Peter Bilak, Allow Yourself to Make Mistakes, 2010 [AGI – Alliance Graphique Internationale, Baden]
seen from United States

seen from Russia
seen from United States
seen from Japan
seen from United States
seen from United States

seen from United States
seen from United States

seen from Switzerland

seen from Netherlands
seen from United States
seen from Finland
seen from United States
seen from United States

seen from United States
seen from Romania
seen from Japan

seen from Malaysia

seen from Malaysia
seen from Germany
Peter Bilak, Allow Yourself to Make Mistakes, 2010 [AGI – Alliance Graphique Internationale, Baden]
Peter Bilak creates 32-arm lighting design for
Royal Swedish Ballet
Hinting, or screen optimising, is the process by which TrueType or PostScript fonts are adjusted for maximum readability on computer monitors. This text compares different ways of hinting (black & white, grey-scale, ClearType, DirectWrite), and explains the behaviour of fonts under different rasterisers.
Pixel perfect.
Peter Bilak
Peter Bilak has worked in many different types of graphic design them being the creating of typefaces, design, texts, photography and magazines. More about peter Bilak can be found at http://www.peterbilak.com/about
One of Peter Bilaks work was the creation of Greta Grande which main use is for display use and nameplates. Peter Bilak could prove to be inspiration fr me in furture briefs if i have to create my own typeface.
Buthan, A Tiny Country With Big Ideas
NL, 2017
Peter Bilak
3
Universal Grotesk I remember looking at this book cover every evening before falling asleep. I was perhaps 13 or 14, and I didn’t really know who Franz Kafka was, but this book with the weird ‘f’ on the spine caught my attention. These kinds of details continued to catch my eye, and as I became …
Peter Bil'ak is a designer, writer, type designer, and publisher based in the Netherlands. My introduction to Peter’s work was through Dot Dot Dot, the magazine he co-founded and published with Stuart...
Peter Bil'ak was one of the first designers I was aware of when I became interested in design almost fifteen years ago. He was the publisher of Dot Dot Dot, a publication that meant a lot to me as I was starting college, as well as a prolific writer and type designer. I was very honored to get to chat with Peter for this week's episode of my podcast, Scratching the Surface, about his work as both a designer and writer, his two magazines Dot Dot Dot and Works that Work, and his current work on his first documentary film.
I really enjoyed this conversation and really admire how Peter thinks about his work and hearing about the evolution of his career. We spoke last month, in a the middle of a busy time for his studio, so the sound gets a little hard to hear in the middle as people are coming and going, but I found his insights so fascinating I couldn't cut it out and really appreciated him taking time to chat about these subjects that are so interesting to me. I hope you enjoy it!