Sep 2, 2022
You know how it goes. Contempt has always followed possession. To spend your whole life with someone, you don't need lust - which is quickly extinguished - but a harmony of minds, temperaments, and humor.
Le Plaisir, Max Ophüls (1952)
seen from Russia
seen from Russia
seen from Japan
seen from Belgium
seen from United States
seen from United States
seen from Türkiye
seen from Japan
seen from Croatia
seen from Russia
seen from Russia
seen from Kazakhstan
seen from Sweden
seen from United States
seen from Türkiye
seen from Netherlands
seen from United Kingdom
seen from Russia
seen from Russia
seen from Russia
You know how it goes. Contempt has always followed possession. To spend your whole life with someone, you don't need lust - which is quickly extinguished - but a harmony of minds, temperaments, and humor.
Le Plaisir, Max Ophüls (1952)
Douce (Claude Autant-Lara, 1943).
Le mariage de Chiffon (1942) dir. Claude Autant-Lara
Cinematography: Philippe Agostini and Jean Isnard
Jeanne Moreau-Alida Valli “Diálogos de carmelitas” (Le dialogue des carmélites) 1960, de Philippe Agostini, Raymond Leopold Bruckberger.
Du Rififi Chez Les Hommes / Rififi (1955, Jules Dassin) DP: Philippe Agostini
Le jour se lève (Daybreak), 1939
Angels of Sin (Les anges du péché), Robert Bresson (1943)
Le jour se lève (Daybreak), 1939