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Dog
The first time I read Dog, it was about a dog wandering the streets enjoying the surroundings and taking in sights and smells of the city. Reading the poem, a second and third time led me to believe that there are some political connotations. The dog talks about a police officer that may not taste good, and that he would rather eat beef but then says that he does “not hate policemen but has no use for them” and proceeds to say that between a cow and the “policeman either might do.” Maybe he really does hate policemen enough to eat them should the opportunity present itself. Shortly after those statements he walks past Congressman Doyle who he states he is “not afraid of but that he is just another fire hydrant” to him. The irony and objective correlative of it is that dogs do pee on fire hydrants, but many humans might like to do the same to some congressmen if they were not taking the chance of being imprisoned for it. But this dog does not have time to pee on the congressman because he is free regardless of the “discouraging, depressing, and absurd” comments he hears. He goes on to say that he is free and cannot perjure himself and will tell the truth because of democracy and the right to be honest and or have free speech if you will. He does not want to be just another “dog” that is told what to do and to follow the normalcies of life without putting his perspective into things. He does not want to be another puppet “with his head cocked sideways, like a living question mark” not knowing anything about his existence or purpose in life.
Dog
BY LAWRENCE FERLINGHETTI
The dog trots freely in the street
and sees reality
and the things he sees
are bigger than himself
and the things he sees
are his reality
Drunks in doorways
Moons on trees
The dog trots freely thru the street
and the things he sees
are smaller than himself
Fish on newsprint
Ants in holes
Chickens in Chinatown windows
their heads a block away
The dog trots freely in the street
and the things he smells
smell something like himself
The dog trots freely in the street
past puddles and babies
cats and cigars
poolrooms and policemen
He doesn’t hate cops
He merely has no use for them
and he goes past them
and past the dead cows hung up whole
in front of the San Francisco Meat Market
He would rather eat a tender cow
than a tough policeman
though either might do
And he goes past the Romeo Ravioli Factory
and past Coit’s Tower
and past Congressman Doyle
He’s afraid of Coit’s Tower
but he’s not afraid of Congressman Doyle
although what he hears is very discouraging
very depressing
very absurd
to a sad young dog like himself
to a serious dog like himself
But he has his own free world to live in
His own fleas to eat
He will not be muzzled
Congressman Doyle is just another
fire hydrant
to him
The dog trots freely in the street
and has his own dog’s life to live
and to think about
and to reflect upon
touching and tasting and testing everything
investigating everything
without benefit of perjury
a real realist
with a real tale to tell
and a real tail to tell it with
a real live
barking
democratic dog
engaged in real
free enterprise
with something to say
about ontology
something to say
about reality
and how to see it
and how to hear it
with his head cocked sideways
at streetcorners
as if he is just about to have
his picture taken
for Victor Records
listening for
His Master’s Voice
and looking
like a living questionmark
into the
great gramaphone
of puzzling existence
with its wondrous hollow horn
which always seems
just about to spout forth
some Victorious answer
to everything
Lawrence Ferlinghetti, “Dog” from A Coney Island of the Mind: Poems. Copyright © 1958 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corporation.
Source: A Coney Island of the Mind: Poems (New Directions Publishing Corporation, 1958)
Cornelia Street is an objective correlative. I love that!
You Will Have an Emotional Connection -- You Will
You Will Have an Emotional Connection — You Will
So many papers I’m running into that believe we are apparition! I swear, if out of body living were possible, these folks would never come home. Some are great to read, but most are frustrating. Example, Papers with Studies attempting to disprove by argument or empirical data, the emotional connection and emotional reality that we have with Fiction Novels. (more…)
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Object-Centric Flash Fiction
from Mon., April 3
“Making Poison” by Margaret Atwood “Sticks” by George Saunders “The Wig” by Brady Udall “The Barbie Birthday” by Alison Townsend
(refer to TS Eliot’s idea of the “objective correlative”)
I am my art, and my art is
paper, motion on paper, eraser shreds and leftover pencil smudges, diligence, unfinished sketches, watercolor palettes, a painting of light, birds, wings, motion, the tap-tap-tap of a keyboard at 2am, insecurity, diligence, piano keys, a girl in the mirror, smiling, a still moment, crying, earphones in, tasting tears, reaching, tasting friendship, tasting bliss, warm hugs, diligence, code, words, colors on a laptop screen, earphones out, skylines and sunsets and rain and the stars, motion, cartwheels on concrete, diligence, jumping jacks, splits, finally reaching a goal, all test cases passed, validation, a filled canvas, growth, motion, warmth— a subtle sort of happiness.
-January 2017-
Student blog: Words the Rede Fulfill
Here's another student blog, on the ways of wicca.
A lot of ways to believe in Aphrodite, Ἀφρόδιτα, whom Sappho calls ἀθανάτ and ποικίλοφρον, athanatos, poikilophron, deathless and spangled in mind, as I wrote about once here.
She could be for you an outer being as real as mom or dad or auroch or furniture. Or did anyone ever believe in spirit beings in quite that way? Maybe only atheists ever have.
She could be something liminal, a threshold…
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