Meet Quip!! My oc!!!!!! this piece took me WAYYYY too long (it had been a month old wip until i finned it just rn lol)
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Meet Quip!! My oc!!!!!! this piece took me WAYYYY too long (it had been a month old wip until i finned it just rn lol)
Kyra Korra-Chosen by Nyx-OC Challenge
So @kathrynalicemc made a Greek/Roman wizarding school challenge thing and i love greek mythology so i had to hop on that immediately
Kyra was born in Thessaloniki, Greece as the youngest child of Marcos and Stella Korra, her family was always chosen by Sun and Day deities until she started Olympia and she chosen by Nyx, the Greek goddess of The Night and her amulet is of the night sky and two crescent moons with a star on each point which she hangs on her left hip
Her natural hair colour is red, she dyed the black parts black shortly before she started Olympia. She never styles most of her hair except for her side braid. Her eyes are bright green with black rims around the sclera. When Kyra finishes growing she is 6′0. In her sixth year she gets a tattoo of a nebula on her upper back
Her powers are darkness and shadows manipulation which includes darkness generation, shadow camouflage and night vision
She is NOT a morning person at all and is very unsociable and grumpy in the mornings, this changes over the course of day, becoming more cheerful and sociable the closer to the evening it becomes. Alternatively if you can get her to drink a quad shot of coffee she will perk right up immediately. When she is in her cheerful phase of the day she is always willing to help with homework, tending to the magical creatures, helping find lost items at night and just downright helpful to all she is friends with.
Shortly after starting Olympia, Kyra found an injured shadow horse at night that she helped heal and ended up naming it Noctis when it bonded with her. Noctis ends up helping Kyra in the gladiator sports by drawing her carriage and trying to fight any other creatures drawing carriages that get near them while participating in the sports
Kyra is the youngest of four, she is the first one of her family to not be chosen by a sun related deity since the first of her family went to Olympia ie literal centuries. Despite this or possibly because of this, her family was very encouraging and welcoming of this break from expected deity choosing
Eliana is 6 years older than Kyra
Luca and Cynthia who are twins are 4 years older than Kyra
Eliana forged Kyra’s personal sword that she uses in the Gladiator duels and before she graduated gave her tips for dueling
J. Cole
“OSOM” J. Cole
Not my usual style ehhh... I always struggle to draw Totty... 😓
But when you low, they don't tend to you
J. Cole
It’s a Cole World: J. Cole Shines on a String of Features✨
The rap features sphere has been set aflame because of a certain prolific wordsmith: Jermaine Cole, Fayetteville’s finest and Dreamville’s founder. Cole-assisted classics - from the relaxingly-instrumented, nostalgia-tinged “Boblo Boat” helmed by Royce da 5′9″ to 21 Savage’s sample-backed observation on excess, “a lot” - have filled 2018, reminding audiences that the rapper will consistently conquer hip-hop conversations. Known for producing multiple platinum-plated projects without superfluous assistance, Cole ironically steals stars’ spotlight while playing the supporting role.
In the midst of a homophonic rap setting, in which meaningless melodies and mumbles thrive, Cole’s rhymes and styles are dynamic and diverse. On “OSOM,” an antsy collaboration with Jay Rock, he plays into the paramount theme of paranoia by mentioning pills that assuage anxiety, simultaneously reflecting on hip-hop’s conspicuous drug culture. His bars run through the record’s ominous haze; they are dense, and, therefore, speedily delivered. The rapid, jam-packed verse is necessary, though, because it augments Rock’s heightened sense of reality. Contrarily, when recruited for “Pretty Little Fears,” 6lack’s soothing meditation on vulnerability, Cole became gentler and basked in that track’s tranquility. His words are peaceful and poetic as opposed to his earlier lines of crippling apprehension.
Oftentimes, prolificacy hints at weakened ability, as the more music an artist puts out, the less original and outstanding the content; Cole defies those pessimistic expectations. Quality ushers his quantity. As he asserts in his slot on “a lot,” his gifted grasp of the rap craft has “got to the point that these rappers don't even like rappin' with me” out of fear of being overshadowed by the giant that is J. Cole. As he matures, Cole equips his rhymes with more acuteness, skill, and variety because he is “on a mission, cementin' the spot as the greatest who did it.” His talent is not diminished by an expanding catalog; it is strengthened.
As an exhaustive year reaches its conclusion, I am wondering what Cole has in store for 2019. There is no doubt in my mind that he can continue his winning streak of fantastic, flame-emoji-worthy features, but he might decide not to prioritize music after a productive 12 months of consecutive record-demolishing. No matter what happens, what follows is apparent: it is a Cole World out here.