#paradigm gallery

[itscolossal]

Material Properties: Celebrating the Art of Craftsmanship in a Group Exhibition at Paradigm Gallery + Studio

[supersonicart]

Nosego’s “Died a Few Times to Live This Once” at Paradigm Gallery.

Currently on view at Paradigm Gallery in Philadelphia, Pennsylvania is artist Nosego’s sensational solo exhibition of brand new paintings entitled, “Died a Few Times to Live This Once.”

Through a dynamic cartoon-expressionist style, Nosego creates works of graphic intensity and fervent energy, painting meticulously rendered, high-spirited dispatches from earthly yet surreal realms, a dazzlingly radiant world of mythological characters, dreamlike scenes, and fresh, childlike imaginings.

Intuitively blending comic book aesthetics with a pop culture sensibility, his vibrant, saturated canvases are marvels of invention. Through a process of continual addition, disparate elements are fused into intricately worked tapestries—leaving the viewer pleasantly lost in lush, chimerical reveries.

“Died a Few Times to Live This Once” will be on view until February 19th, 2019.

Be sure to follow Supersonic Art on Instagram!

[beautifulbizarremagazine]

CAITLIN MCCORMACK: LAZARUS TAXA @ PARADIGM GALLERY

OPENS FRIDAY Don't miss Caitlin McCormack's new exhibition 'Lazarus Taxa' at Paradigm Gallery + Studio, opening Friday, October 27th! Visit beautifulbizarre.net for an interview and preview by Marie Larkin.

. Opening Reception:Friday, October 27, 2017 | 5.30-10pm Exhibition Dates: October 27 – December 9, 2017

[damonabnormal]

Careless Memories Abound

Philadelphia _ March 2017

@hahaxparadigm

[itscolossal]

Imitation China Plates and Layered Cut Paper Animals Explore the Sculptural Potential of Paper in a New Exhibition at Paradigm Gallery

[beautifulbizarremagazine]

Contact or visit Paradigm Gallery + Studio, 746 S 4th St, Philadelphia, PA 19147, USA  to get your print copy of issue 018! . Prefer the digital edition? Get Issue 018 of Beautiful Bizarre Magazine on your mobile device, or the browser on your PC or Mac here > beautifulbizarre.net/shop/issue-018 . Artwork by: Sarah Louise Davey

[beautifulbizarremagazine]

Contact or visit Paradigm Gallery + Studio at 746 S 4th St, #Philadelphia, PA to get your print copy of issue 016! Andrea Farina amazing embroidery shown in the background! . Prefer the digital edition? Get Issue 016 of beautiful.bizarre on your mobile device, or the browser on your PC or Mac here > beautifulbizarre.net/shop/issue-016

[longlistshort]

Sculptures by Hyland Mather from the “Modus Volito” series

Shaun Kardinal “I II”, Woven paper ephemera and artist’s tape

Framed images of work by Hyland Mather and Shaun Kardinal (sculptures by Hyland Mather on the left)

Sculptures by Hyland Mather

Discarded objects are transformed into new creations in works by Hyland Mather and Shaun Kardinal, currently on view in the two person exhibition, Form / Field, at Paradigm Gallery.

From the gallery:

This exhibition presents work from two distinct practices that converge through a shared sensitivity to line, structure, and process. Mather and Kardinal each explore how form emerges through accumulation, repetition, and material response, approaches that move between precision and drift, construction and discovery. For his third major presentation with Paradigm Gallery, Mather presents works from several ongoing series, including Linea Pictura paintings, suspended “gravity works” (Onus Suspenda), and sculptural and assemblage-based works such as Modus Volito and Novus Inventa. Spanning painting, sculpture, and installation, the work explores line, structure, and found materials through processes of gathering, repetition, and thoughtful intervention. Across these works, line operates as both drawing and structure, with string extending into space, holding weight, or tracing paths across painted surfaces, allowing form to emerge through tension, balance, and material response. In his debut Paradigm collection, Kardinal presents his woven paper quilts created from cut and punctured ephemera, along with a series of embroidered book pages and painted postcards, creating new forms from the smallest gestures. Kardinal’s work builds from repeating parts, embroidered marks, and modular systems that gather into larger compositions. These works often embrace landscape at a distance, horizons, city grids, or atmospheric depth, while remaining grounded in pattern and accumulation. Form, in this context, is built incrementally from repeated elements. In both practices, thread-like fiber elements and linear systems act as connective tissue, binding parts into larger wholes, or tracing form across space and surface. The “field” operates here as both a physical and conceptual space: a landscape, a surface of construction, and an invisible network of forces. Across both practices, it is within this field that form takes shape, held in a state of partnership between control and chance, repetition and variation, presence and possibility.

This exhibition closes 6/28/26.