Pig Pen - Mental Madness / Mugshot - All The Devils Are Here
Weâre in the middle of summer now, and you know what that means, right? Itâs time to break out the pop-punk and hardcore records! If youâre like me, I tend to listen to those genres during the summer months, but I havenât heard any new pop-punk albums in the last few months. I did just spend the last month getting into a bunch of classic albums, such as Green Dayâs Dookie, Blink-182âs Enema Of The State, and New Found Gloryâs Sticks & Stones, but Iâve also been itching for some hardcore. I went back to a couple of albums that are either from this year, or that are from the last couple of years, but I havenât listened to it in a long while, and that wasnât enough. I needed some new albums to sink my teeth into, but just as luck would have it, I found two: Pig Penâs Mental Madness and Mugshotâs All The Devils Are Here. Pig Penâs debut album just came out last week, but Mugshotâs came out a couple weeks ago. I remember seeing it, but I didnât think anything of it, at least until I heard some good things about it. The reason Iâm talking about these two albums at the same time is for the same reason I talk about most albums at the same time â I feel the same way about both of these albums, but that isnât a bad thing. Honestly, both of these albums rule, and theyâre among my favorites of the year, but I donât want to write the same review twice. I feel as though I tend to do that sometimes, but this eliminates one review, so I donât have to write two. Both of these albums have the same pros and cons, but I use âconsâ lightly, because these albums are great.
Letâs start with a bit of backstory and context, though, and Pig Pen is the most interesting of the bunch, because the band is fronted by celebrity chef Matty Matheson, whoâs also known as being on The Bear, as well as featured Alexisonfire guitarist and vocalist Wade MacNeil and guitarist, vocalist, and songwriter Daniel Romano. They wrote their debut album, Mental Madness, a few years ago, but only recorded it and released it now. I heard about this album a few months back, but I was eagerly awaiting it. Mugshot, however, is a Californian metalcore / metallic hardcore band thatâs been around for the last 15 years or so, but havenât released an album since 2016. This new album, All The Devils Are Here, is their first within a decade, as well as their first for Pure Noise, but I had kind of heard of them beforehand. I wasnât originally going to check this out, but I kept hearing a lot about these guys, so I decided to finally check it out when I was looking for some hardcore albums. I finally decided to check out Pig Penâs new album, too, where it had come out that weekend, and I was looking forward to them. Both of these albums are pretty short and sweet, both around 25 minutes, but both of these albums have one major thing in common: theyâre both very straightforward but theyâre so much fun.
They exist in somewhat different planes, but Pig Penâs brand of hardcore is on the hardcore punk side of the coin, so itâs more cut and dry, and whereas Mugshot is on the metallic hardcore and metalcore side of the coin. They utilize breakdowns quite often, as well as a death metal influence that reminds me a lot of Gates To Hell and their debut album, Death Comes To All, so it has this heavier sound that a lot of hardcore bands are opting for these days. I like it, though, because thereâs a crossover between hardcore fans and metalheads. The hardcore fans could listen to the album and enjoy the breakdowns and hardcore song structures, but metal fans could enjoy some of the riffs, and the death metal growls, so thereâs some crossover appeal there. Truth be told, vocalist Ringo Waterman has one hell of a bark, and his vocals are among the highlights of the album as a whole, even if his range is kind of limited. Matty Matheson is a cool vocalist, too, but heâs a bit rough around the edges, although it works well, as hardcore is in itself an imperfect genre that prides itself on being authentic and realistic. Both bandsâ lyrics are pretty cool, too, even if they donât necessarily blow me away or wow me in any way, shape, or form. Theyâre still a lot of fun, though, and I enjoy the stuff that they say here.
Really, the albums work for me purely on a âvibesâ level, meaning that both albums are just fun and kickass hardcore and metalcore albums that you can âturn your brain offâ to, but theyâre not necessarily dumb, either. Sometimes those are the best kinds of albums, because theyâre straightforward and do what they do well, but you can play those in the background or while doing just about anything. When you do pay attention to the albums, though, theyâre really good, so you get the best of both worlds, basically. I just really enjoy both of these albums, whether itâs for the vocals, lyrics, overall sound, or their length. Iâve become partial to shorter albums over the last handful of years, because I want stuff that are easier to go back to, but these albums hit in a tough way. These albums arenât anything special, but I donât mean that in a bad way, more so that they donât offer anything that other bands havenât already done (admittedly better, but these albums are still solid), so if you enjoy that type of sound, youâll enjoy these. These are two of my favorites of the year, but how high theyâll be on my list (or be on there at all come December) remains to be seen.