I remember meeting you
I remember seeing you across the room
Like autumn leaves, the whirl was fast around your feet
Baby, it’s alright. Whatever gets you through the night
I guess I knew you’d be leaving, I just couldn’t believe it
seen from United States

seen from United States
seen from China
seen from United States
seen from China
seen from Sweden
seen from Switzerland
seen from Algeria
seen from Australia

seen from Greece

seen from Canada

seen from United States
seen from United States

seen from United States
seen from Poland
seen from Croatia
seen from Canada
seen from Yemen

seen from United States
seen from Ukraine
I remember meeting you
I remember seeing you across the room
Like autumn leaves, the whirl was fast around your feet
Baby, it’s alright. Whatever gets you through the night
I guess I knew you’d be leaving, I just couldn’t believe it
- Mari Uri
Miljon - What Does It Take
Stockholm, Sweden -- Some days I just need a really good track that’s mellow to get me through some heavy workload. A song that I’ve been listening to that I just can’t get out of my head is Miljon’s “What Does It Take.” Released in 2018, “What Does It Take” is the 5-minute track you need if you’re feeling particularly nostalgic for that 2010 era of chillwave or if you just need something calm and dreamy to get you through some moments. And what better accompaniment than a lo-fi grainy video of some horses to really get you in the mood.
Connect with Miljon:
Facebook | Instagram
Sometimes it feels like summer exists for the sole purpose of making memories: here for a flash, and then left like a snapshot in a cardboard box, its colors steadily yellowing over the years. But here’s a summer anthem that’s expressly about forgetting. Like all great piano-house tunes, Axel Boman and Miljon’s new song “Forgot About You (Piano Version)” is a marvel of simplicity, drawing the line at two poignant chords and wringing them for maximum emotional impact.
Like all great he-said/she-said duets, the singers find bittersweet melancholy in the impossibility of seeing eye to eye. “I forgot all about you,” Milberg begins, and it sounds like that might have been for the best; the memory of a first glance leads to the inevitability of the end. Bergström, in the boyfriend’s role, can only shrug: “It’s not enough for me, oh no.” By the end, she’s conjuring the image of autumn leaves swirling around the couple’s feet as a violin whips like a chill through the air. Like summer itself, it’s all over far too soon.
Miljon - What Does It Take
Ja wyceniam Cię na miljon Dla mnie miljon to jak biljon - prawie Więcej nawet Świecy wart jesteś Nie przeszkadza Ci, że kruszę w łóżku Tajne rzeczy trzymam pod poduszką Powietrze wpuszczasz Gdy się robi duszno
Domowemelodie - “Miljon”
ja wyceniam Cię na miljon.
dla mnie miljon to jak bilion prawie.
więcej nawet, świecy wart jesteś
nie przeszkadza Ci że kruszę w łóżku,
tajne rzeczy trzymam pod poduszką.
powietrze wpuszczasz, gdy się robi duszno.