#n3mys535

[elbabingo]

scuffed boothill art

I drew him because he's my comfort character. A lot of details need to be simplified for my sanity and im also too drained to color it, sorry fellas :(

[elbabingo]

I want to see if I can draw seals in ALL of the mediums I know how to use! Pencil > CSP > Watercolor > Prismacolor

[elbabingo]

Bug study 2

This study gave me a lot of knowledge and some new techniques. I'll move to my watercolor paper so I can do advance techniques that my A4 couldn't take.

Next art I'm gonna do would probably be about a "bug knight" of sorts, using all the techniques and bug knowledge to make something alien and natural. Stay tuned for it!

Here's what my sketches would look like, Idk how the others make their so clean. A lot of bad habits here and there, even the paper is warping because of how much pressure my hand gives.

Hope you enjoy my last batch of bugs studies, @atlaswhispers!

[elbabingo]

Somewhere in the Philippines.

Photos taken by me :3

I'll release some of my photography work overtime, but I stiill need to censor some faces on the background.

[elbabingo]

Weevil Guardian (1/3)

This took longer than it should've been but I want to experiment with multiple attempts to see what I can do, can't do, and shouldn't do. Sort of like a "technique calibration"

[elbabingo]

Modelled, Painted, and animated a sawed off. By some cruel magic, the sawed off is slightly tilted. Too lazy to fix.

[elbabingo]

Here are the assets I have promised! + a quick guide! (Sorry It took me embarrassingly long, I was too busy being sad) If I have time, I'll try to make a simple tutorial to guide you on how to make something like this, but for now you need to know the essentials. -I use Clip studio paint to extract my textures, on the menu bar go to "Select" and "Select Color Gamut" and adjust margin of error UNTIL you extract the texture WITHOUT any weird borders. Add a fill layer different from the paper so you'll see if you did it RIGHT! and then extract as transparent png :3

-Tools: Palette knives, sponges, or anything that have texture or can be dragged across or pressed down.

-A palette or anything you can dip your tools on, I use a very small dining plate because it doesn't soak sponges too much.

-Paper: I used an A4 paper, anything can work as long it's blank and isn't in the same spectrum as a color you're using: Like Grey paper and black ink :( Make sure you have PLENTY! Make sure it's FODDER PAPER you can easily replace, a looot of trial and error will head your way.

-I recommend black ink, with your art software you can change the colors with ease. Ink makes the small textures pop much often and great with sponges. I never tried paint but I feel like they'd be tooo thick and 'cancel' small textures.

-On your work table, add some newspaper or any protective layer and a large plastic container to keep the tools and the palette. It will get MESSY if you're clumsy as me. Bring an apron too as an extra (which I don't have! and still went on and wore a white t-shirt)

-When you're about to take a photo keep in mind REFLECTIONS are a thing, indirect lighting is key. -They're not meant to be layered on top of art, but to be cut up with a lasso tool, placed on edges and then colored with the background to add "Scratchiness" to the drawing's edges similar to Yoji Shinkawa's art. There might be better ways to implement this depending on the software you folks use.

[elbabingo]

Breaker (Shattered : Concept Art #2)

I want to post something quick and easy to do while I work on larger and complex stuff. Want to say to my folks that I'm alive and working hard!

Enjoy! I'll draw my other OCs on mediums they fit best.