could muster, reminding the woman she would be wearing a collar of moonstones and matching earrings. She was lucky her hair curled naturally, so she did not require the assistance of a maid to arrange it in the intricate, artful style of braids and falling ringlets required for an evening reception. She’d wear a comb inset with moonstones at her crown and long for the moment she could take it out.
Jedediah would prove an adequate aid in her toilette. She did not need her corset laces tightened and she had been able to manage her silk stockings and their garters on her own. The bodice of the ballgown wasn’t terribly complicated, though he was quite good at finessing something complicated with his surgeon’s hands; he much preferred demonstrating this in removing her clothes, providing her with a running commentary on his incomparable skill. Or rather, he had done, before Johnny’s birth. It seemed likely he would return to his amusing self-adulation while helping her getting ready for Alice Squivers’s ball for Byron Hale, ignoring Alice, ignoring Byron, most studiously ignoring his first wife, his voice just that much louder than a murmur against her bare neck; he would rest his hands on her shoulders after he secured the clasp of her necklace, then let them slip to her waist. She was still slender after the babies, which she should not be proud of but was, and they both knew how much the other liked his hands there, keeping her close.
Mary’s ballgown was blue. Again. And she hoped, not devoutly but sincerely, that this one would not be stained with blood. Jedediah had not attended the Greens’ ball. She hoped this time, she might have at least once waltz with him.
Mary: wow you’re really shooting for the title of “most annoying bitch in the world”, aren’t you?
Irina: as a reigning champion, are you nervous?
Alex Kingston Appreciation Week 2017: Favourite non-River Song role
“It may be nothing, but assuming it’s nothing is lazy journalism. You don’t want to be lazy – in addition to mouthy.” - Mary Foster, Shoot the Messenger
"I love her. She is the best! No, Alex is awesome! Honestly, the best. She is everything you’d hope she would be. Just like a real person. She is funny. She is so scary in this part! She had me pee in my pants the other day in this one scene she is screaming at me. And she did it every take. And every take she managed to scare me." - Elyse Levesque
ALEX KINGSTON as MARY FOSTER in “Shoot the Messenger”
Mary Foster from Shoot the Messenger (2016)
Is Mary Foster (Shoot the Messenger, 2016) a Swiftie?
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The Foster Family
Let's get a look at the concept Picrews I've made for the family of my main character in my WIP book, Byoldervine
We'll start with the obvious; Persephone Foster, our twenty-year-old protagonist. Persephone is a very active and reckless person who can rarely sit still for long. One thing she really enjoys is parkour, and she's trained herself to the point where she can run along rooftops without much worry. She has very little fear - until you drop her into an unfamiliar social situation. Persephone also has a special interest in Paracosm's creatures, and frequently rereads the bestiary she got from Corrus Acaron himself that details a great many Paracosm species. This special interest was also what lead her to volunteer at the Ampitheatre
Mary and Arthur Foster are Persephone's grandparents, having raised their only grandchild since she was a baby. They both love Persephone very much, and would do anything for her, though at the same time they don't extend that same love to their own daughter. Mary especially can be slightly passive-aggressive at times, but is also very sweet and caring. Arthur is very enthusiastic about things, and could make the most mundane anecdote into a fascinating epic. While Mary enjoys her knitting and sewing, enjoying watching her creations progress, Arthur is very passionate about tending to his garden
Alicia Foster is Persephone's mother, and the CEO of a very successful company. When Persephone was born, there was no father around, so Alicia moved back in with her parents to help her raise this child. Mary and Arthur were very disappointed with Alicia for not having anything prepared whatsoever in terms of raising this child, having expected her to at least have the immediate provisions such as a cot or bottles or nappies, but it was as though Alicia wasn't expecting to have to raise a baby at all. Persephone was loved unconditionally since day one, and so tensions could be eased a little in her presence, but it all came to a head when, after many arguments and ultimatums on both sides, Alicia moved away for her career, leaving Persephone in Mary and Arthur's care. Since then, Alicia has been sending money over every month, even when Persephone was no longer living with her grandparents, but she rarely contacts her family due to how busy with work. Alicia regrets not having a stronger connection with her daughter, but believes that the situation is for the best; she trusts that Mary and Arthur can do a much better job of raising her than she ever could, and at least this way she can provide plenty of financial support for the whole family
As a special bonus, let's also add Ellegaarde to this list. Ellegaarde is a teacher and runs the Ampitheatre, a school in Tyrion that teaches about the history of the realms, along with the beings within them and the magic systems present in different cultures, with glyph magic also being a popular unit that she teaches. Ellegaarde took Persephone in when she was around nine years old, bringing her to Tyrion in order to help her keep her abilities a secret and to help her search for the cause of it in a safe, open-minded environment that wouldn't just write her off as crazy. Ellegaarde is very calm, patient and encouraging, becoming an additional sort of mother figure to Persephone as well as a mentor and boss