
seen from United States

seen from Lithuania

seen from Lithuania
seen from United States
seen from United States
seen from United States

seen from Italy

seen from United States
seen from United States

seen from Germany

seen from Italy
seen from China
seen from United States

seen from United States
seen from Türkiye
seen from United States
seen from China
seen from United States
seen from Türkiye

seen from Germany
princess and dragon in convers(at)ion: SEVEN.
and they all lived
h a p p i l y
ever after.
princess and dragon in convers(at)ion: seven.
There comes a day when we do not recognize each other.
We lock together still, yes, because that is the nature of things. That’s magnetism, opposite poles pulled together by the thousands. We see our pasts in each other’s eyes, and we see each other now and realize that each one of us is a history of the other. Secret-keeping, that’s what all of this comes down to. This love clings to me like the plague, and oh, the death toll is something to behold.
princess and dragon in convers(at)ion: SIX.
i have grown weak, and
i love myself and you all the more for it.
i come into bloom. it is spring, i tell myself.
it is spring and the cold does not come
for another year. look how the clouds turn gold.
look how they refuse to be snuffed out.
princess and dragon in convers(at)ion: six.
I am a monster—beauty is terror, they say—and my name is a scream.
My chest, hollow. My skin, bitter to the touch. My voice, toneless; no language of men or monarchs can reach me now. My joints are age-old, laden with lies, and they crackle as I move. Even my mind is a tempest, every thought a gale fit to sweep empires away.
princess and dragon in convers(at)ion: FIVE.
you start leaving every day.
princess and dragon in convers(at)ion: five.
On Tuesday, I skip work. I leave the apartment without telling you and walk down to the riverbank by our building. I’m swimming in daylight like oil, slick and deadly, and I can already feel it seeping into me. Already I regret leaving you, regret leaving my tower of an apartment. I’ve shed my damsel skin and exposed something not as pretty underneath.
It’s good, then, that I am finished with being in distress.
When I get there, I stare into the glassy water, tracing over the knife-curve of my cheekbones. I am sharpening them.
I want the next hand that dares to touch them to come away with scars.
princess and dragon in convers(at)ion: FOUR.
i don’t go home for a week.
instead i waste away, get a taste
of life in the castle. we’ve both lost
all hope of rescue.