#mikeshipley

[profstrych9]

Alison Moyet • Raindancing (CBS/Columbia, 1987) #alisonmoyet #jimmyiovine #mikeshipley #scottlitt #humbertogatica #mysonicarchive #nowspinning #vinyljunkie #vinyladdict #vinyligclub #vinyligcommunity #vinylcollection #vinylcommunity #vinylclub (at CDMX) https://www.instagram.com/p/CoiJoWNuolq/?igshid=NGJjMDIxMWI=

[nasu-no-hana]

Joni Mitchell / Dog Eat Dog (1985) プロデューサーの一人としてハイパー・アクティヴなトーマス・ドルビーが参加。#JoniMitchell#LarryKlein#MikeShipley#ThomasDolby #vinyl#vinylcollection#coverart#albumart#33rpm#lp#nowspinning#nowplaying#アナログ盤#レコード#records #rock#pop#singersongwriter#GeffenRecords#1985 #miyakojima #宮古島 #coffee#coffeebreak #コーヒー#cat#猫 (Miyakojima-shi, Okinawa, Japan) https://www.instagram.com/p/Btuv-AyAx9F/?utm_source=ig_tumblr_share&igshid=e8wh1nayff0c

[nigelgodrichproducer]

Mike Shipley on Nigel

The late, great engineer Mike Shipley did a Q&A on gearslutz.com a while back. When asked about the high track-count sessions he has worked on, he briefly mentioned Nigel’s working method as a contrast to the current recording climate:

“I was talking to Nigel Godrich about sound and his method of making records is different than most these days. His is more like a 70s English approach in a way in that he likes to get the sounds recorded and eq'd so that everything is committed to tape. Drums on 4 tracks max, etc, and he often mixes a song as soon as he has finished tracking it and not leave all his mixing ‘til the end. It's a refreshing way to work and he is just fantastic I think. No 100 channel mixes for him!” 

Source: https://www.gearslutz.com/board/166538-post3.html

[willmuir]

December 29 - Drums - Amy Rola Sessions

A good night back tracking with Shawn Moore on the kit. Songs are of the pop/country genre, and sounding pretty cool so far. After using 421's and an SM7 on toms for a few months we went back to a setup that worked well for me at Fanshawe during my music industry arts days where I used mostly condensers on the kit. Whenever I get the chance to do that I'll jump on it. Last night had me thinking a bit about people using iOS based recording systems to make a record or who claim that it's the next big thing. Unless something dramatic happens I don't see an iPad being able to carry more than an 8-16 track session. That wouldn't even handle my drums on most night let alone other instrumentation and effects. I tend to favour 14 mics. That seems to be the golden number, depending on the number of toms. When I got home I dug deep into some info about the late, great, Mike Shipley. His layering of samples is something that I've been doing for the past year but may take things to a new level this year and build my own sample library. Put my history degree to good use and research kicks, snares, toms etc. Till Tomorrow In Plaid, W.M.M.