#peter lockyer

[lesbianslugreaction]

Has everyone seen this. Have you seen this guys. If you've seen it, look at it again. And again. And again. And again. And again. And again. And-

[maybeitsapineapple]

@lesmisshippingshowdown

[dailyphantomhands]

Peter Lockyer

[litloverscorsetlaces]

Phantoms I've Watched Recently in 1-2 Sentences (Part 2)

Michael Crawford: I'm still not over his delivery of "you alone can make my song take flight." The OG and I love the way he's driving Christine and himself into a breakdown.

Marcus Lovett: A very polarizing portrayal, but I will defend him until I die. He plays a very cold, calculated Phantom that (imo) matches well with the reverence he has for Christine, esp in the final lair.

Jon Robyns: I didn't understand his portrayal until I saw him with Lily Kerhoas, and then it all magically made sense. He adds small signature details to his performance that I completely adore.

David Shannon: Not in my top 10 Phantoms, but perpetually in my top 5 final lairs. He lays it all on the line in the last 20 minutes, I just wish we had that energy sooner.

John Cudia (again): I'm not sure whether I'll ever recover from his performance with Jennifer Hope Wills. He's just such a...creature.

Gary Mauer (again): I just watched his boot with Rebecca Pitcher and I swear he mouths "Chris-tine. Oh, I love you" between the two kisses--a point which is lost in the debate about whether he whispers "stay" during the ring return.

Thomas Schulze (clips): OMG where has this lusty, handsy, deranged, broken Phantom been hiding? The final lair made me cry actual tears instead of my usual painful wail.

Peter Lockyer: I like him better as Raoul so I can constantly look at him and wonder why he reminds me of Timothee Chalamet for no reason at all.

Stephen Buntrock (again): I don't understand how this man never got a shot at principal Phantom?!? All the potential was there, he just needed to play the role more regularly.

Gerónimo Rauch (again): Aggressive in two languages.

[mywolfsmile]

The other day I realized that the last time I was in London before pandemic covid. I was flipping through Instagram, came across Jeremy Secombe's page and remembered this period of my life. Les miserables helped me cope with lingering depression. I flew to London 4 times a year. And Peter Lockyer and Jeremy are forever the best in my heart.

Later the original production was closed. And I never fell in love with modern!version. Bradley Jaden for me forever Enjolras. I still don't like his appointment to Javert. But the new londond Javert, Stewart Clarke, is very charismatic!

But you know, i really love this fandom and I am very grateful to it for everything. One of the best time in my life. Forever

my wolf smile

love is love inspired by [link]

[pureanonofficial]

LES MIS LETTERS IN ADAPTATION - The Sobriquet: Mode of Formation of Family Names, LM 3.6.1 (Les Miserables Broadway, 1997)

Marius was, at this epoch, a handsome young man, of medium stature, with thick and intensely black hair, a lofty and intelligent brow, well-opened and passionate nostrils, an air of calmness and sincerity, and with something indescribably proud, thoughtful, and innocent over his whole countenance. His profile, all of whose lines were rounded, without thereby losing their firmness, had a certain Germanic sweetness, which has made its way into the French physiognomy by way of Alsace and Lorraine, and that complete absence of angles which rendered the Sicambres so easily recognizable among the Romans, and which distinguishes the leonine from the aquiline race. He was at that period of life when the mind of men who think is composed, in nearly equal parts, of depth and ingenuousness. A grave situation being given, he had all that is required to be stupid: one more turn of the key, and he might be sublime. His manners were reserved, cold, polished, not very genial. As his mouth was charming, his lips the reddest, and his teeth the whitest in the world, his smile corrected the severity of his face, as a whole. At certain moments, that pure brow and that voluptuous smile presented a singular contrast. His eyes were small, but his glance was large.

[comediesmusicales]

Les Misérables - One Day More - Live on NBC Today, August 28th 1999 Jean Valjean - Fred Inkley Javert - Philip Hernandez Marius - Peter Lockyer Cosette - Tobi Foster Eponine - Dana Meller Enjolras - Christopher Mark Peterson This performance is notable for NOT featuring the Thénardier. Alice Ripley is interviewed in full Fantine outfit at the beginning of the video but she understandably doesn't take part in the performance. (She did perform I dreamed a dream on that same show)

[emptymasks]

In the USA Tour, Peter Lockyer couldn't get the cape detached from the coat during the title song and so continued on with ‘Music of the Night’ without his coat on.