we just want you to be happy.
pluribus, 2.03 ‘grenade’ (2025-) // severance, 2.06 ‘attila’ (2022-)

seen from United States
seen from United States
seen from Yemen

seen from United States
seen from United States

seen from United States
seen from Türkiye
seen from Russia
seen from Italy

seen from Türkiye
seen from Canada
seen from China
seen from Türkiye
seen from China
seen from Türkiye

seen from Türkiye
seen from United States
seen from China
seen from Germany
seen from Iraq
we just want you to be happy.
pluribus, 2.03 ‘grenade’ (2025-) // severance, 2.06 ‘attila’ (2022-)
team up already and do crimes and kiss.
“was I scary?”
“no, you were beautiful.”
musings on the sun
christina perneta, noor hindi, vincent van gogh, jeanette winterson, zinaida vysota docenko, anne sexton, olga kos, khalil gibran
i will forever be tossing and turning restlessly in my bed thinking about how kaz and wylan act as parallel lines, never quite intersecting but still managing as cruel mirrors to each other, a slap in the face of who they both could’ve been.
mirrors. kaz rietveld brekker and wylan van eck hendricks.
two boys who had been the fools lackeyed by a man’s pride. two boys, both coaxed into a sense of false security before it was stripped away to leave them hopeless and sinking before death’s door. two boys who fought the pull of the ketterdam harbor and came out anew. reborn.
wylan who had despised kaz's callousness, kaz who had scowled at wylan's naivety. wylan who had begrudgingly learned the language of scheming and deception but maintained his goodness, kaz who begrudgingly learned the ways of softness and vulnerability but maintained his street-learned ruthlessness.
wylan being who kaz would've been if he had found people to care for him at his lowest, kaz being who wylan could’ve been if he had not been taken in by the crows.
both kaz brekker and wylan van eck had crawled their way out of the dooming waters of the ketterdam harbor, but only one of them would’ve found a home so soon after.
QUEEN ANNE BOLEYN and QUEEN KATHERINE OF ARAGON with PRINCESS ELIZABETH TUDOR and PRINCESS MARY TUDOR THE TUDORS | THE SPANISH PRINCESS
I am trapped. Stuck in a cycle I've never been able to break. I want to believe this is the last time, but I don't know for sure.
"jumpsuit" (2018) // "city walls" (2025) // @supreme-leader-stoat (2023) // "jerusalem's lot" - stephen king (1978) // "the contract" (2025) // letter 015 - torchbearer to clancy (2025) // "routines in the night" (2024) // letter 027 - clancy to torchbearer (2025) // "overcompensate" (2024) // "planet of love" - richard siken (2005) // "tally" - twenty one pilots (2025) // "navigating" (2024) // "paladin strait" (2024) // "the line" - arcane, twenty one pilots (2024) // "nico and the niners" (2018) // "road to hell (reprise)" - andré de shields & hadestown original broadway company (2019) // "truce" - twenty one pilots (2013) // "i am clancy" (2025)
You discover the true nature of a person while lying down, vulnerable and helpless"
Your husband, who wanted to know you, UNTIL you beat him.
Your rival, who decided to know you, AFTER you beat him.
This series has so many beautiful parallels.