#programming script

[radical-sainthood]

I don’t quite understand how scripts work so forgive me if this isn’t doable but would you be willing to make like a winter soldier type script? From the MCU

Scripts work by giving your brain a basis to latch on to for programming! These alters will behave in very specific ways typically with a handler involved. They will do specific acts, hold specific feelings, etc.

I am not the absolute most familiar with Winter Soldier but I can do a script regardless!!

Subject is forced to adopt the identity of The Winter Soldier, an adult male being used by a government entity. The Winter Soldier may appear human but only answers to nonhuman treatments, names or pronouns. It may not have an official name, only answering to titles (The Winter Soldier, The Soldier, The Weapon, Permafrost, etc).

The Winter Soldier (WS from here on out) has very simple programming. It is a brute force weapon meant to be wielded by a skilled handler. Point it in a direction and if will follow simple commands. WS experiences shock and pain based torture, and if it disobeys an order it will then experience immediate and immense pain.

It may have code or trigger words primarily issued in German or Russian. Similar to a dog it may only follow simple commands (go, stay, sit, kill, attack, neutralize). WS could be trained or programmed to fulfill certain priorities but they must be simple to understand and its sole focus.

WS will be incredibly suspicious and possibly volatile to sourcemates, especially Steve Rogers/Captain America. It will only trust Hydra or Hydra associated individuals. WS has extreme recall programming, if a command cannot be carried out or it is jeopardized it will return to its handler and give a full report.

WS is almost fully nonverbal save for mission or status reports. Then it will tell all details exactly as they occurred, even if it could put itself in danger.

[unwelcome-ozian]

how can you tell if you've been programmed, specifically with movies? is it something that you just knew deep inside, was it triggered by watching the movie, did you feel a peculiar affiliation with the movie? what are some signs? Thank you!

The indicators would be, parts modelled after characters in the movie, internal symbols, quotes, mapping, and colours.

Watching the movie used for programming would reinforce the programming.

Oz

[radical-sainthood]

Base of the fnult programming

This is the base information required as you create alters to fulfill the roles of the fnult.

The fnult requires a dual programming in many alters, the child identity & the animatronic identity. Later animatronics may only be programmed to identify as their animatronic but many of them should have programming that appears faulty in order to both coincide with the malignant code in security breach & to make them more susceptible to control.

Headspace should resemble the restaurants, perhaps on different layers, allowing Afton & Emily to move through them easily but the other animatronics cannot access them. These layers can be organized according to preference, putting your most preferred era of fnaf to the front and working backwards.

There are two leaders and handlers of the fnult, William Afton and Henry Emily. These two can either be separate alters or sort of Jekyll & Hyded together. Regardless, Afton will be the more dangerous and upsetting of the two, while Emily will typically appear more calm or nice.

Programmed parts may prefer Afton due to always being predictable. Afton will be dangerous, hurtful and over controlling. Emily will flip between kind and gentle and wildly dangerous at a drop of a hat.

*(If dual programming one alter to be both leaders I suggest making Afton the dangerous one and Emily always kind)

The programming will begin with the core four animatronics. They will start by programming the children, encouraging them to develop a specific identity that coincides with the animatronic you want them to become. No overt torture trauma should begin until they trust W. A. & H. E.

Upon trust being officialized, each child will then be "killed" this must be done in a ritualistic fashion that fits them thematically but is similar enough to bind them all together and to create a pattern. These children will then be forced to adopt the identity of their animatronic.

Each part should be given rules and responsibilities befitting to their identity.

Any reversion of previous identity (from animatronic to child again) should be punished. So that even if they're able to connect to their identity as a child it will be discouraged out of them, they should feel safest and most liked when presenting as the animatronic.

Childlike outbursts should be expected and mitigated. Rewards should target keeping that child aspect happy. (If rewarding a part for following the rules or telling on another part it should be a simplistic or childlike reward like toys or games).

Appearance will be a form of control, Afton and Emily should organize and enforce a set of rules (these can be anything for any reasons). If a part is not following these rules they will begin to wither and take on a less functional form. This will be both evident on their body but also informed to Afton and Emily by a Golden Freddy alter.

Parts will be encouraged to tell on each other, receiving rewards and praise for accurately telling when another part has broken the rules. Punishment involves forms of torture or abuse, primarily involving being taken apart or dismantled. This is done to "fix" the withering effect. Music may be an important part of this where relevant music from the era plays from a radio while animatronics are being fixed.

This will instill a trigger regarding certain songs or styles or music, each trigger can be controlled by a different song including: recall programming, self-harm programming, admission of guilt programming and other forms of control through music.

Some parts must be more likely to break rules, partially to make an example out of them but also to make sure they stay more withered than other parts.

Any part that attempts to fully separate from the fnult will be dismantled, their suit and exoskeleton put on display and their child part reprogrammed.

[unwelcome-ozian]

would programmers use a different script/program if the original stopped working?

The script is used to map the system. The script is used to insert trigger phrases, symbols, and locations. The script would be placed in a system and tested to ensure it is sound.

Programs have back up programming. If the original program was to stop working/be circumvented, other programs would start to run. A lot of systems have internal programmers to ensure programs continue to run.

Oz

[unwelcome-ozian]

Is there ALWAYS a script in programming?

With government programming there is a script.

Other forms of programming phrases are used as triggers, and the belief system followed can be cult programming.

Oz

[unwelcome-ozian]

What are the programming scripts mentioned in the book? Like what are they and how do they work?

I'm not certain what book you're talking about.

Oz

[unwelcome-ozian]

I read a tweet from someone the other day that said if the movie/book was released after you were born, that means it couldn't have been used to program you. Is that true?

It takes time for a script to be developed. A script usually uses the movie and book and these are out before programming begins.

I don’t know what kind of programming you’re referring to (Government/cult/high control group).

If you’re talking about a high control group/cult they use what they have at their means and could use a movie and book that wasn’t released when someone was born and use it later in the child’s life. For example starting at age four. This would lead to some issues but could be done.

Oz

[unwelcome-ozian]

Do you think things commonly used as programming scripts were written with that intentionally? Like the Oz books or Alice? Or were they originally just kinda twisty children's books that got contorted into script?

The books weren’t originally written for programming but due to the imagination of the writing and characters in the stories they are easy to map and place symbols in.

Oz