#postmasters gallery

[garadinervi]

Mary Kelly, Post-Partum Document: Introduction, (perspex units, white card, wool vests, pencil, ink; 4 units), 1973 [Hammer Museum, Los Angeles, CA. Collection of Eileen Harris Norton; image courtesy of the artist and Postmasters Gallery, New York, NY. © Mary Kelly]

Plus: UCLA Department of Art Lectures: Mary Kelly, (lecture, video, 1h43min, UCLA Department of Art, School of the Arts and Architecture at the University of California, Los Angeles, CA, February 25, 2010

[moodboardmix]

David Diao, “Not To Scale II”, 2016.

 Acrylic on canvas 72 x 120 inches 

Courtesy The artist & Postmasters Gallery, New York.

[thoughtportal]

5 Things to Know about Collecting Virtual-Reality Art

The relatively new medium presents both opportunities and challenges for early adopter collectors.

In that sense, collecting can start to look more like gracious patronage: an investment in the worth of artistic and technological experimentation for their own sakes. But this isn’t a brand new phenomenon. Virtual-reality art brings up issues that “challenge some of our most persistent models for connoisseurship, ownership, and patronage,” said Megan Newcome, the director of digital strategy at Phillips auction house. “[But] the history of the art market is replete with disruption and triumphs for challenging genres and materials—so the emergence of VR is consistent with other new mediums and periods of cultural change.”

[lucialovewriting]

Look at Ryder Ripps

http://www.berlinartlink.com/2015/02/10/essay-ryder-ripps-a-short-history-on-the-making-of-ho-and-the-artist-who-paints-her/

[tessabergan]

Visions of Pulsing Milk and Toothy Corn

The centerpiece of Monica Cook's new exhibition at Postmasters Gallery is the stop-motion video "Milk Tooth," which brings to life a vivid and dystopian alternate world.

[hyperallergic]

William Powhida’s scathing, hyperbolic analysis is clear, clean, and powerful, not to mention masterfully drawn and designed … The drawing’s formal sophistication coupled with its levels of meaning and layers of context remove it entirely from the realm of political cartooning, but where does it land? And how will we address it once the threat of a Trump presidency (presumably November 9th) is over?”

[alporquia]

1pm, 54 Franklin. 2013

Eva and Franco Mattes. 

After one of their works was stolen during an installation on a show at Postmasters Gallery the duo decided to recycle the surveillance footage, replacing the original work with it.

Exhibition view, Postmasters Gallery, New York.

[alporquia]

Image search result for “exhausted” printed on various objects by online services 2014 Print on blanket, dog leash, wristlet, flip-flop, yoga mat 83 x 121 x 69 inches

Eva and Franco Mattes.

Exhibition view, Postmasters Gallery, New York