CONCERT REVIEW: BABYMETAL AND DETHKLOK W/ JASON RICHARDSON AT PNE FORUM - OCTOBER 3, 2023
Starting the night was guitar virtuoso Jason Richardson (All That Remains), taking centre-stage as he showcased his versatility as a guitar player, seamlessly transitioning between heavy riffs and melodic solos. With only backing tracks and lack of a live band, Richardson was truly the main character of his performance. His ability to captivate an audience is truly remarkable with the entire crowd headbanging and moshing in unison. Incorporating elements of rock, metal and djent, Richardson left metalheads itching for more.
With a quick crossover, Dethklok descended upon the stage as the lights dimmed, with metalheads set for a night of unparalleled brutality, humour and musical prowess. Dethklok – known for their adult animated series Metalocalypse – is Brendon Small’s brainchild brought to stage. With the performing band cloaked in shadows, the primary focus was upon the fictional characters of Dethklok which encompassed the giant screen behind them.
Playing songs such as "Murmaider," "Thunderhorse," and "Bloodlines" with interludes featuring in-universe character Facebones put the band’s tongue-in-cheek humour on full display. The band’s interaction with their fictional manager, Charles Foster Offdensen, added an extra layer of comedic brilliance to the show. As the set reached its conclusion, Dethklok left the stage to thunderous applause and a sea of satisfied metalheads – many adorned with corpse paint, eagerly craving for more.
Last but not least to grace the stage of the Forum was BABYMETAL. Hailing from Japan, the trio combine J-Pop and heavy metal into an image which took the world by storm – and consequently delivered a performance that was equal parts adorable and ferocious.
The Kami band, BABYMETAL’s backing band, provided the sonic backdrop for Su-metal, Moametal and recent addition Momometal's performances. Their tight, precise, and technically impressive instrumentation laid the foundation for the band’s unique sound.
One of the highlights of the evening was the choreography and stage production. BABYMETAL’s live shows are known for their elaborate and synchronized dance routines, and this concert was no exception. The contrast between their adorable, almost theatrical moves and the crushing metal riffs create a visual spectacle that is mesmerizing to watch.
The setlist featured a mix of songs from their diverse discography, ranging from catchy pop-metal anthems like "Gimme Chocolate!!" to more progressive collaborations such as "Distortion" featuring Alissa White-Gluz of Arch Enemy, and "METALI!!" featuring Tom Morello of Rage Against the Machine.
The trio’s interaction with the audience was heartwarming. They expressed their gratitude in English and engaged with the crowd despite the language barrier. The band’s message of unity and positivity resonated with fans, creating a sense of camaraderie throughout the concert.
All good things come to an end as BABYMETAL closed their set with "Road of Resistance," leaving the venue with deafening cheers and chants for more.
BABYMETAL’s performance in Vancouver was a testament to the band’s ability to blend seemingly disparate musical genres into a cohesive and entertaining performance. Whether you’re a fan of J-Pop, metal, or just appreciate live music as a whole, BABYMETAL’s concert is a unique and captivating experience that transcends boundaries and leaves a lasting impression.
