Would I sell my soul for a corn chip, just so I could experience this game again for the first time? I mean yeah??

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Would I sell my soul for a corn chip, just so I could experience this game again for the first time? I mean yeah??
Random things I noticed while playing What Remains Of Edith Finch
There was a poster of the cannery that Lewis worked at on the boat.
2. Edith Jr wears what appears to be an engagement on a necklace. Whether this is her ring or her mothers is not mentioned.
3. At the start of the game, Milton's missing posters are EVERYWHERE. There is even a giant pile of them in a nearby lake.
4. The dragon slide that crushed and killed Sven is still outside.
5. As you walk toward the house, the music gets louder.
6. The swing that Calvin flew off decades ago is still looped around the branch.
7. There was a spare peep hole in the garage that didn't have any names or dates on it.
8. At multiple points throughout the game you can hear a train in the background, despite the fact that the train tracks are clearly destroyed.
9. There are multiple pots throughout the Finch house that looks like they have eyes.
10. One of the books the Finches possessed was 'King in Yellow', a book known for making anyone who read it insane.
11. The house sounds alive, or like there are people constantly moving around it.
12. Walters bedroom is painted with both ocean and train designs. One of the paintings is the old house that Odin tried to bring to America.
13. There are drag marks on the ground of Walters bedroom (most likely made when his drawers were taken out of his room.)
14. The entrance to the tunnels is hidden by a book called 20,000 Leagues Under the Sea, a classic sci-fi story about a sea monster.
15. Molly's room is filled entirely with animal books.
16. There is a jelly fish on Molly's bed (possible connection to the monster??).
17. Molly has a chalkboard in her bedroom where she is a princess in an underwater castle and Sven is about to get attacked by a sea monster (slightly resembling the dragon slide).
18. As shark!Molly starts falling down the cliff, she passes a road where headlights are briefly scene.
19. When the monster gets back to Molly's room, the window that cat!Molly jumped through is still open.
20. There are still Christmas decorations in Molly's room.
21. The curse is 500 years old. That is a lot of dead people.
22. In Odin's viewfinder, it states "His [Odin's] daughter, Edie, is already dreaming of new Finch house" showing that even though her own father died not even a week ago, Edie has already moved on.
23. The house is filled head to toe with books about death, including two that Odin wrote.
24. Sven's shrine does not have a log painting like the rest of the family. His portrait is painted on a simple canvas.
25. Edie has a number of strange tapes in her room including one titled "conspiracy now".
26. The toys from Gregory's final bath are still in the bathroom.
27. There is an old bottle of alcohol in the bathroom bin.
28. A lot of Sam's photos are based on Calvin (a swing, astronauts).
29. All of Milton's drawings are based on the death. (Molly = cat, Barbara = pumpkin)
30. There are cigarettes and gin on Sam's side of the room he shared with Calvin.
31. Calvin already had bruises, Band-Aids and a cast on his leg when he died.
32. Sam blames himself for challenging Calvin.
33. In the story, Calvin doesn't fall. He keeps flying.
34. Barbara's birthday cake is still in her room.
35. Barbara is holding crutches in her portrait.
36. There are totem-esc styles statues of both Calvin and Molly
37. Barbara's outfit is over the railing.
This is the same way the Hook-Man falls
38. "Performance of her life" can also mean that it is the performance she is known for.
39. There are spare portrait logs in the basement.
40. There is a fake window in the basement.
41. Edie's grave is finished despite her dying and then nobody else going to the house.
42. There is no grave for Milton.
43. Lewis' grave has a crown on it.
44. There are times wear it seems like you can hear sobbing (this one may just be me).
45. There is a box of Kay's old stuff in Sam's bedroom.
46. Odin has a park named after him.
47. This isn't a fact but I think this may be one of the funniest photos of the game (LIKE SIR? YOUR DAUGHTER IS SOBBING!).
48. Both Calvin and Dawn are on Sam's shrine.
49. Gus has a skateboard over his name.
50. Gregory has the soap bottle from his final bath in his shrine.
51. The music cuts out when Gregory isn't moving.
52. Same also blames himself for Gregory.
53. Gus never met his step mother.
54. Gus was crushed by the (totem) statues of his deceased relatives.
55. Dawn's light switch is the only one on
56. Most of the rules are about past deaths. (No playing outside without permission : Calvin, No answering door for strangers : Barbara, No messes after dark : Molly (???)).
57. Milton's garden has a castle (reference to the Unfinished Swan)
58. There is a small Sanjay shrine in the classroom
59. Edith JR did an assignment on her family history.
60. Lewis drew on his desk.
61. There is no death date for Milton on his peephole.
62. Edith JR wrote Milton's death date as 2003 (the year he disappeared).
63. The door from the flip book is in Milton's room.
64. Lewis' dream Palace is decorated with fish.
65. The gnomes scattered around the house are outside the original house in Edie's story.
66. The credits roll in reverse order.
AND THAT'S IT!! I had a few others I thought didn't need to go in.
if the water in wroef represents isolation then the old house that Odin took over the sea could represent being stuck in the past and the consequences of it. Through this lense I think you can begin to see the idea of the curse which... might not be a curse at all and simply a punishment for living in the past instead of rebuilding for the present. Arguably Barbara was punished for living in the past, and so was Edith herself for returning.
Some Interesting Things I Found While Looking Around Sam, Gus, Gregory, and Dawn's Areas of the House
So, staring with Sam's area we have not, one, not two, but three ashtrays all around this one area alone.
Now, the next thing I found....that made me question Sam's mentality towards his kids.
You see this box,
is some walkie-talkie, microphone type of machine that is connected by a black wire. Like any normal WRoEF fan I followed this wire into the passageway....
Where it led to Gus, Dawn, and Gregory's room where I discovered this...
next to Gus's bed. I have a theory that Sam used this to wake the kids up at 7:30 to raise the flag, I honestly can imagine being Gus and having to wake up to your dad using a speaker and blaring it in your ears like it's a school or smth.
Also, next to Gus's bed there's this
Some sympathy cards, most likely for Sam and Dawn after Gus died.
Gus's kite that has some damage. And some how made it.
We also have some of the chracters/important places in the tiki
Odin
The old house, the one that sunk.
Barbara
Calvin
Molly
And that's it for today
The Stories From The Finches Theirselves
Chapter 1 : Starting From The Very Beginning.
It’s a lot to ask, but I don’t want you to be sad that I’m gone.
I want you to be amazed that any of us ever had a chance to be here at all.
What Remains of Edith Finch - Giant Sparrow - (2017)
Much like many ‘What Remain of Edith Finch’ fans, I also subscribe to the theory that there is nothing truly supernatural about the ‘Family Curse’. That it’s more of a bad trauma-coping-mechanism turned self-fulfilling-prophecy that led the Finches to romanticize and obsess over death, take unnecessary risks, and never learn from their mistakes.
But generally I see folks people point to Molly’s death as the event where this really got going. Like, obviously the ‘Curse’ existed long before this back in Norway - but its Molly’s death and Edie’s inability to process her own guilt in it that led her into a full-on obsession with the ‘Family Curse’ that eventually doomed almost her entire beloved family. And while I don’t deny that the loss of Molly was certainly an important step in Edie’s obsession- I’d say the true inception of it all was quite a bit earlier, back when Edie lost her father and her house.
Because the loss of that old house has clearly left a huge mark on Edie, it haunted her dreams every night of her long life - she spent what was probably her last few days on earth writing a story about it. And what is Edie’s biggest problem? She clings, she never lets the past go. In her own whimsical and cheerful way, she’s in a state of permanent mourning. Every death story is retold and mythologized, every dead child’s room is meticulously preserved as the day they died (to the point of making one of her sons share a room with his dead twin for 11 years), the New Finch House can rarely actually change - it can only grow. And I do believe that this obsession with preserving the past is born of the time Edie had to watch all the past she had at that time drown beneath the waves alongside her father.
We really can’t know what sort of memorialization traditions the Finches had back in Norway. We’ve never being inside of the Old House, not even in Edie’s story. And according to Edith’s narration, Odin built it - so it probably hasn’t been around for enough generations for the Finch tendency to cling to the past to be as evident as with the outside architecture of the New House.
But I feel like it’s very probable that while Edie really took it to another level, the Finches had a tradition of memorialization for a long time. There’s a reason why Odin was so insistent of sailing his entire damn house across the ocean. And when it drowned, Edie didn’t just lose her daddy and her childhood home - but also everything that connected her to the dead Finches that came before her. There’s a reason why we know almost nothing about Ingeborg, Edie’s mother, all of her possessions and pictures have been lost when the house sunk. Odin probably only kinda avoided that fate on account of being a kinda-known writer, so his books and pictures of him were still available outside the House. But who knows many other Finches’ memories were buried under the waves.
During Edith’s flashback of her last day in the house, you can see some of Edie’s post-it notes about ‘the History of the Finches’, full of names neither Edith nor the player can recognize.
And when Dawn pulls the book away from Edith, you can see a few lines that were not narrated to us.
“And I wasn't alone. I started seeing things. The bed I shared with my sister. The chair my grandmother died in. The clock I used to hide inside of.”
All of these people were once just as real as Louis, Dawn and Edie were to Edith - but how much of them was really left after decades of existing only in Edie Finch’s mind? How many of these names Edie remembered and how many did she have to guess at inside the fog of her memories? Does Edie really remember the chair her grandmother died in or did she have to hesitate wandering if it was a sofa instead? Did she even remember her own mother’s face by the end?
The true tragedy of Edie’s book isn’t really that Edith never got a chance to read more of it. We know the other entrance to the library exists, if Edith was truly driven she could have tried finding that key (gathering up the torn book honestly wouldn’t be that much of a worry, it seems to have basically into two big halves, after all). The reason why the Player never gets to read on is cause I think Edith realized that this book was just pure fantasy.
And not just in the sense that there wasn’t ever any freak earthquake and low tide that allowed the Old Finch House to resurface, in the sense that whatever Edie wrote about meeting or discovering in the Old House was stitched together from the half-remembered memories and wishful thinking of a grief-stricken old woman. There was nothing there that would’ve truly brought Edith (or her son, or the Player) more information about the family history or the ‘Curse’. It could only teach her about what great grandma Edie wanted to be true, and what she wanted most of all is see that Old House again. To once again, for the first time in years... feel like she was home. To meet all these people she lost and can’t preserve eternally like she thought she could with her new family. To have something from them she can preserve. To be able to tell Edith about her sister and uncle and grandmother and mother. To truly remember them again. But she can’t. All of these ideas as such of a fantasy as the Old House rebuilding itself before her eyes. And that’s the true tragedy of ‘The History of the Finches”.
Edie was so resistant to Dawn’s attempts to move away from the family obsession with death because she thought she knew what it feels like to let go, what it feels like to move on. And it feels like all of her family and memories drowning beneath the waves. The roof peeking over the shore a constant reminder of all that she lost. And cause the Finches are not really good at finding a happy medium, all Edie knows is to cling to the past, to everything she can lose, to her house. Even as her obsession exacerbated the ‘Family Curse’ - until all her family died or left her. Until Edit Sr. ‘Edie’ Finch died all alone in her big empty house, surrounded by her perfectly preserved memories of her dead children.
Like I mentioned at the start, I think the ‘Curse’ became a self-fulfilling prophecy partially because it led to a mindset that never learns from mistakes. If every death is a manifestation of a supernatural blight upon the family line, then there’s no point at looking at a tragic death of a child as a mistake that might’ve been prevented, then there’s no attempt to avoid similar mistakes in the future. And Odin’s death is really the encapsulation of that problem.
Odin supposedly moved to America in the hopes of leaving the curse behind and moving on, but just like his daughter, he was seemingly incapable of actually leaving anything behind. He sailed his entire goddam house across the ocean (and through either the arctic circle or the Panama Canal cause the Finches live on the State of Washington) because he was so unable to part with any of the memories imbued within it. And how did that end? With both Odin and his precious home buried beneath the waves forever. If Odin was able to admit he can’t take everything with him to America, he could’ve simply taken the most important mementos of his dead wife and child and the Finch Family History in general and be able to actually preserve some of his memories in his new home. Or at the very least let his daughter keep at least some pictures of her own darn mother. Instead of losing everything, including his own life.
But for Edie, this whole story didn’t seem like an almost-parable-like narrative about how clinging too hard to the past might just mean destroying it more thoroughly. It just seemed to her like the Curse striking again, making it clear it will follow the Finches everywhere in the most poetic way possible. So instead of learning any sort of lesson from what happened to Odin, she glorified and romanticized the actions of her father. Built him a monument that made him seem like some sort of hero. She reveled in the story of the house that sailed across the ocean and almost made it ashore. And then just set on making his exact same mistake, over and over again.