seen from Austria
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United States
seen from United States
seen from Slovenia
seen from Slovenia
seen from United States
seen from Maldives
seen from Australia
seen from Slovenia
seen from United States
seen from Maldives
seen from Belgium
seen from United Kingdom
❤️❤️❤️❤️❤️
Christian Dior Haute Couture Fall/Winter 1953-54 Collection Dorian Leigh wears the "Pastourelle" ensemble. Photo by Jean Chevalier. Cover Elle October 1953.
Christian Dior Collection Haute Couture Automne/Hiver 1953-54 Dorian Leigh porte l'ensemble "Pastourelle". Photo Jean Chevalier. Couverture de Elle octobre 1953.
"Ligne Vivante"
DSC00543 #auvergne #cantal #Flickr #IFTTT #pastourelle #puyviolent #running #salers #share #trail #zeiss Full resolution version on Flickr
Saint Paul de Salers, Cantal, France #auvergne #cantal #Flickr #IFTTT #pastourelle #running #saintpauldesalers #salers The tiny village, lost in its valley. Shot from Salers. Beautiful light, it was a bit less enjoyable higher in the mountain minutes later though. Full resolution version on Flickr
Video and Audio Excerpts of Nathaniel Dorsky Presenting his Films in Spain and New York City, 2011
All the links, except the final one listed here, were photographed and recorded at CGAI, A Corunia, Spain, as part of a four-show presentation of fourteen of my films, curated by Jaime Pena.
Cinematic Songs May 31
Sacred Light June 2
Three Variations and a Theme June 3
Meditation June 4
The video editing and subtitles were prepared by Francisco Algarín Navarro of Lumiere. The final New York Film Festival link was audio recorded by Lee Ann Brown of the Q & A following the screening of The Return at Views from the Avant-Garde at the New York Film Festival, 2011.
photo by Nathaniel Dorsky of Francisco Algarin Navarro of Lumiere
Video and Audio Excerpts
Introduction for presentation number one
Song and Solitude
Pastourelle
Threnody
The Visitation
Q &A after presentation number one
Sarabande
Compline
Aubade
Winter
Q &A after presentation number two
Variations
Pneuma
Love’s Refrain
Q &A after presentation number three
Audio recording Q & A following the screening of The Return at the New York Film Festival, 2011
Three Centuries of Ballet, 1948
from Canteloube's Pastourelle, slowed x6
Canteloube, Chants d'Auvergne - Pastourelle
Leopold Stokowski, American Symphony Orchestra
Anna Moffo, soprano
*
È passo dè dessaï! È passo dellaï l'aïo! Bendras olprès de ièu, Què d'ofaïré parlorèn, È lou restan del jiour N'en parlorén d'amour!
Né pouodi pas passa! Couci bouos qué iéu passi? N'aï pas de pount d'arcados È n'aï pas dè batéu, Ni máï dè pastourel Qué mè siasco fidèl!
Aurias léu un batéu Sè tu èros poulido! Aurias un pount d'arcados, Aurias un pastourel Qué té serio fidèl È máï djusqu'al toumbel!
English translation :
Pastorale
“Oh, come here to me! Come across the river! Come to this side, And we shall talk of serious things And then for the rest of the day We shall talk about love!”
“But I cannot get across! Whatever shall I do? I have no boat, Nor bridge to cross the water; Nor even a shepherd To love me faithfully!”
“You would soon have a boat Were you pretty! You would have a vaulted bridge, You would have a shepherd too To love you faithfully All your life!”
*
picture : still from La Jetée by Chris Marker
François Poulenc Pastourelle, FP 45 Emil Gilels, piano Live recording, November 1980
