Influence of Fiction
I’ve been noticing a debate about fiction and its influence, and one of their arguments is that “dark fantasies are okay; psychologists said so!” And they even provide citations, which is a refreshing change.
They just don’t actually read them.
Because in all those citations from psychologists who say that having dark fantasies is perfectly normal and healthy, I’ve never seen any of those psychologists say that sharing them with others in a public format is also without risk. I’ve never seen any of those psychologists say it’s healthy to seek out public approval for those fantasies. I’ve never seen any of them say since having dark fantasies is a normal part of life, there is absolutely nothing wrong with normalizing them as media intended for unfettered consumption.
I’m more than willing to be proven wrong, but the clinical psychologists I’ve talked to have made it very clear to me that there is a difference between having fantasies that are considered dark and immoral and acting on those fantasies. As a writer myself, making the effort to put those fantasies down on paper is certainly an act that requires a great deal of effort.
The leap between acceptance that you’re going to have dark fantasies and presenting those fantasies as legitimate forms of public entertainment is not insignificant. They’re not the same thing, and they never have been. One is private behavior, one is public behavior, which by definition can influence others.
Of course, concern about real effects of fiction can be taken to an extreme. All one has to do is remember the anti Dungeons & Dragons overreaction of the 1980s or Tipper Gore’s crusade against naughty music lyrics. But just like there is a great deal of difference between daydreaming about murdering the people who annoy you and writing a 100k multi-chaptered novel offering moral justifications for murdering or sexually molesting children, there is also a great deal of difference between iron-fisted censorship and genuine concern that authors consider the ramifications of presenting such things as not only desirable but as a positive desire.
Too often, those who want to defend the ability to publish dark fiction without consideration resort to the motte-and-bailey fallacy. If someone proposes that presenting fiction which celebrates something dark, like adult-child relationships, should address the difficulties of such a fantasy, it’s automatically likened to censorship and moral scolding, even though that’s not a refutation of the original premise.
Or people come out and insist that “fiction =/= reality,” even when presented with numerous examples of fiction influencing reality just as reality influences fiction.
















