I straight up check your profile daily for the southern raiders analysis you’re working on. 👀👀 where IS IT 😩
bRUH I am so excited to drop this analysis you have no idea (It’s creeping up to 22k+ I am gonna cryyyyyyyyyyyy). The only problem is that my TSR analysis and “Moon theory” are so incredibly hard to structure and articulate. I’m happy you’re so excited for it, though!!! Truly, it’s an honor. I’ll give you a taste of my madness and what’s to come, but be warned: it may be a bit hard to follow because TSR (from how I’ve come to understand it) is about the vagueness of beginnings, endings, and cycles, so there isn’t really a starting point for me to begin with. (So it may seem a tad bit like a ramble in some points that I haven’t fleshed out yet/am summarizing for this ask)
This analysis has me on trails like THIS brilliant nonsense, and I am 1000000000% here for it:
Roku: “The spirit's name is Koh, but he is very dangerous. They call him The Face Stealer.”
Katara: “We’re going to find the man who took my mother from me.”...“That’s him. That’s the monster.”
Lion Turtle: “To bend another's energy, your own spirit must be unbendable, or you will be corrupted and destroyed.”
Roku: “When you speak with him, you must be very careful to show no emotion at all. Not the slightest expression, or he will steal your face.”
Hama: “Congratulations, Katara. You’re a bloodbender.”
(If Katara had killed Yon Rha, she would be giving up her identity--her face. Not only would she have become a killer, but she would be killing what made her Katara)
Aang: “Let your anger out, and then let it go. Forgive him.”
Forgive him--approach him for what he is, not the faces your memories or your heart are having him wear. See him for the pathetic man he is in that moment right in front of you.
Aang’s forgiveness is seeing someone for the sum of their parts. It’s judging them and seeing through into their very soul, just like the Firebending Masters saw through Zuko being the Crown Prince and Aang being the Avatar. That meant nothing to the Masters. What did matter to them was who the boys were right there, right then, right in front of them.
“Why should I hold a grudge against you for something you did in a past life? After all, you’re a different person, now. You’ve come to me with a new face.”
If I can give no other take-away from my analysis and moon theory, it’s that Yin and Yang are not two entities; they are three. I think the fandom’s misunderstanding of it may be why the discourse on TSR (and Aang, Katara, and Zuko) is so black and white (pun intended lol).
“But Yin and Yang are obviously two things. Don’t you know the symbol?” I hear some people already saying.
It has never been just Yin and Yang. Yin and Yang have never existed as just two things.
They are Yin and Yang and Wu Wei.
(Aunt Wu has her name for a reason, and she has the mark of the wise in her hair for a reason, too...AND she is at odds with Sokka in The Fortuneteller for a reason, too!!!...but that’s for the analysis😉)
Balance isn’t good triumphing over evil. Balance is good and evil. Balance is standing on the flow between two opposites--it’s the compliment that connects them. (The koi fish live in an oasis for a reason.)
I’ll explain what Wu Wei is later in the full analysis (like many things in here), but here’s some of my evidences and proofs for the “Yin Yang trio”:
The Tibetan “Wheel of Dharma”
(I’ll also explain the Wheel and Dharma and etc. later because it has everything to do with Koh and the moon) Long story short, the wheel and its spokes are representative of the 8 steps to enlightenment and the cycle of rebirth.
Look at the hub of the wheel. It’s a swirl made of 3 parts.
Here’s the colored version of the wheel (as an alter):
BLUE, WHITE (or gold, depending), & RED
These are the “THREE TREASURES” OR JEWELS.
They symbolize DHARMA, BUDDHA, & SANGHA respectively.
Bato: “Ice dodging is a ceremonial test of wisdom, bravery, and trust.
Bato: “The spirits of water bear witness to these marks...”
Why does Bato say spirit(s) plural? The Ocean and the Moon are only two spirits. The Ocean can’t be two things. Right?
Yue: “The legends say the Moon was the first waterbender. Our ancestors saw how it pushed and pulled the tides and learned how to do it themselves.”
The Moon--singular.
The Tides--plural (push and pull)
Lion Turtle: “In the era before the Avatar, we bent not the elements, but the energy within our senses.”
The moon pushing and pulling the tide is the moon bending the energy of its world.
Katara finding balance between “being too weak to do it” or “strong enough not to” is her bending the energy within herself.
It’s two solutions written as a question but said as a statement.
Yue: “Our ancestors saw how it pushed and pulled the tides and learned how to do it themselves”
THE SOUTHERN RAIDERS IS ABOUT AANG AND ZUKO LEARNING FROM KATARA. Katara had already learned from Aang and Zuko all leading up to TSR. That was her studying. TSR was her test.
TSR is Zuko’s and Aang’s studying. Sozin’s Comet is their test.
Bato: “For Sokka, the Mark of the Wise. The same mark your father earned. For Katara, the Mark of the Brave. Your courage inspires us. And for Aang, the Mark of the Trusted. You are now an honorary member of the Water Tribe.”
Aang - Wise (”you’re pretty wise for a kid”)
Katara - Brave (the same mark her mother earned)
Zuko - Trusted (”I was the first person to trust you”)
Sokka - Bato ("I am to have no part in this--you pass or fail on your own.”)
Yin and Yang are nothing without their dance. The Avatar and the Firelord mean nothing if they don’t have a world to rebuild.
The valley means nothing if there isn’t anyone to live in it.
Fighting is useless if there isn’t someone to fight for, otherwise it is “selfish and stupid”
Katara had to have a reason to return from Yon Rha. She needed to have Aang waiting for her. If she didn’t have a reason to stay, then she wouldn’t have a reason to go.
To have a reason to sleep, a person has to have a reason to wake up.
Katara: “Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone; that it's all his responsibility.”
Hakoda: “Maybe that's his way of being brave.”
(Bato: “For Katara, the Mark of the Brave. Your courage inspires us.”)
Katara: “It's not brave! It's selfish and stupid! We could be helping him! And I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind?!”
(It was, in fact, not easy for Aang to ‘do nothing’)
Katara: “I understand why you left. I really do, and I know that you had to go, so why do I still feel this way? I'm so sad and angry...and hurt.”
Hakoda: “I love you more than anything. You and your brother are my entire world. I thought about you every day when I was gone, and every night when I went to sleep, I would lie awake missing you so much it would ache.”
(AND YUE IS ONE OF THE ONES TO SAVE AANG IN THE OCEAN FOR A REASON)
Thinking and missing: a matter of mind (who) and heart (want).
Iroh: “Who are you? And what do you want?”
Sokka: “We need to go back. I wanna see Dad, but helping Aang is where we're needed the most.”
Mai: “I love Zuko more than I fear you.”
BUT YOU WANNA TALK ABOUT THE MOON FOR A HOT SECOND???
I’LL TELL YOU ABOUT THE MOON
I’LL TELL YOU ABOUT 2 MOONS
WHEN IT IS THE MIDDLE OF THE NIGHT A FEW HOURS LATER
AND KATARA IS SLEEPING SO YOU CAN’T TELL ME IT’S BECAUSE YOU RISE WITH THE SUN OTHERWISE SHE’D BE WIDE AWAKE DURING THE FULL MOON THAT SHE USES TO BLOODBEND NOT EVEN TWO MINUTES LATER
THIS, MY FRIENDS, IS A HARVEST MOON
WHICH IS THE LAST FULL MOON OF THE SUMMER
(and looks off color when it rises/falls because of the angle of the rise/fall in the atmosphere...it’s normal once overhead)
AND SYMOLIZES HISTORY REPEATING ITSELF
“We’re going to find the MAN who took my mother from me.”
“That’s him. That’s the MONSTER.”
Katara was 8 when Kya was killed
8 steps to enlightenment (the “Eightfold Path”)
“One of your previous incarnations tried to slay me! Be it 8 or 9 hundred years ago” (but time is an illusion, so hundreds mean nothing)
THE OTHER TWO MOONS THAT ARE CONSUMING MY EVERY WAKING MOMENT???:
1.) The WOLF MOON--the first full moon of the new year (a love between the wolf and the moon in the harshest winters...connection is kindof obvious lmao)
The Thunder Moon is the full moon of July. It is also known as the Buck Moon--for when young buck regrow their antlers.
Yue: “My hair turned white.”
Zuko: *cuts and re-grows his hair*
The Thunder Moon--the full moon of July--is also the beginning of a certain Buddhist holiday.
WHICH CELEBRATES THE BEGINING OF BUDDHISM AND THE FIRST OF THE 8 STEPS (the first spoke of the Dharma Wheel) TOWARDS ENLIGHTENMENT
AVATAR IS ALL ABOUT CYCLES
THE SOUTHERN RAIDERS IS ALL ABOUT BREAKING THEM
I haven’t even touched Jung, Koh, Hinduism, and Buddhism yet
or the fact that Katara and Kya are the only characters in the entire series to wear moons on their clothing and that, together, they form an actual lunar phenomenon
or why the spirit oasis isn’t a complete circle
or the fact that this thing that Aang is told to chase is just like Whaletail Island:
or how important the Great Divide and the Solstice are
AND I’M JUST GETTING STARTED
BECAUSE EVERYTHING IN THE SOUTHERN RAIDERS--RIGHT DOWN TO THE SOUND DESIGN--IS ABSOLUTELY MONUMENTAL IN UNDERSTANDING THE SHOW, ITS MESSAGE, ENERGYBENDING, AND LITERALLY EVERYTHING ELSE
TLDR: Idk how the heck I’m going to arrange or articulate this analysis because it is WILD. Be warned: There is literally no exact beginning and ending to this analysis because the whole point of Yin and Yang is that is has no beginning or ending (...kindof...), so you’ll have to bear with me once I’m done editing it into something that’s somewhat coherent.
These are just SOME of the things I’ve been able to answer with my moon theory and analysis of The Southern Raiders as it currently stands:
Why “letting go” isn’t really letting go (as we understand it...see: Aang’s confrontation with Koh)
Why Lake Laogai and the Spirit World are symbolically the same thing.
Zuko’s advice to the bullfrog is actually a summary of the show, energybending, the origin of bending, and the definition of Aang’s
“forgiveness” I stg
Why “Sokka’s instincts” are the reason Katara yells at Sokka
Believe it or not, every time Katara mentions her mother, it is at specific times for specific reasons.
^^^same thing for the moon, lack of moon, moon positioning, etc.
Katara’s mother’s necklace is more important than we realize.
Who the faces of Koh are and WHY they are there.
The true meaning of Jet’s sacrifice.
Why Jet’s episode about the dam explains the entirety of TSR as it pertains to Katara (all the way down to the little girl who runs to get her doll after the dam breaks)
Why Katara actually DID forgive Yon Rha, and the fact that she doesn’t even know it is proof that she did
^^^^^Aang’s definition of forgiveness is completely misunderstood by the fandom, and the way he “forgives” is sososo much deeper than “moving on”, and it is DEFINATELY by no means “doing nothing” or “excusing” past actions.
The importance of lightning, Zuko, Aang, and Katara.
The absolutely monumental and not nearly talked about importance of Jeong-Jeong like holy crap.
How Katara and Azula are just as much of a Yin and Yang as Zuko and Aang but not in the way we think they are
Why Koh has the Blue Spirit’s face
Why Koh DOESN’T have the Painted Lady’s face.
Who Ni-Ni from Katara’s campfire story in The Puppetmaster is
How and why Iroh was able to learn firebending from the Masters even though he didn’t have a partner.
How/Why Azula had her breakdown and why she saw her mother in the mirror
Why “Leaves from the Vine” and “Four Seasons” are the same song, explain Azula’s downfall, and explain the Yin and Yang of TSR.
Why Katara and Sokka are so often mistaken for parental figures.
Why Aang’s flashbacks to the Air Nomads are so important in understanding TSR.
Why Toph and Suki disappear after the campfire in TSR.
How Hakoda, Gyatso, and Kya are all connected.
Why it is so dang important that Azula shows up in the beginning of TSR.
The importance of the Spirit Oasis.
Energybending, healing with waterbending, Aang’s trauma, and Zuko’s scar.
Why Zuko gives Katara the exact opposite advise in TSR that he gave her in the catacombs.
How everything could be predicted and read by the moon.
WHY YIN AND YANG ARE THREE THINGS AND HAVE ALWAYS BEEN THREE THINGS.
HOW ALLLLLLLLLLLLLLLLLLL OF THIS TIES BACK TO THE MOON AND BUDDHIST BELIEFS--AND YEAH THE MOON AND BUDDHISM AND HINDUISM ARE MORE CONNECTED IN ATLA THAN YOU CAN IMAGINE.
AND HOW IT LEADS INTO OUR MODERN UNDERSTANDING OF THE SELF--BECAUSE JUNG TOOK GREAT INFLUENCE IN HIS DEVELOPING THEORY OF THE CONSCIOUS AND THE SUBCONSCIOUS FROM THE HINDU/BUDDHIST RELIGIONS
^^^^AND ALSO THE THEORY OF THE SHADOW AND THE PERSONA
The ocean is a deep, dark, unknown place with a lot of hidden monsters (like Yon Rah). Katara needed a light to find her monster, but she also needed somewhere she could breathe when she came back up for air.
If she didn’t have both Zuko and Aang, Katara would have drowned.
I wasn’t kidding when I said this was a thesis, and what I’ve said and listed here isn’t even all that I have.
btw This all does line up on the traditional Yin Yang symbol we know and see in the show, but I don’t have enough space here for that lmao. That’ll be in the analysis
I hope you enjoyed this little taste, my friend, because I need to sit down for a hot second before my brain leaks out of my ears. Sorry for the ramble. I promise the analysis isn’t like this lol. This is just me trying to summarize as best as I can.
***Disclaimer: My points are always subject to change since I am still researching. These are the facts as I’ve found and applied them to the evidences I’ve noted from in the show. I’m always open for friendly discussion or any directions to better sources on Buddhism/Tao/Jung!***
