Blackglama
Linda Evangelista, 2001
Elizabeth Hurley, 2008
Naomi Cambell, 2007
Raquel Welch, 1975
What Becomes A Legend Most? by Peter Rogers (1979)
Fashion - black ranch mink fur, Blackglama.

#batman#dc#bruce wayne#dick grayson#dc comics#tim drake#batfamily#batfam#dc fanart


seen from Nepal
seen from Türkiye

seen from United States
seen from China

seen from Malaysia
seen from Peru
seen from Russia
seen from Türkiye
seen from Australia

seen from Malaysia

seen from Malaysia

seen from United States
seen from Türkiye
seen from Malaysia
seen from United States
seen from Australia
seen from Türkiye
seen from Türkiye

seen from Türkiye
seen from Türkiye
Blackglama
Linda Evangelista, 2001
Elizabeth Hurley, 2008
Naomi Cambell, 2007
Raquel Welch, 1975
What Becomes A Legend Most? by Peter Rogers (1979)
Fashion - black ranch mink fur, Blackglama.
Studio 54 quickly cemented itself as a place where artists, designers, and patrons alike could express themselves through fashion. Designers like Halston and Larry LeGaspi made fashion an integral part of the nightclub scene where there were many memorable outfits. Among others who added to the bold and diverse ensembles of the dance floor were British designer Zandra Rhodes and artist Richard Gallo, photographed here in a quilted coat. As well as being a location where fashion converged, Studio 54 also saw the birth of Calvin Klein’s iconic line of jeans, which famously emerged after a late-night conversation at the club.
What better excuse to get dressed up than a trip to see Studio 54: Night Magic? Book your tickets now before it closes November 8.
Posted by Gina Vasquez Dustin Pittman (American). Richard Gallo, 1979. Courtesy of the artist. © Dustin Pittman ⇨ Dustin Pittman (American). Valerie LeGaspi, Larry LeGaspi and Zandra Rhodes, 1979. Courtesy of the artist. © Dustin Pittman ⇨ Rose Hartman (American, born 1937). Woman in Red (Valerie LeGaspi), Studio 54, 1977. Color photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman ⇨ Rose Hartman (American, born 1937). R. Couri Hay and Zandra Rhodes, Studio 54, 1977. Black and white photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman ⇨ Ron Galella (America, born 1931). Premiere party for “Grease.” Andy Warhol with Grace Jones, 1978. Courtesy of the artist. © Ron Galella ⇨ Dustin Pittman (American). Pat Cleveland, New Year's Eve, 1979. Courtesy of the artist. © Dustin Pittman ⇨ Dustin Pittman (American). Iman, 1978. Courtesy of the artist. © Dustin Pittman ⇨ Ron Galella (America, born 1931). Party for Egon von Furstenberg’s Book “The Power Look” New York City, Ara Gallant and Diane von Furstenberg, 1978. Courtesy of the artist. © Ron Galella ⇨ Allan Tannenbaum (American, born 1945). Fashion Maker's Show, Jerry Hall, May 23, 1978. Courtesy of the artist. © 2020 Allan Tannenbaum ⇨ Gordon Munro and Peter Rogers (1934–) for Studio 54 (Nightclub). Now everybody can get into Studio 54, circa 1980. Museum of the City of New York, 2013.8.9. © Gordon Munro, photographer
So....I am sorry but I absolutely shamelessly took this picture from Gifted and redrew it with Peter in it because a) Gifted is awesome, b) drawing Chris Evans is awesome and 3) Peter’s stars by @parkrstark and @IronPengu is MEGA AWESOME!🙃😀
CARRY ON KEN: ON SET
We've all heard what fun it was to make the Carry On movies. And all heard about the mischief Kenneth would get up to at Pinewood Studios. These behind the scenes pictures capture what life on set was like.
CARRY ON SPYING 1964
Kenneth Williams, Bernard Cribbins, Charles Hawtery, Dilys Laye, and Barbara Windsor on the set of Carry On Spying.
CARRY ON SPYING 1964
A photo of the cast and crew of Carry On Spying, including Charles Hawtery, Dilys Laye, Bernard Cribbins, Barbara Windsor, Kenneth Williams, Eric Pohlmann, and director Gerald Thomas.
CARRY ON CLEO 1964
A lovely picture or Kenny and Charlie with their mothers Louisa Williams and Alice Hawtery on set of Carry On Cleo. Kenneth often would bring his mother Louie along to set with him.
CARRY ON COWBOY 1965
A candid picture of Sid and Kenneth sharing a laugh (which might have been a pretty rare occasion) filming Carry On Cowboy.
FOLLOW THAT CAMEL 1967
Peter Butterworth, Kenneth Williams, and Bernard Bresslaw on the set of Follow That Camel.
FOLLOW THAT CAMEL 1967
Jim Dale, Peter Butterworth, Phil Silvers, Bernard Bresslaw, and Kenneth Williams celebrating Phil Silvers birthday with a giant cake! The cast and crew were always treated each other so kindly, especially a new comer like Silvers, even though this would be his only Carry On.
These four make a surprisingly good combination huh?
From Secret Warps: Iron Hammer #1
Peter Rogers
plotted starter for @lostshieldandhammer
Peter had been adopted by the captain years and years ago, back when he had just recently lost his parents. His father had worked with some of the companies that had found and helped Steve after his time in the ice, and so the boy’s tragic fate had been brought up to him. Who wouldn’t fall in love with the small bundle of joy that Peter was? Adopted, the boy grew up into a fine young man.
His father was a hero. You’d think that would be enough for Peter to tell him about his... new identity.. but no. He was afraid that he wouldn’t be good enough, so he kept it a secret. Once Tony Stark started to show interest in him and gave him a new suit, Spider-Man started appearing on TV.
The kid walked home, holding a pizza box in one hand, a slice in the other, and closing the door with his foot. “Hey Dad! I picked up pizza after school, are you hungry?”
Spiderson, Steve Edition || Closed
@lostshieldandhammer
When Steve was believed to be dead, the world lost a hero. It was a loss they weren’t ready to face, and so some secret organisation set up a project; recreate the genes that made Steve Rogers so great. They had DNA from when he was enrolled, and all they needed was to use that as paternal gene in the creation of an embryo. That’s how Mary Parker became pregnant. Granted, the chid woudn’t have Steve’s serum enhancement, but maybe he would be able to survive such a process once it grew; that was the plan. And then Steve was found alive, and the plan went down the trash chute. It was expensive, took too long, and they had the man again. No need to keep this up. Born Peter Parker, the child was left to live a regular life. No one would be told, Mary took the secret to her grave and the kid grew up to be a normal boy- well, until the bite of course. Which he probably survived because of the genes. “Boss, Mr. Parker has arrived. Scanning done as per protocol, sir, yet I believe you may be interested in knowing Young Peter’s DNA similarities to another scan.”
The scan popped up on one of the screens, showing the kid’s face, weight, height, vitals, and DNA. Though it was laced with spider strands, it was horrifyingly similar to-... Steve’s popped up next to it for comparison.
Father’s Day
@lostshieldandhammer
Steve laughed and wrapped his arm around Peter’s shoulder, tugging him close and kissing the top of his head. “That’s my son,” he grinned as they headed down to the garage and grabbed one of the cars. “Figured we could do pizza, then maybe a movie and afterwards, grab some Chinese takeout to bring home?”
If the kid said he was excited; he’d be lying. He wasn’t excited, he was ecstatic. This was the first Father’s day since Ben died, but also the first since he found out who his real father was. Steve Rogers. Captain America. “Can we get some candy at the movies, too?” He grinned at him, eyes lighting up as he hurried after him, a small happy skip to his steps.