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THE FOUR GOSPELS Printed and published at The Golden Cockerel Press 1931, with wood engravings by Eric Gill. No. 369/500.
Binding Book Art by Philip Smith, 1987-88,
Book bound in white alum-tawed goatskin and beige Oasis goatskin. Upper parts under-dyed blue, then hand-painted with acrylic paints, surfaced with resin¬ wax. Modelling under leather with epoxy-putty inside and outsides of boards. Wing impressions set-off on grey suede flyleaves.
Philip and Sam 🥰
My baaaabisss 🥺😭😳💕
The one on the top 😏 is Sam the one on the bottom 😏😏😏😏 is Philip
Here’s a public domain background I made idk
Please reblog! Likes don’t spread my work.
Even when the internet gods are smiling on us, the quality of input information from a virtual meeting comes up short, says Philip Smith, who runs the Vision and Attention Laboratory at the University of Melbourne. "We're dealing with a speech signal that's degraded relative to face-to-face speech, even with a good internet connection, so the cognitive load required to process or decode it is greater." This signal includes visual as well as audio information. That's because we don't just listen with our ears; much of what we understand comes from what we see. And it turns out it's not so easy to read a virtual room. Watching a person from their shoulders up means you miss out on loads of body language. Plus if you've ever watched a movie or TV show where an actor's mouth and their speech are out of sync, you know just how off-putting lags can be. "In general, 100 milliseconds is the critical time period for us to experience things as synchronous or asynchronous," Professor Smith says. "So anything that occurs within about a 100-ms window is experienced as a unitary thing. "And if you separate things by much more than 100 ms, you start to experience them as different and separated." Such latency issues are commonplace with video calls, and require your brain to work just that little bit harder to match what it sees with what it hears.
Belinda Smith, 'Feel drained after a year of Zoom meetings? There's brain science behind that fatigue', ABC News
Cortney Lake (24) has been missing since June 7th, 2017. The young woman was last seen getting into a truck in front of her Mount Pearl home--which is near St. John's in Newfoundland. Cortney was getting into the truck of her ex-boyfriend, Philip Smith (25). Just hours before that, Philip pleaded guilty to assaulting Cortney and to distributing intimate pictures of her. He was released from jail under the condition that he would stay away from Cortney, but obviously that did not happen. When Cortney never returned home, her family members reported her missing.
Authorities questioned Philip on numerous occasions and he reportedly denied being involved in Cortney's disappearance. However, it was confirmed in August 2017 that Philip admitted to being the person who picked Cortney up on the evening she vanished. Months later, in November 2017, Philip was found dead near a family cabin in the woods. He had taken his own life.
Search teams scoured the area where Philip was found for any clues about Cortney's whereabouts, but unfortunately none were found. Still, Philip remains the one and only suspect in Cortney's disappearance. She unfortunately remains missing today. If you have any information that could help the investigation, please call 1-800-222-8477.
The surge in gun ownership among black Americans that began in 2020 continues in earnest even now, according to a report from NBC News.
Oxford Comics Network probes The Holocaust in comics, also announces Tom Gauld event
Oxford Comics Network probes The Holocaust in comics, also announces Tom Gauld event
The Oxford Comics Network has announced a new series of events, starting on the 7th May with “Early Holocaust Narratives in Comics”.
Philip Smith of the University of The Bahamas seeks to examine representations of the death camps, particularly in horror comics such as Impact, Voodoo, and Witches Tales. This event will take place at TORCH on Woodstock Road, Oxford.
“Master Race” by Bill Gaines,…
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