The photographer: Jeremy, can you pose please? I want to take a picture.
Jeremy: 👆🏻👈🏻👇🏻☝🏻👉🏻 👇🏻☝🏻👈🏻👉🏻
seen from Indonesia
seen from United States
seen from United States
seen from Taiwan
seen from United States

seen from China
seen from United States
seen from United States
seen from United States
seen from Japan
seen from Netherlands

seen from Japan

seen from Malaysia
seen from Russia

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
The photographer: Jeremy, can you pose please? I want to take a picture.
Jeremy: 👆🏻👈🏻👇🏻☝🏻👉🏻 👇🏻☝🏻👈🏻👉🏻
Just point at who you think is cute.
“i don’t think i want to go up to him and just point at him. i know i can be… weird but there’s no need to be overly weird.”
mind you, she could just likely quickly point. gone in the flash of an eye.
“if he comes by i’ll point at him. why not? i suppose pointing can be the new way to confess? but i think i’m not all that subtle about things. even without a point i’m sure they’d come to realise i like them.”
“i wonder how he’d react to being pointed at?”
point point point!
Pt. 3
Lastly, some artists are using VR to accompany their installations to push their piece further in the direction of personal relations. One artist that had used this tactic was the late Bodys Isek Kingelez. Kingelez was an African native who’s main area of focus was sculpture, and he used those sculptures to present the hopes and dreams for his country. Kingelez had adapted well to global and continent-specific geopolitics, and this was visible within his works as his sculptures were demonstrating an amicable society through the soft, colourful materials, as well as the harm-free communal structures (6).[8] Kingelez had attempted and succeeded at exuding the message of kindness and generosity throughout the exhibition that is on display at the MoMA. All of the works in City Dreams (fig. 3) are excellent examples of the previously mentioned concepts.
Figure 3. Bodys Isek Kingelez, City Dreams, Museum of Modern Art
In the City Dreams exhibition, Kingelez has incorporated a VR piece titled Ville Fantôme (fig. 4). This piece allows the visitor to immerse themselves within the virtually constructed city, and explore the peaceful environment. Kingelez had specifically designed for Ville Fantôme to not include any form of police or security, and the purpose of that choice was to embody the peaceful nature Kingelez was dreaming of. The simulation is “allowing them [the participant] to jump from one place to another—to plazas, roofs—and to look up, down, and around” (98).[9] There was no limit of where the visitor could explore because the virtual space offers the 360º view.
This piece is educational to museum visitors because it is providing them with a perspective of what life can be like without the harm, and without the fear of authority that many walk the Earth with. Visitors can take the experience home with them, and apply the kindness to their own accord. The installation has the potential to open the minds of the participants, and can spark interest in making a change towards how situations are handled.
Figure 4. Bodys Isek Kingelez, Ville Fantôme, 1996, Museum of Modern Art
Click down here to view Kingelez’s MoMA page and to watch some cool footage
https://www.moma.org/calendar/exhibitions/3889?locale=en
[8] Eben Shapiro, Dreaming of a Brighter, More Fantastical World, (Time, 2018) 58-59.
[9] Peter Schjeldahl, Views of Utopia, (New Yorker, 2018), 98.
Am I the only one who sympathy points her toes? Like when I watch DWTS or SYTYCD, I always find myself pointing my toes when I can tell the dancer on the show is/should be xD
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