Jan 5, 2022
137 Shots Michael Milano USA, 2021 ★★★★ ..and no one was surprised.
seen from Taiwan
seen from Netherlands
seen from Lebanon
seen from United States
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seen from United States
seen from United States
seen from United States
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seen from United States
seen from Hong Kong SAR China
seen from Malaysia
seen from Hong Kong SAR China
seen from Bangladesh
seen from China
seen from Türkiye
seen from China
seen from China
137 Shots Michael Milano USA, 2021 ★★★★ ..and no one was surprised.
powerpuff Michael
Secret Central - Class of '04 : Michael Milano by JustinSiglerBratzFan
Michael Milano for Western Pole
Colour story, Indigo
Kapital Collection Aurora Indigo Star Dress Indigo Patchwork Katmandu Shirt Indigo Bandana Remake Shirt Indigo Army Jersey T-shirt Rockwell Leopard/Olive Maxi Dress
Michael Milano, Stack, 20 x 16 in, 2016 Michael Milano, Installation view, stacks, 2016 Michael Milano, Soft Stack, 2016 Michael Milano, Soft Prop, 2016 Michael Milano, SM Circle Stack, 2016
- Envoy of Belfast
I\W: Is there a central focus to your drawings, material-based works, and sound pieces?
Michael Milano: Each one is surely coming from their own set of concerns. I sometimes don’t think I am very observant in the world, but I try to be in the studio, if that makes sense. I am trying to develop skills to be more acutely aware, and I think art is a great place to do that. I am good friends with Jessica Labatte and her work consistently makes me look at the world in new and fresh ways. She was producing all of these constructed still lives out of the detritus she found on the street, making me more aware of those materials and more observant in general. This is part of the reason I have been working with cloth lately. It is one of the oldest technologies and still one of the most ubiquitous. I am looking for small quotidian moments like the pattern of a jacket, the seam, fold, or drape of a shirt to inform what I do in the studio. Maybe there is a way to be very attentive to simple things in the studio in the hope that it translates to how I engage the rest of the world.
(Transitioning between several mediums, Michael applies the same method of parameters and permutations to both his sound-based and visual pieces. Applying an attentive eye to the studio allows Michael to transfer the same practice to real life, in turn bringing small, everyday inspirations from the street back to his drawings and textile works.)
By Michael Milano on ArtStation.