#peter knight

[beoncloud]

[kinnbig]

KP Anniversary | Underrated Moments [7/?] | Chan & Kim

[mymycorrhizae]

Chan going out in style

[bunnakit]

✨ kinnporsche chan / peter knight appreciation post ✨

[boysbeloving]

Big and Ken being loser boyfriends not being able to bodyguard well (big is so indignant and petulant here hahahha)

Chan being badass af and shooting the kidnapper in ONE SHOT STRAIGHT THROUGH THE HEAD (my competency kink is well fed)

Kim feeling emotions (aaaww bb....you fucked up big time 🙃)

The KinnPorsche Anniversary Event

week 12 (june 19th - june 25th): underrated moment(s)

[burlveneer-music]

TL;DR and Peter Knight - Too Long; Didn't Read

TL;DR is a new quartet brought together by trumpeter, composer and former Artistic Director of the Australian Art Orchestra, Peter Knight. Influenced by Brian Eno, John Hassell, The Necks, and swathes of electronic music, TL;DR creates hypnotic, minimal, groove based music that is fresh and distinctive, and that spins these influences into a sound that defies categorisation. Crossing generations, TL;DR brings together some of the most influential younger musicians on the Melbourne scene. Bassist/vocalist, Helen Svoboda floats her melodic wordless soprano over deep grooves. Guitarist, Theo Carbo uses rhythmic repetition and textural variation to stunning effect, while 20 year old drummer Quinn Knight (who is also Peter’s son) lays down shimmering cymbal washes and texturally rich beats that underpin the group’s sound. Peter Knight has developed an international reputation as an innovator who is extending the possibilities of his instrument with approaches that interweave acoustic preparations, extended techniques with electroacoustic processing, vintage delays, tape machines, and pedals. Crossing the boundary between jazz and electronica is something very natural for next generation musicians and this is integral to TL;DR’s approach. Helen says: “We want to make music that’s improvised but hypnotic. It’s a simple concept that uses live and electronic looping setting up repetitive rhythms that overlap like rhythms in nature, and where the music develops through repetition and iteration. Our music is accessible and even catchy in a way, but is also kind of strange!” Peter Knight - trumpet, electronics, live signal processing Helen Svoboda - bass, voice Theo Carbo - guitar, electronics Quinn Knight - drums

[misspoetree]

KinnPorsche + Text Posts: Chan Edition

Bonus: ChanBig Edition

[Character Editions: Pete Part I & II | Tay | Vegas Part I & II & III | Tankhun Part I & II | Porsche Part I & II | Big | Kinn Part I & II | Kim | Porchay | Macau | Pol]

[Themed Editions: 1 | 2 | 3 | 4 | 5 | 6 | 7 | ? ]

[Episode Editions]

[dongslinger--420]

No but Love And/Or Marriage is so fucking funny and no one ever talks about it like??? Diane saying "I'm sorry, Shithole". Emily's insistence that it's a rehearsal dinner when everyone else is treating it like it's a wedding. Mr Peanutbutter watching Bones for the sole reason of getting excited whenever anyone mentions bones. Dave Franco does fantasy molly with Alison Brie but Alison Brie has to leave him for her husband of 2 years because they're not even married here. Raphael Bob-Waksberg and Peter Knight take a huge shit on everyone who has ever tried to justify "ironic enjoyment" of a piece of fiction. The Snatch Batch are all very respectable individuals and genuinely appreciate Diane's company. Diane says fuck.