Princess Augusta Sophia of the United Kingdom (1782) by Thomas Gainsborough. Buckingham Palace.
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Princess Augusta Sophia of the United Kingdom (1782) by Thomas Gainsborough. Buckingham Palace.
Lily Elsie (Aged 19)
By Rita Martin (1905)
Self-Portrait
Artist: Angelika Maria Anna Katharina Kauffmann (Swiss, 1741-1807)
Date: ca. 1780-1785
Medium: Oil on canvas
Collection: The State Hermitage Museum, Saint Petersburg, Russia
Angelica Kauffmann
Maria Anna Angelika Kauffmann (1741 – 1807), usually known in English as Angelica Kauffman, was a Swiss painter who had a successful career in London and Rome. Remembered primarily as a history painter,.
Allegory of the Regency of Queen Dowager Hedvig Eleonora
Artist: David Klöcker Ehrenstrahl (Swedish, 1628-1698)
Date: ca. 1692
Medium: Oil on canvas
Collection: National Museum, Stockholm, Sweden
Aphra Behn
The Trail Blazing Playwright and Pioneer of English Literature
Alphra Behn (1640-1689), one of the first English women to earn a living through writing, occupies a distinguished place in literary history. As a prolific playwright, poet, translator, and novelist during the Restoration period, she broke gender barriers and paved the way for future generations of female writers. her bold themes, innovative storytelling, and unapologetic voice challenged societal conventions, establishing her as a pioneering figure in English literature.
Alphra Behn
Artist: Studio of Sir Peter Lely (Dutch, 1618–1680) Date: ca. 1675 Medium: Oil on canvas Collection: Yale Center for British Art, New Haven, Connecticut, United States
Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, Behn declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.
She is remembered in Virginia Woolf's A Room of One's Own: "All women together ought to let flowers fall upon the tomb of Aphra Behn which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds." Her grave is not included in the Poets' Corner but lies in the East Cloister near the steps to the church.
Her best-known works are Oroonoko: or, the Royal Slave, sometimes described as an early novel, and the play The Rover.
She died on 16 April 1689, and was buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality." She was quoted as stating that she had led a "life dedicated to pleasure and poetry."
The Mirror
Artist: Sir William Orpen (Irish, 1878–1931)
Date: 1900
Medium: Oil on canvas
Collection: Tate Britain, London, United Kingdom
Description
The sitter in this portrait is Emily Scoble, a model from the Slade School of Art. Orpen was briefly engaged to her. The room is apparently an accurate portrayal of Orpen’s lodgings, but the shallow pictorial depth and decorative, or ‘aesthetic,’ arrangement of objects is based on Whistler’s famous portrait of his mother in profile. The circular mirror on the wall reflects the artist painting at his easel. This is a device which Orpen borrowed from a 15th-century painting by Jan van Eyck, The Arnolfini Portrait, which he would have seen on display at the National Gallery.
Carlota Joaquina de Borbón , Infanta of Spain , Queen of Portugal
Artist: Luis de la Cruz y Ríos (Spanish, 1776-1853)
Date: ca. 1825
Medium: Oil on canvas
Collection: Museo Nacional del Prado, Madrid, Spain
Carlota Joaquina of Spain
Carlota Joaquina of Bourbon and Bourbon-Parma (1775-1830), as Queen Consort of Portugal in her capacity as wife of John VI (1816-1826), shortly before his death.
Known for her fierce political ambition and controversial rule, she was married to the future King John VI at age 10. She dominated Iberian politics, particularly during the Napoleonic era.
Despised by the Portuguese court, where she was often referred to as "the Shrew of Queluz" (Portuguese: a Megera de Queluz), Carlota Joaquina gradually earned the animosity of the public, who accused her of promiscuity and of using her influence over her husband to further the interests of the Spanish crown. After the escape of the Portuguese court to Brazil, she began conspiring against her husband, claiming that he lacked the mental capacity to govern Portugal and its territories, and sought to establish a regency. She also harbored ambitions to usurp the Spanish throne, which was held by Napoleon's brother, Joseph Bonaparte. Following the 1817 marriage of her son, Pedro, to Archduchess Leopoldina of Austria, and the eventual return of the royal family to Portugal in 1821, Carlota Joaquina supported her son Miguel in his efforts to seize the throne. However, their relationship soured over time. Ultimately, Carlota Joaquina was confined to the Palace of Queluz, where she died on 7 January 1830, abandoned by both her children and political allies.
Midna