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Three yaks dance in Lhasa city (cr 情满拉萨,吉吉)(If you do not reside long-term in a high-altitude environment, please avoid intense physical activity at high altitudes, as it may trigger altitude sickness.)
Comparing Haymitch and Katniss' narrative styles is so funny to me because he's a yapper and she's a gatekeeper. He drops more lore on D12 in the first two chapters of SOTR than she does in the entire trilogy.
Haymitch is like "Yeah, so this person is related to this person who's related to this person and things are this way because of this and this thing actually came from here and this person is actually my best friend and also here's this extra tidbit of random info cause all my lore dropping comes with it's own additional bonus content and all my unnecessary commentary."
And Katniss is over here like "Tf do I care for if y'all know all the lore of District 12? I'm talking about my beautiful husband's beautiful eyelashes."
chlorine michael jackson
michael jackson x f!reader ────୨ৎ──── ♡ wc: 4.3k
synopsis: childhoodbsf!mj and reader in a hot tub... what can go wrong? (or right :D)
cw: smut, switch!michael, hot tub sex, dry humping, dirty talk, praise, tensionnn, mutual pining, michael jackson being a whimperer (surprise), creampie
based off bad!era mj but any era works (i think)
the hot tub lights cast soft blue ripples across the water, reflecting against the stone around the edge of the patio. the early summer night air brushed against your damp skin coolly in contrast to the heat of the water, while music drifted faintly from somewhere inside the house. overhead, the sky was dark and cloudless, a soft breeze moving through the otherwise still night.
HUSBAND MATERIAL? | M.JACKSON
synopsis: your ex-partner, still legally your husband, arrives at the grammy’s a few weeks after your split. reporters are down your throat about your breakup & michael kisses a fellow female nominee on stage. michael makes it up to you on the car journey home in the best way he knows how.
warnings: sexual themes, smut, 18+
You could never escape him.
You knew he was here. The screams of pure adoration and idolatry weren’t for just anyone at the 26th Annual Grammy Awards. They were for him.
And, to your private annoyance, every reporter who had your time all had the same question on their lips.
"So, what really happened between you and Michael Jackson?"
Each time, you’d quietly sigh, force a smile, restrain an eye-roll and answer politely through gritted teeth. Truthfully, you don’t really even know why you split up — a bad argument one night ended ugly to where your bags were packed and you were out of Hayvenhurst within the hour. Both of you were stubborn as hell, meaning not one of you would admit wrong-doing or apologise unless put in a passionate position.
˗ˏˋ PAST EXPOSURE ˎˊ˗
synopsis. In the fresh modern age of 2026, the last thing you'd expect was to get thrown in a Back to the Future plot. You and your totally basic life go haywire during a moment of curiosity when you decide to test out a stubborn retro camera with mixed up dates. What happens when it wasn't just any old camera? What if it had taken you back to the 20th century? And what will you do when you find the chance to change his fate?
starring. multiple eras!michael jackson x time traveller!reader
content warnings. death, sexual content later in the story, tobacco, alcohol, mental and physical abuse, michael's childhood, and many more content labels yet to come! muahaha
MASTERLIST
(total episode count has not been determined yet)
—prologue | Say cheese!
—episode 2 | This is far out!
—episode 3 | Oh, dear child...
—episode 4 | Funky 21st century girl!
—episode 5 | ...
—episode 6 | ...
—episode 7 | ...
—episode 8 | ...
—episode 9 | ...
—episode 10 | ...
—episode 11 | ...
—episode 12 | ...
—episode 13 | ...
—episode 14 | ...
—episode 15 | ...
—episode 16 | ...
—episode 17 | ...
(Further episodes will be decided later on.)
If you would like to be tagged for this series or for my general taglist, please let me know!
©thedailymichael 2026. All works posted under my name belong to me. Please do not copy, claim, republish, or translate my work anywhere else.
MICHAEL JACKSON IN COME TOGETHER - MV (1988) (I had to make that third gif, I just couldn't hold myself, blame me i guess)
𝑌𝑂𝑈 𝐾𝑁𝑂𝐶𝐾 𝑀𝐸 𝑂𝐹𝐹 𝑀𝑌 𝐹𝐸𝐸𝑇.
PreBadMichaelJacksonXNewRisingVocalist!Reader. 1986, during midnight recording sessions for “Bad,” Michael Jackson encounters a mysterious performer on TV and finds himself drawn to her in a way he can’t explain. What begins as a passing moment slowly turns into creative obsession.
Part1 | Part2 | Part3
𝑁𝑖𝑛𝑒𝑡𝑒𝑒𝑛 𝑒𝑖𝑔ℎ𝑡𝑦 𝑠𝑖𝑥, 𝐻𝑎𝑦𝑣𝑒𝑛ℎ𝑢𝑟𝑠𝑡 𝐶𝑎𝑙𝑖𝑓𝑜𝑟𝑛𝑖𝑎.
The studio was never fully quiet at this hour. 8:30 pm. Day off. Even when the microphones were off and the room had gone still, there was always something lingering soft equipment hum, distant footsteps, the echo of unfinished sound. Michael’s compulsive mind never stopped running, it was like unstoppable wheels turning in his head that the factory refused to shut down.
His loafers tapped softly against the studio floor, each step a quiet, deliberate click that echoed faintly through the empty room, swallowed quickly by the stillness. Hypocritical considering his steps so gentle yet his frustration so intense and aggressive. He continuously started snapping lightly, testing rhythms under his breath, seeing which was smooth, more sensual or heavy backbone, he stopped instantly realizing it was becoming repetitive, he needed a track that was a little more playful, cheery and upbeat.
This time, the click of his loafers being less soft and controlled as he made his way to the brown leather sofa, subconsciously biting the inside of his lip. His arms laying on the armrest, fingers starting to tap, producing a beat against the sofa. Underneath a soft beatbox formed in his breath, layered and instinctive, that soon gets put to an end.
Michael mutters “…hm…better.”
He tilted his head back, eyes catching the warm glow of the studio light overhead. Frustration started to build in quiet waves, settling behind his expression as he drew in a slow breath and let it out in a tired sigh. Reaching across the coffee table, he took a sip of orange juice, the brief moment of stillness grounding him. Then, for a rare pause, his slender fingers found the remote. He shifted toward the left side of the room where the television sat, the quiet break in his focus finally pulling him toward distraction as he turned it on.
The television hummed to life with a low electric buzz, the screen shrinking briefly into a bright line before blooming into grainy color. Michael sank back slightly, thumb pressing against the thick plastic buttons of the remote. Each channel changed with a soft click, the picture lagging for half a second before settling bursts of static, distorted commercials, late-night hosts in oversized suits, reruns washed in warm studio lighting.
Click.
Soap opera, dramatic music and constant betrayals? Typical. Next!
Click.
Rerun of this mornings news, I’m yawning. Next!
Click.
The familiar Tonight Show Johnny Carson band intro playing softly. Now I’m intrigued.
The signal crackled faintly between channels, quick flashes of static interrupting the screen before another image settled into place. Michael’s thumb paused against the remote. The host’s voice drifted through the speakers, half-listened to, introducing a guest performer whose name he only barely caught over the quiet hum of the studio.
“And now, making her television debut…” Johnny’s voice carried through the studio speakers, easy and familiar, “a very special guest…”
Then came the music. The camera panned toward the stage light washing over it in a soft haze before finally settling on you.
Michaels breath hitched.
There you stood behind the mic stand, framed by warm lighting that softened everything around you. Midnight-black satin caught the glow in quiet flashes, the elegant slip dress simple but impossibly striking cream lace tracing delicate details, jewelry understated enough to glimmer only when you moved. Nothing flashy. Nothing demanding. The cameraman brought you into focus, catching the seamless way you adjusted the mic stand, cool without trying, like the movement had never once been rehearsed. strands of hair framed your face effortlessly, falling just enough to soften your features without hiding them, Michaels eyes were just stuck on yours, sensing the innocence your eyes captured. His lips on the verge of quivering at the sight of you, it’s like he saw an angelic white glow surrounding you. His long fingers, once tapping restless rhythms against the sofa, had gone still and instead subconsciously gripping the armrest of the couch, deep in his mind wishing it was your waist he was gripping if one day he were to ever hold you.
The band behind you sat beneath pale lighting, instruments glowing softly under the stage lamps while the camera occasionally drifted toward them before always finding its way back. Michales personal philosophy is performances were supposed to be spectacle. Entertainment. Movement, theatrics, something to hold an audience by force if needed. Music videos, stages people wanted to feel like they were watching a show. He knew that better than anyone.
But this?
You barely moved from behind the microphone. And somehow, it worked, for him at least. Then your voice arrived. Low at first. Velvet soft. Smoky around the edges, aching in places that felt unintentional as if the song had lived somewhere inside you long before tonight. There was something dreamlike in the way you sang, melancholic but warm, harmonies drifting behind your voice like a memory refusing to leave. Michael felt his jaw loosen slightly. It was like his body was entering a state of bliss, not a single part of the song made him feel overwhelmed, overstimulated or heard a sound that clashed with another element within the music. The room had gone still. At some point, he had stopped hearing the hum of studio equipment altogether.
Then the camera shifted. A side angle this time. And for half a second, just half your eyes met the lens. Something in his chest tightened unexpectedly, he felt a rush to his cheeks, a sense of shyness like a teenage boy encountering his first crush, the sudden butterflies that manifested in his stomach made him feel the need to look away although you weren’t looking at him. His thumb hovered uselessly over the remote. He should’ve changed the channel by now. Should’ve gone back to work. Instead, he found himself distracted breaking down details he had no reason to notice the way your delicate fingers curled around the mic stand, the way you licked your delicious lips between lyrics absentmindedly, the moles on your face, the occasional hair toss and the softness in your expression between verses.
Like if he looked long enough, maybe he’d understand why he suddenly couldn’t look away.
“…she’s a product of loveliness..” he murmured quietly, almost frustrated by you.
And for the first time all night, the unfinished music waiting for him across the room didn’t seem nearly as important. Then came another line from your performance.
“This feeling you’re giving me, knocks me off my feet babe, it’s my favorite part.”
Something in the way you sang it warm, longing, effortless, made him pause, registering the potential your lyrics had. His fingers started moving again.
Tap. Tap-Tap.
Against the leather armrest.
Without realizing it, a rhythm began forming in his head. Brighter. More alive. Something with movement. The complete opposite of the slow haze drifting through the television speakers. Upbeat. Playful. Restless in the way fascination often was.
Michael straightened suddenly.
“…wait.”
His fingers tapped faster now, testing the rhythm before softly beatboxing beneath his breath, piecing together sounds only he could hear.
He stood quickly, crossing the room in hurried steps toward the studio notebook left carelessly beside stacks of cassettes. Pages flipped. A pen clicked. Ideas spilled faster than he could organize them fragments of feeling, unfinished phrases, emotions arriving before structure.
The Next Morning. — His Room.
Sleep had never really happened, not properly, well it hadn’t really happened since his accident at least. Only brief moments of closing his eyes before melodies interrupted, before thoughts rearranged themselves into rhythms that refused to stay quiet.
By morning, the fascination hadn’t faded. Michael sat on the edge of his bed for a long moment, still in yesterday’s clothes, hands loosely clasped as if he wasn’t sure what to do with them anymore. But his mind wasn’t still at all, his mind never stopped working even in his sleep, It kept going back. To you, your voice.
The way it didn’t try to impress anyone and still held him completely still. He exhaled softly.
“…Why am I thinking about her like this?” he thought, almost frustrated.
He didn’t even know you. You were just a face on a screen. A performance. Yet his mind was treating you like you were his everything, your face was like a melody that refused to resolve. He lay back slowly, one arm covering his eyes. And in the silence behind his thoughts, the rhythm from yesterday began again cleaner now, more certain.
Restless. Alive.
The same feeling you carried without trying.
“…You knock me off my feet, babe,” he murmured again, softer this time.
There was a small stillness. Because somewhere between sleep and thought, something clicked into place that he didn’t fully want to name yet. The song wasn’t just a feeling anymore. It had a direction and the direction was pointing to you.
The Afternoon — Westlake Studios
The studio reflected it.
Music sheets sprawled messily across the console, notebook pages ripped out and abandoned on the floor, discarded after being rewritten, revised, rewritten again. Half-finished phrases crowded the margins in hurried handwriting, crossed out only to be circled moments later. Michael paced the room, loafers clicking quicker this time, restless energy following each step.
“It’s gotta feel…” he muttered, hands moving instinctively as if trying to shape the sound in the air itself. “Like…like excitement, y’know? But not obvious. Not too heavy, if just falling in love was in one distinctive sound. “
He snapped suddenly. “Fun. But still… infatuated.”
Quincy watched from behind the mixing console, one brow slowly raising as Michael launched into another explanation something about rhythm, movement, wanting people to feel the energy instantly, Quincy unexpectedly develops a grin on his face, mentally snickering at Michael’s expense. “right right, I see your direction..”
Michael side eyes Quincy while softly bobbing his head. “Good, Good…I’d hope so…” Michael continued quickly “It needs bounce, I’m thinking like a snare…bass line maybe?” fingers tapping an invisible beat against his thigh. “ it’s like somebody got in your head and suddenly you can’t stop thinkin’ about ’em like…”
He stopped feeling entirely frustrated. “…I know what I wanna say, I just—” he exhaled sharply, running a hand through his curls. “…it’s never been difficult to hash out a concept. “
Quincy leaned back in his chair, quiet for a second, arms crossed, entirely too amused. He had grown accustomed to Michael’s control freak nature when it came to his music. No doubt about it, Michael always approached his craft with hard work, repetition, self-discipline, and an almost obsessive need to perfect every detail until it matched exactly what he heard in his head. It had always been second nature to him. But Quincy had also noticed something else over time.
Whenever Michael got stuck on a certain concept, especially one with romantic undertones, he didn’t just hit a creative block he fixated. Like there was a muse somewhere behind it that he wasn’t exactly willing to talk about, And this album mattered too much for distractions.
Bad was more than just a project. It was a statement. Proof that Michael Jackson could stand completely on his own after Thriller and still deliver hit after hit without being seen as a one-time phenomenon. Quincy needed to understand what was going on in his head creatively. And if there really was a muse behind this shift in his sound, then he needed to know.
Q, leaning back in his arm, arms crossed nonchalantly as he watched Michael’s expressive concerns with quiet amusement. “Mike.”
Michael almost instantly feeling kinda embarrassed finally takes a seat from pacing anxiously for so long. “Yeah Q? Sorry about the tangent-“
“who is she.” Quincy’s words shifting the entire room’s atmosphere in something so unexpected, Michael not being able to hide his expression on his face, it was a dead giveaway.
His nervous repetitive blinks. “who’s who?” His mind races nonstop just repeating in his head, how does he know.
“C’mon, Mike… I ain’t stupid.” Quincy gestured toward the chaos of papers scattered across the studio. “I left you a voicemail around 8:45. I know your ass wasn’t sleepin’… and I know you weren’t with your family, so—”His small grin grew as he leaned back slightly. “So what’s up?”
Michael glanced down at the scattered pages again as if they might defend him on his behalf. “…No,” he said finally, but it came out weaker than intended. “It’s not like that.”
Quincy didn’t even look convinced.
Michael turned away, walking back toward the console, but his focus wasn’t really on the equipment anymore. It kept slipping back to rhythm, back to feeling, back to a voice he’d only heard once but couldn’t seem to forget. That voice, soft, warm, and effortless like it didn’t need permission to stay in his head. He hated how easily it returned. He hated how that night he fantasized how your voice would sound producing small gasps of air, whimpers, quivering from his touch. The thought made him feel dirty yet excited. It just felt right. As if something inside him had already accepted it without asking.
He exhaled under his breath. “It’s just inspiration,” he muttered, more to himself than Quincy, but even that didn’t sound true. Quincy kinda rolled his eyes and instantly thought Michael was full of shit.
“ nonthless a women right? “
Michael spins in his chair, looking up at the celling counting the light bulb. “I suppose..”
Quincy scoffs playfully and gives him a playful look “ you can be inspired by a lil ass, it’s not a crime..” he shrugged
Michael immediately straightened, a wave of embarrassment creeping in as he covered part of his face with his hand, letting out a small, nervous giggle. “ Q! You don’t say those things!….” He lets out one more amused sigh “…it’s not like that…I saw her perform on the tonight show last night…and just..she’s breathtaking..”
His ears perked up. “Oh… you mean Y/n? I did not expect that..” Quincy nodded, tone shifting slightly more serious. “Yeah. She’s been uhhhh getting a lot of attention lately. People at Sony been talking about bringing her in.”
Michael paused at Quincy’s words. Then, before he could stop himself, something in his expression shifted subtle, but there. Interest. Not the kind he wanted to admit to.
“…She’s being talked about…seems like she’s gonna be big huh? ” he asked, trying to sound casual, but the edge of curiosity slipped through anyway. Quincy caught it immediately. He leaned forward slightly, a small grin returning. “Look at you,” he said. “Now you’re askin’ questions.”
Michael straightened quickly, as if that alone was suspicious. “I’m not asking questions,” he said. “I’m just… clarifying.”
Quincy let out a short laugh. “Man, don’t start that.” He gestured toward Michael like he was presenting evidence in a case. “You saw her once and now you got half a studio floor covered in torn pages, you pacing like you lost your mind, and you can’t even sit still for five minutes.”
Michael opened his mouth, then closed it again “ it isn’t a big crush…” he said more quietly, always feeling nervous in stating women he found attractive
Quincy raised a brow. “A ‘not big crush’ got you rewriting your whole rhythm pattern?” Michael scoffed softly, but it didn’t land. Quincy stood now, walking a little closer to the console.
“Mike,” he said more seriously, “I’m not even teasing you right now. Just look at the way she makes you feel.” Michael hesitated. That line lingered.
He looked down at his fingers. Still tapping. Still chasing that same beat. The same energy he couldn’t name.
“…The way she makes me feel,” he repeated under his breath, almost absent.
Quincy snapped his fingers once naively thinking Michael is going to admit it. “You’re starting to understand what I’m seeing? “
Michael blinked and It hit. Like something snapping into place behind his eyes. He stood up so fast the chair rolled slightly back.
“…That’s it.”
Quincy paused. “ You good Mike? “
“No no, that’s it,” Michael said again, faster now, excitement replacing confusion. “ ‘That feeling…the way you make me feel’…” He grabbed the pen. Words started coming immediately.
“…you really turn me on…knock me off my feet..” he murmured, half-writing, half-speaking it into existence.
Quincy watched him for a moment longer, then shook his head softly. “…Yeah,” he muttered. “You’re done for.”
Michael proved Quincy’s point further, looks up and asks “You think you can get her number for me?”
𝐻𝑜𝑝𝑒 𝑦𝑜𝑢 𝑔𝑢𝑦𝑠 𝑒𝑛𝑗𝑜𝑦𝑒𝑑! 𝐼𝑓 𝐼 𝑠ℎ𝑜𝑢𝑙𝑑 𝑐𝑟𝑒𝑎𝑡𝑒 𝑚𝑜𝑟𝑒 𝑙𝑒𝑡 𝑚𝑒 𝑘𝑛𝑜𝑤 𝑜𝑛 𝑚𝑦 𝑟𝑒𝑞𝑢𝑒𝑠𝑡 𝑏𝑜𝑥. 𝐵𝑎𝑛𝑛𝑒𝑟 𝑐𝑟𝑒𝑑𝑖𝑡𝑠 𝑡𝑜 𝑆𝑢𝑢𝑝𝑒𝑟𝑆𝑜𝑛𝑖𝑐 𝑜𝑛 𝑡𝑢𝑚𝑏𝑙𝑟. 𝐵𝑒𝑠𝑜𝑠 𝑒𝑣𝑒𝑟𝑦𝑜𝑛𝑒.