— George Oppen
seen from France
seen from France
seen from China
seen from Russia
seen from United States

seen from United States
seen from Türkiye
seen from Canada

seen from Canada
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from France
seen from United States
seen from Brazil
seen from United States

seen from France
— George Oppen
…or am I what I/ can’t believe in?
Marianne Moore, In Distrust of Merits
— Louis Zukofsy, “A”
— TS Eliot, Ash-Wednesday
A nothing we were, are now, and ever shall be, blooming: the Nothing-, the No One’s-Rose.
— Paul Celan, Psalm [trans. J Feistiner]
Love is most nearly itself When here and now cease to matter.
T.S. Eliot, East Coker
— Poetry as event Event = truth (“unhiddenness,” worked, fought for unhiddenness) Poetry as risk Creation = / power-activity / Gewalt-tätigkeit (Heidegger) Truth ≠ accuracy (-i-: consistency)
— Paul Celan, notes from Microliths [trans. Pierre Jorris.]
True poetry is antibiographical. The poet’s homeland is his poem and changes from one poem to the next. The distances are the old, eternal ones: infinite like the cosmos, in which each poem attempts to assert itself as a — minuscule — star. Infinite also like the distance between one’s I and one’s You:..
From above: invisible and uncertain. From below: from the abyss of hope for the distant, the future-distant kin.
— Paul Celan, notes from Microliths [trans. Pierre Jorris.]