I made these small monsterisms last year. Getting the hankering to make some more... to make a menagerie of monsterisms.
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I made these small monsterisms last year. Getting the hankering to make some more... to make a menagerie of monsterisms.
Meet Mrs. Natalie Nice...
Natalie is a hard worker in one of today's high-end scientific fields. Why, her boss wouldn't know where the test tubes were kept if not for her tireless efforts! Well, not quite tireless...
She's quite tired. Mrs. Nice has been burning the candle at both ends to impress the boss, and she's about to make a terrible mistake because of it.
Can you spot the mistake Mrs. Nice is making?
That's right! Carelessness in the workplace has consequences!
That wasn't coffee! (good) Coffee doesn't glow green!
Whoopsie! Now Mrs Nice is Mrs. Naughty...lus! Nautilus.
And Mrs. Nautilus is not happy!
By not watching what she was doing Natalie has wasted her whole lunch break turning herself into an abomination of science. All without noting dosage, temperature, and other important factors, not to mention completely circumventing the double blind protocol. Her data is completely invalid for the larger project.
Don't be a Mrs. Nautilus, be a Mrs. Nice! Remember:
Take regular breaks, get plenty of rest, and-
-If the Goo's Alight, it's Not alright!
Drinking glowing goo is the 1% cause of monsterism in adults ages 18-35, please science responsibly, a message from your friends at Cocytus Comics.
"discovering that you used to be human, instead of being a natural-born (insert whatever nonhuman) as you'd previously believed" as body horror
The fact of monsterism suggests that nature in Frankenstein has something of the radical amorality described by Sade. For Sade, nature permits everything and authorizes nothing. Since all tastes and pleasures are in nature, no perversion can outrage and no crime alter nature; if one searches for an underlying pattern or principle in nature, what one finds is destruction itself. Therefore man's destruction -- torture, murder -- merely does nature's work. The impassibility of nature, the regulatory principle of life which yet refuses to offer any ethical principle, is a source of anguish for Sade; and his compilation of pleasures and crimes contra naturam can be read as an ever-frustrated effort to make a human mark on nature, to break nature's bonds, to reach through to some transcendent principle. There are perhaps parallels to be found in Victor Frankenstein's manic quest to push nature to a frontier where it becomes meta-nature, where it releases its own principle of being. Certainly Frankenstein's assault on and in the citadel of nature produces a monsterism that both reveals and mocks the arcane principle. The overriding fact of nature in the book -- dominating Mont Blanc, the Lake of Geneva, the Hebrides, and all the other sublime natural settings -- is the fact and possibility of monsterism itself. It is to this, I believe, that the Monster returns in his peroration, as he says farewell to Walton and to the dead Frankenstein: "Blasted as thou wert, my agony was still superior to thine". He attributes his superior torture to remorse; yet surely it first of all derives from the condition of monstrosity itself. This is the supreme agony, and the properly monstrous blot upon nature: that nature should be capable of producing the monstrous. It is a nature that eludes any optimistic Romanticism, and finally most resembles Freud's "uncanny": the Monster perfectly illustrates the Unheimliche, a monstrous potentiality so close to us -- so close to home -- that we have repressed its possibility, and assigned an un as the mark of censorship on what is indeed too heimisch for comfort.
Peter Brooks, Godlike Science/Unhallowed Arts
On the early 2000’s I invested a lot in Pete Fowler’s Monsterism minifigures, but this 9” oversized version of Janitor is the crown jewel in my collection!