Ichi the Witch Author Interview in popstyle! - Summary/Translation
So yesterday (Feb 4th, 2026 in Japan), a newspaper article came out with an interview with Usazaki-sensei and Nishi-sensei about Ichi the Witch!
As far as I'm aware there's no public way to view it, but there's like, a newspaper archive you can pay to access in Japanese... long story short, I was able to find it! Here is some of the interesting stuff (imo) that we got from that interview!
[Edit, March 7th 2026: There's now a public official upload of the interview in it's original Japanese, which you can read here!]
(DISCLAIMER! I am still learning Japanese! A lot of this translation is done by me checking machine tl's and cross referencing them with dictionaries! Please understand there may be errors, that the information presented here is best as I understand it and may be incorrect, misinterpreted, or updated later if I find it to be wrong! Thank you for patience with me!!)
Quotes when used are from Google translate + my own adjusting and referencing.
Comments that are Mine and not in the article are marked in Blue!
Ichi now has over 1.5 million copies in circulation! (Including digitals)
Volume 7 (jp) will come out on March 4th
[From Nishi] The series idea came from Nishi wondering why there were magic women [witches] (majo, the word for witch in japanese is the character for magic and woman), but no magic men. (Statement also made in the author comments in volume 1)
[From Nishi] Originally, the idea had been about a boy who wanted to become a witch, and a knight who protects witches. However, Nishi thought a world with Living Magic would be more interesting. She also thought it would be more interesting if Ichi was "Outstanding", so she decided to make him only interested in hunting.
[From Nishi] "Ichi doesn't have anything. He doesn't have any dreams, he doesn't have anything he wants to do. He's just living day by day[...]"
On account of the last point, Nishi gave him the Death for Death code. She wanted it to be easy to understand (repeatedly a point of emphasis Nishi makes in interviews), and based it off the Code of Hammurabi (eye for an eye). Regarding death for death, Nishi says "But I don't know if that way of thinking is right. It's a very dangerous way of thinking. I'm looking forward to seeing how (that mindset) grows and changes."
Nishi does the panel layout (storyboards, wiki article here) for the series, and Usazaki says Nishi conveys the composition well. Like Nishi's, Usazaki prioritizes readability as well as ensuring fans can see the faces of the characters they like clearly and appealingly. She wants the series to look beautiful and works really hard to make it that way even though the series is weekly! It's tiring, but she enjoys drawing (THANK YOU USAZAKI SENSEI WE LOVE YOU USAZAKI SENSEI!!!!)
Nishi designs the majiks by thinking of an attribute (fire/water/etc), or things that make good attacks. Then, using that kanji as a basis, she builds the Majik around what's most interesting or useful (story wise, i think.) to create an animal or such. She wants to make it simple to understand for even children.
[More under the cut i just don't wanna decimate ur dash. do you love the colour of the ichi interview]
Uroro was inspired by Howl's Moving Castle. Additionally, the throne element of his design was Usazaki's idea, because "it's the king magic"
WHM is designed as the complete opposite to Ichi. Nishi's inital design had them a more gentle, smiling character (early Kiriwo like maybe), however Usazaki designed a cold eyed, not smiling character, and Nishi thought that fit best, so they went with that.
On the subject of Majiks, Usazaki likes Kizashi bcs of their movement expression options and less human design.
Witches each have their own motifs (which we already knew but its neat to see them mention) , like plants and animals and stuff.
Nishi says that Majiks are not necessarily enemies, and that she wanted to have the freedom to have Majiks be enemies and allies so that readers wouldn't get bored.
On the question "What's a memorable scene you put a lot of work into", Usazaki says the end of the bakugami arc with that battle and all. Nishi backs this up saying that while Usazaki is known for beautiful quiet scenes, she can also draw excellent battles, and that everyone can see how wonderful they are and praise her.
In terms of pairing up for Ichi the Witch, Nishi started Ichi conceptually while working on Iruma, but as she was working on Iruma, she said she wanted Usazaki to do the illustrations, and an offer was made to her. At the time, Usazaki had been doing her own storyboards so wasn't sure about having someone else do them. She asked to meet and talk with Nishi, and was interested by the storyboards she received.
Nishi says that, as a writer, she'd always wanted to try writing for Jump. After she started trying to do that, she found Usazaki was illustrating for Jump, so everything worked out really well there. Having serialized Iruma for eight years (plus it getting an anime and 4 spin offs and one of those spinoffs is getting an anime and--) she feels pretty secure in that so she wanted to regain a sense of urgency, which she definitely feels in jump, where she can't let her guard down. She's happy about this. (nishi sensei mentioned wanting to challenge herself in a magazine interview about mostly iruma and a bit of ichi a few months ago. terrifying nishi. you're amazing we love you.)
[Usazaki on becoming a Mangaka] She grew up reading magazines like nakayoshi, hana to yume, and then jump. She really liked One Piece, and joined the art club at her high school. From there she started posting on Social Media, etc.
[Nishi on becoming a Mangaka] She always loved drawing, and after knowing a guy in high school who wanted to be a mangaka, she submitted a manga to an award and recklessly moved to Tokyo after graduating. She won that award, got a serialization, struggled a lot with that serialization and then became an assistant to learn more.
Usazaki cites "Tsubasa" by CLAMP, and "NGLife" by Kusanagi Mizuho as inspirations.
Nishi cites "Hellsing" by Hirano Kouta as an inspiration
In terms of mindset, Nishi says she doesn't assume people will read what she writes, and so she works to make eyecatching illustrations and spreads, and making something people Want to read.
Nishi also says that whenever Usazaki submits a really good manuscript she wants to write an even better story, so it synergies well.
Both of them say they want to go as far as they can! Please support the series (I WILLLLL!!)
Notes on all the characters!
Ichi:
"Completely different from the character I first designed, who loved magic and wanted to be a witch." (Nishi)
WHM:
"Fluffy clothes and hair." (Usazaki)
"At the end of their fight with Ichi, they looks like they're smiling. I wonder why." (Nishi) (YEAH I WONDER.)
Desscaras:
"I just told Usazaki to design her with the 🥺 emoji and black hair and Usazaki came back with the perfect design. Genius!" (Nishi)
"She's a strong and cute character, I love her." (Usazaki)
Her design was completed within 5 hours of Nishi and Usazaki's first meeting. (perfect from birth...)
Gokuraku:
"He was originally going to be a tsundere, but instead I made him a 'sexy older brother (oniisan) lol'" (Nishi) (I swear on my life that is exactly what she said. I would never lie about Nishi calling Gokuraku sexy.)
"I love his freckles they're so cute" (Usazaki)
Kumugi: "We made her at the same speed as when the seralization started" (Nishi)
The article also mentions the giveaway they're doing but lets be real none of us are eligible so! That's the end of that! Thank you for reading all this! I would post the full article in jp but that is against tos and I'm not trying to get banned from jp newspaper archive. If you're interested in the raw though, shoot me a message and Ill try and help you find it! This is most of the interview, though some things that were just laying out the setting or repetitive I opted not to mention. you're not missing anything.
Nishi has got to be one of the most impressive mangaka out there. Like, she has mairuma, does the writing for ichi the witch, and probably has some level of involvement with the irumafia spinoff like checking it or something idk. That's 3 ongoing publications. At once. And they're all peak.
finally caught up on ichi the witch and i am such a sucker for possessive mentors. i was cackling reading the exchange between minakata and desscaras sjdfskfjdlsj. (dw i have desscaras version of this in the works eheheh)
And on that day, the world ended. It should have been a joyous occasion, a wondrous celebration filled from morning to midnight with festivities, and, to most, it was...Even the birds seemed to understand: it was a day of great significance, the pinnacle of human greatness thus far. But Togeice did not. And she did not understand why she did not. At first glance, it should have been obvious; Togeice was mourning.
A/N: can anybody figure out what the title & first line are referencing? (credits at end) also. This is my first fic, I greatly appreciate and encourage criticism/tips. It might be a little ooc, sorry about that.
Tumblr exclusive a/n: the formatting got weird :(
TW: grieving, death (not depicted but plays a very big role), mention of alcohol, depiction/description of dead body
Based on your interpretation, there could be more, but i don’t think it’s too obvious of an implication.
If you read the story and think it is obvious enough to have a trigger warning, or if I missed something that could be triggering, please tell me.
And on that day, the world ended. It should have been a joyous occasion, a wondrous celebration filled from morning to midnight with festivities, and, to most, it was. A magnificent parade made its way through streets lined with crowds upon crowds of people. Those who were glad to be safe, those who lost loved ones, those who felt the pride of victory, and those who were simply caught up in the atmosphere. Even the birds seemed to understand: it was a day of great significance, the pinnacle of human greatness thus far. But Togeice did not. And she did not understand why she did not. At first glance, it should have been obvious; Togeice was mourning. It should have been a simple thing to understand, but she was not one to be satisfied with the surface.
Togeice sat beside Desscaras as she lay in the hospital bed, listening to the jovial cheers. Her gently clasped hands bore a jarring contrast to the sterile cold of their surroundings. She looked almost peaceful. Had it not been for the clean and startlingly bright cloth draped haphazardly across her face and the cold that matched the room, Togeice might have believed that Desscaras was simply asleep, exhausted from successfully accomplishing yet another foolhardy feat of heroism. Instead of watching a cold corpse with her equally lifeless eyes, perhaps Togeice would be scoffing at the morning newspapers for their ridiculous headlines, or perhaps she would be scolding Dess and her team for their recklessness. There would no longer be a need to repeat that weary cycle that had long since become routine for them. She wasn’t sure if she felt relieved or if she was beginning to miss those familiar actions already.
Togeice had known there would be a last time. She had known there would be a last time when she would share a bottle of wine with Dess, a last time she would argue with her over some trivial topic, a last time she would feel those warm hands against her own, a last time she would hear that flippant voice, a last time she would see those gold eyes alive and awake, a last time they would wish each other well before a mission, a last time, a last time, a last time. Yet Togeice wished she had been a little more aware every time she interacted with Desscaras, wished she had cherished her smile a little more, listened to her voice a little more, memorized her beauty in every detail a little more, savored her company a little more, loved her a little more. Now, Togeice wishes she lacked hesitation; she wishes she had been a little more shameless, a little more like the motionless figure in front of her. Perhaps her wish was unreasonable. She may have regrets, but she was alive. And Dess wasn’t. She didn’t have to be.
A strange sensation clawed at her from within her chest. Togeice ignored it; she lacked the leisure to linger in her grief and mourn. She was busy, and she would be particularly so in the coming days. Searching for and acquiring Desscaras’s released majiks was bound to take up much of her time, especially since, as a witch almost on par with Desscaras, Togeice was bound to be instrumental in cleaning up after her death. Cleaning up. That was all Dess’s death was to the Mantinel, the world, and now her. A minor incident they had to clean up. Already, the world had forgotten about the strongest witch and moved on. The world had moved on past her death, disregarded her grand sacrifice, and it no longer had a place for her besides history books and a grave. Never again would her name grace the lips of adoring fans, never again would her escapades be the subjects of headlines, and never again would she bask in that glory again. Even the impersonators would cease to imitate her likeness.
Togeice stood up. She turned to the door to leave, but she was weighed down. Togeice hesitated. Again. She turned back towards the still body. Togeice lifted the cloth to reveal Desscaras’s face, carved by death and misfortune. A face carved by a tragedy wrought by her own hands. Closed lashes cast soft shadows on cold cheeks, obscuring eyes of sweet honey and glimmering gold. Tenderly, she extended a hand, caressing a shadowed cheek, murmuring soft apologies for her cold, yet still warmer, hands. Togeice whispered a final goodbye. A final goodbye. A last time. She would savor this final moment, this last time, with Dess the way she wished she could have before her death. She would also exchange farewells with Desscaras at the funeral, but that would not be a moment between only them. It would not be a moment just for her. Togeice lowered the cloth and drew back her hand. She left the room.
As she left the room, the clawing from within grew sharper and more prominent with each step away from Dess she took. Togeice did not have the privilege of having the time to examine her emotional state and pick apart each individual sentiment. Instead, she walked straight ahead, towards the exit, ignoring the tightening of her throat and the blurring of her eyes. As she passed the room where Ichi’s body was held, she paused.
Maybe out of a sense of obligation, or perhaps a feeling of camaraderie with his grieving companions, Togeice moved to enter the room. She would pay her respects, maybe offer a few words of comfort for Kumugi and Gokuraku, and then she would leave. Her hand paused on the knob. Togeice hesitated to intrude on the gathering. Once again, she wasn’t quite sure why. But, deep down, she understood; there was a certain sanctity that entitled Gokuraku and Kumugi to first rites. They were far closer to Ichi than she was; this was not something to be interrupted. It was probably the same reason Kumugi and Gokuraku had chosen to visit Ichi first, despite Desscaras’s proximity to the entrance. They had allowed Togeice a moment alone with Desscaras, and so she would allow them a moment with Ichi. There seemed to be a mutual understanding. It made Togeice a little lonely. Kumugi and Gokuraku mourned with each other. Togeice mourned alone. She kept walking.
Instead of the exit, Togeice turned towards the restroom. She thought about Kumugi and Gokuraku holding each other tight, sobbing as they let themselves be taken by the grief and pain and longing that often accompanied loss. Togeice didn’t have time to let herself be taken. Her work would come first, and then she might allow herself to surrender, just for one night. She didn’t have time, so why did she find herself gripping the edges of the sink with such ferocity that the blood drained from her knuckles? Why did she find herself peering into a mirror that showed such an anguished vision, with tired eyes and disheveled hair and dirty glasses and crumpled clothes? Why did she find herself asking — begging — for answers?
What do you mourn?
Their future, their life, their tragedy?
What do you mourn?
A future with them, their presence, a source of your own happiness?
Who do you mourn?
A living human, an existence, a person?
Who do you mourn?
A lover, a companion, a friend?
Why do you mourn?
Because they are dead and will see no more of the world?
Why do you mourn?
Or because you loved them and will miss them?
For Togeice, grieving was an inherently selfish thing, and she despised herself for indulging in her grief. If grief was a selfless, kind act of empathy, then why was it that one only mourns for a loved one? Why does one not spend every waking moment mourning for strangers worlds away? One does not mourn for a simple death. One does not mourn the person. One mourns a death the way one does after a rejection. One mourns a death the way a child cries and screams in a wild tantrum after being denied something. When one mourns, one mourns what one once had. She had always had a lurking suspicion, creeping in perhaps shallower depths of her mind, waiting to be dredged up by some tragic event.
Growing up, Togeice had always been taught — never told, but taught nonetheless — that selfishness was undesirable. She was taught that to be selfish was to betray everything she stood for and to betray all those who might ever ask anything of her. It was morally wrong, and it was reserved for children and those too child-like to shake that immaturity that might make certain undesirable qualities endearing. Child-like and immature. Two words that might describe a certain someone, whom she had left cold and rotting in a sterile room, on sterile bedsheets, covered by a sterile cloth, caught in time, never to exist again as a person in the cruel world she had once inhabited. Desscaras, who had taught her that perhaps a little bit of selfishness might not be as evil as she had once believed. Dess, who taught that and so many more undesirable qualities like greed and sloth and lust and every other wonderful, disgusting thing that Togeice had long feared. And Desscaras, who evoked envy and ire and other vile, wretched delights in her heart that grew ever twisted in ugly contortions the more she thought.
Togeice wanted to scream. She felt it bubbling in her throat. It came
up in little gasps, hiccups, and coughs, as Togeice fought — fought harder than she had against any majik or other foe — to keep the feelings, everything she had ever felt or thought or wished for while she had been with Dess, down and to wrestle them back into the little chained box that was far too small to contain it all. And in that small moment that had felt like forever, the chains burst, the box shattered, and everything had come flooding out like the wrath of a goddess. Perhaps Desscaras had come back as a ghost to enact some kind of vengeance, maybe for something as petty as an unresolved argument, or maybe she was angry that Togeice had not stayed longer. Amidst the cacophony of everything that roared in her head and heart, Togeice let out a laugh. Sharp and brittle. She wasn’t quite sure what she was laughing at. The ridiculosity of the idea, or her own pathetic self for having considered that idea, even for a second. Desscaras had not acquired a single majik that would have allowed her to cheat death — not even her soul alone.
And suddenly, Togeice was acutely aware of each passing second. She spared a haphazard glance at her watch. 8:17:32. :33. :34. It had already been 4 hours since she had entered the hospital. 2 since she’d first sat down beside Desscaras’s corpse. And 4 minutes since she’d left. And 13 minutes until she would have to report to the Mantinel. And 43 minutes until they would take the body away.
Togeice had not missed or been late without good reason a single day since she had joined the Mantinel. Monegold could not possibly blame her when, of all people, it was Desscaras who lay dead in that room. She might scold Togeice for not sending a notice earlier, or she might begin a lengthy lecture about Togeice’s importance in the aftermath, but she would never raise her voice at Togeice for putting her own feelings ahead of a job. Or maybe she would. Togeice wasn’t quite sure of anything anymore. The most powerful witch in the world had died — shocking in itself —, and nobody had bothered to even set up a stick of incense in her honor. But she knew one thing, and that was that there was a burning desire — a burning need — to spend as much time with Desscaras as possible, to have those last few minutes that she would never have again. Having made her decision, Togeice took a deep breath to compose herself, let go of the sink, and near-sprinted down the hall towards the room, barely avoiding knocking into other visitors, surprised patients, and disgruntled staff.
Then, finding herself, in front of the room again, Togeice reached for the handle. Then she heard it. Quiet sobs that resembled the same ones that she had heard for Ichi. It made sense; after all, Desscaras had been part of their team, as well. She turned to leave. Then she stopped. Wasn’t it okay to be a little selfish, just once more. Before she could change her mind, she opened the door and stepped into the room. Gokuraku and Kumugi didn’t acknowledge Togeice, and she didn’t acknowledge them, but there was a tacit understanding and agreement that they were there for the same reasons, and that they wouldn’t disturb each other.
Togeice wasn’t quite sure why she was there anymore. She had come back to spend more time — as much time as she could — with Desscaras, but had there been any point? After all, Desscaras was dead and unmoving. Then, for a brief moment, she contemplated stealing the corpse. She hadn’t been told what would be done with the body, whether it would be cremated or buried or preserved “for science.” If she stole it, she could prevent it from rotting with her ice, forever locked in stasis; time would move around her while she would be stuck for all the rest of eternity. And, much to her guilt, Togeice seriously considered it. She could easily pick Dess up in her arms and leave, perhaps out the window. She doubted anyone could stop her, after all, there was no witch currently alive that could best her, and the Majikeepers were likely far too busy to concern themselves with a stolen corpse. Or maybe not. She was a very powerful witch, after all. Her mind was scattered, and she felt numb.
When Kumugi and Gokuraku got up to leave, having paid their final respects to Desscaras, Togeice did not move. When she heard hospital staff outside the door, preparing to take Dess away, she still did not move. Immediately, a wave of regret and nausea overtook her. Now, Togeice was sitting in a cold room alone, disheveled and so unlike the pristine witch she always presented herself as. She should have taken the body. The thought briefly flashes across her mind. Now, she sat beside the empty bed, unmoving as hours passed. The hospital staff had left the room unused, maybe out of respect for the great witch whose corpse had been held within those walls, maybe out of compassion for the tired mourner who still remained in the room.
By the time the thought that she should leave crossed her mind, it was already dark out. The staff was preparing to switch to the night shift when she mustered up the strength to step out of the room, her feet unsteady and unwilling to leave.
The next day, when she entered the Mantinel, with heavy dark circles and unkempt hair and wrinkled clothes, nobody questioned her unannounced absence the previous day or her miserable appearance, save for some insensitive cadets who were quickly hushed by their peers. She was far too detached to notice the looks of concern that her coworkers exchanged when she wasn’t looking or the whispers behind her back. She simply worked and worked and worked and worked, same as before Desscaras’s death, except she no longer spent late nights lying under stars, she no longer watched the vivid red swirl of wine, no longer exchanged witty banter between missions. With each passing day, Togeice became painfully more aware of Dess’s absence. Every morning, that wave of grief and pain would be renewed again, and she’d dance that same excruciating routine again, waltzing with an imaginary ghost.
After a week, Togeice began to suspect that everyone — everyone but herself — had, in fact, forgotten about Desscaras, the greatest witch in the world. The funeral invitation had yet to come in the mail. Then Togeice suspected that maybe she had simply been left off the guest list, whether by error or intention. Then it came wrapped in pretty yellow envelope and written with calligraphy unbecoming of the morose event it heralded, like a grand trumpeter announcing the arrival of the end of the world. In her hands, Togeice held material proof that Desscaras was indeed dead. Seeing her body had not been enough, but holding that morbidly grandiose letter in her hands felt like treason. It felt like accepting that Dess was dead. Once again, wretched emotions bubbled in her throat. She wanted to rip the letter to shreds, yet she wanted to frame it and hang it on the wall all at once, a final piece of the world’s acknowledgment of Desscaras and her sacrifice. She wanted to skip the funeral just to be selfish and to make a statement that she didn’t accept Desscaras’s death or the world’s willingness to move forward, but she wanted to be there for her final moments before Desscaras would be whisked quietly out of public eye.
Yet another week passed, and Togeice found herself staring dimly into her bathroom mirror, dressed neatly in mourning clothes. Never one to break decorum, Togeice had eventually resolved to go, whether out of obligation or personal reason. She would attend, gift Dess flowers, orate a small eulogy, say her final goodbyes, then she would leave and move on with her life as if Desscaras had never been a part of it. As if Dess hadn’t consumed her entire life with her brilliant presence, hadn’t taken it and turned it completely on its head, taken it and thrown her completely off course, as if Dess hadn’t been everything to her. Togeice couldn’t remember a time before she had met Desscaras, yet she remembered their first meeting so clearly. She remembered thinking of Desscaras as annoying and loud. And pitiful.
Shaking herself out of yet another grief-induced stupor, Togeice turned to leave, steeling herself as she stepped out the door, leaving the comfort of her home to see a world the greatest witch alive would never occupy again.
A/N: title from The Hollow Men by T.S. Eliot, 1st line also adopted from the same poem. Some of the word choice is really deliberate, some of it is not. The last line is very much deliberate.
