Can you make a dark academy mood board for art history and museology?
ᴀʀᴛ ʟᴏᴠᴇʀꜱ ɢᴏ ᴛᴏ ᴍᴜꜱᴇᴜᴍꜱ
P.D. 'Art history and museology academia' for... [REDACTED]

#batman#superman#bruce wayne#clark kent#dc fanart#superbat#superman 2025


#ao3#writeblr#ao3 fanfic#archive of our own#writing community

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Can you make a dark academy mood board for art history and museology?
ᴀʀᴛ ʟᴏᴠᴇʀꜱ ɢᴏ ᴛᴏ ᴍᴜꜱᴇᴜᴍꜱ
P.D. 'Art history and museology academia' for... [REDACTED]
Nordiska museet har beviljats 400 000 kronor av regeringen för att under 2026 inleda arbetet med att klarlägga förutsättningarna för ett pra
HUGE news in Sweden in the world of decolonialising museums!!
Sweden’s oldest museum and one of its largest have been granted 400 000kr (approx. €37k) to during 2026 begin the process of repatriating their Saami artefacts to Sàpmi
This comes on the heels of an increasing trend in Swedish museums to repatriate artefacts collected as part of colonial processes to their original cultures. The ethnographical museum institution Världskulturmuseerna repatriated over 60 artefacts to Áttje, Sàpmi in 2025 as one example.
Protect the Role of Visitor Experience Officers in Melbourne's Museums
Hey folks!
Do you like museums? Do you like it when a museum staff member is there at the museum to tell you about the objects and galleries? Do you like tour guides who are passionate about what they talk about?
Then please sign this petition!
The Visitor Engagement Team at the Melbourne Museum and Museums Victoria is being gutted and replaced by customer service roles and security guards! The Visitor Engagement team offers world-class, unique experiences to all the Museums' visitors, sharing their knowledge and passion for the sciences, history, and natural history with anyone and everyone!
Museums Victoria is a public service and therefore your voice counts! Whether you're a Melbournian, Australian, or even from elsewhere in the world, this museum was made for your experience. So speak up and tell the Museum Board that this change is not what you want!
Not only will visitor experience be severely impacted by these changes, but about half of the Visitor Engagement team will be losing their jobs or having their hours halved. You may have heard that the Victorian Public Sector is cutting jobs but these changes are not a part of that! Certain parts of upper management are just firing their lowest paid workers during a cost of living crisis!
Please, save Museums Victoria's Visitor Engagement Team!
Researcher needs help
Hi Tumblr!
I'm doing my master thesis in art history on the creation of a new museum focused on briton music, a folk art from an oral based dying culture, and I am looking for other examples / attempts at valorisation of folk music, ideally from other threatened cultures. Anything celtic would be awesome, since there would be a common ancestry, but I'm interested in any other music you might think of, like indigenous music, slavic, asian, black... Basically, if you can think of a place / time in which people tried to figure out how to make their musical cultural heritage available to a wider public, I want to hear about it!!!
You can contact me here, but if (hopefully) I get a lot of replies, I'll add an email to make things easier for everyone.
THE MAENAD: Small terracotta perfume container in the form of a Maenad, Possibly imported from Taranto, Discovered in Locri, Magna Graecia [modern Calabria, Ionian coast, Italy], Female tomb 934, C. 370-350 BC.
Museo Archeologico Nazionale Reggio Calabria | MANRC [Floor 1. "B"]
Web : https://museoarcheologicoreggiocalabria.cultura.gov.it/en
FB : https://www.facebook.com/MuseoArcheologicoRC
IG : https://www.instagram.com/museoarcheorc | @ museoarcheorc
LiN : https://www.linkedin.com/company/museo-archeologico-reggio-calabria
MANRC | Michael Svetbird Phs©MSP | 03|01|26 6200X4100 600 [I.] The object photographed is a collection item of the MANRC [Non-commercial fair use | No AI | Author's rights apply | Sorry for the watermarks]
📸 Part of the "Small-Format Sculpture and Miniature Artifacts" MSP Online Photo-gallery:
👉 D-ART: https://www.deviantart.com/svetbird1234/gallery/69450077/small-format-sculpture-and-miniature-artifacts
👉 FB Album: https://www.facebook.com/media/set/?set=a.859777984390780&type=3
.
I am legitimately kind of tired of the way popular critique of museums starts and ends with "it has stolen items". Its SO much more than that and museums can promote imperialist, nationalist, etc ideology and rhetoric plenty fine without having a single stolen item.
Project for the transformation of the Grande Galerie du Louvre (1796) by Hubert Robert. Musée du Louvre.
How to Critically Analyze a Museum
Here is a tasting menu of questions to ask about your local museum!
The Institution:
What is the museum's mission?
Does the museum collect a broad range of items or does it have a single specific focus?
Is the museum hosted by a research institution?
Does the mission language cater to the local community, the academic community, or the museum's shareholders?
How are exhibitions funded?
Is the building purpose-built or repurposed?
Where did the objects come from?
Does the museum have a history of repatriating objects when asked to?
Outreach:
How complete is the online collection?
How searchable is the online collection?
What educational programs are offered?
What ages are the educational programs for?
Does the museum have an active social media presence?
Has the museum hosted any community events recently?
Does the museum have internship/fellowship/career programs?
Exhibition Pedagogy:
What was the first thing you saw when walking into the exhibition?
Do the wall texts adequately prepare you for what you see in each gallery?
Are objects presented together or one-by-one?
Where are the object labels in relation to the objects? What seems to be more important, the visual effect of the object or its context?
Are the object labels easy to understand?
Do the object labels focus on description, interpretation, or historical context?
What adjectives are used in the object labels? How do they make you feel?
Is there any interactive material?
Accessibility:
How tired do you feel after walking through an exhibition?
How many benches are in a typical gallery?
Are elevators centrally located or on the periphery?
Is the building fully wheelchair accessible?
Are the plinths and object cases easy to walk or wheel around?
Are the wall texts visually contrastive and easy to read from a distance?
Do the audio guides describe the objects at hand? Or do they exist to provide supplementary information/commentary?
Answering these questions for yourself is a great way to better understand your local museum—why it exists, who it serves, who each exhibition is for, and if it is effective in carrying out its mission. I like to keep these questions in mind when I visit a museum and note the answers as entries in my field journal. Now, go forth and visit some museums!