#meromi

[runtlock]

last reblog no one fuckign talk to me... i haven't talked about meromi on tumblr yet but i've been talking about them in private. oh my god......................... meryl is a nightmare bc she has so much internalized misogyny and naomi (based on her mgs1 personality) is like the most passive aggressive woman ever and together they make. the most disastrous yuri....................

[lotie-arte]

zombie apocalypse au human! Kuromi and Melody because? it's my midnight brainstorm and I get to choose the random characters and environment

[runtlock]

i have. a bbjohnny manifesto. and a meromi manifesto. but like for meromi meryl just has not thought about her sexuality really at all until naomi comes around. she's really only been around other military women but naomi is like... not that. she's femme and at first that sort of irritates meryl but then she's like well... she smells nice and she always has chapstick she'll let me borrow and she plays with my hair sometimes when we're sitting on the couch together watching a movie... etc etc. not to say she doesn't also have horny thoughts about naomi eventually but that's a separate convo. and post.

[fame-and-lotion]

"...Meromi...I...I'm sorry." Ross muttered as he looked at the body laying before him. It was nothing more than a prison for Meromi's spirit. "Please...I'm begging you." Ross stifled a sniffle as tears welled up in his eyes. "I'm fucking begging you. Wake up." He demand before his tears over flowed in his eyes and spilled out as he stared at the machine that was making his dear friend breathe. All he wanted to do was either see her open her eyes or cut off the life support altogether

[tkwc]

In the central space on the ground floor of MoBY, Ohad Meromi presents an installation for daydreaming (Structure for Rest, 2016) in which viewers are invited to rest their heads and fantasize about a different world. The notion of daydreaming is taken from Marxist philosopher Ernst Bloch and his monumental Principle of Hope (written in the U.S. in 1938-1947 and published in 1954-1959 following Bloch’s move to East Germany). The installation will travel around the museum spaces throughout the year, during which sleep practice and sleep choreography workshops will take place.

In his introduction to The Principle of Hope, Bloch writes: “Art is the major repository of the images, archetypes, and symbols of the Not-Yet-Conscious, supplying us with the guiding-images that venture beyond the statics of the known world.” Bloch discusses how utopian societies exist within the realm of dreams. One of the main objectives of The Kids Want Communism is to create a space where visitors can examine what happened and what could happen 99 years from the October Revolution. By creating a space intended for rest and daydreaming, Meromi invited viewers to harness artistic practice as  means to imagine utopia- to dare visualize what could be.

Photo Credit: Gal Deren