OMG! Quibungo!
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OMG! Quibungo!
What if KPop Demon Hunters were set in Brazil?
KPop Demon Hunters tastefully used Korean folklore to make an absolute blast of a movie, so I thought: what if the hunters from Brazil had to fight their own demons?
The Hunters
Just like the defenders of humanity against the demons are inspired by shamans, the Brazilian hunters would be the benzedeiras. Benzedeiras (blessers) or Rezadeiras (prayers) are an old folk medicine tradition in Brazil of usually elderly women who recommend medicinal plants and pray for health and well-being. They bless sick people and animals, and even terrains. Song is also an important skill for benzedeiras, since it is part of many prayers.
The Demons
Demons in KPDH are broadly based around different supernatural creatures from Korean folklore: the Dokkaebi, the Mul Gwinsin (Water Demons), the Dalgyal Gwinsin (the faceless demons), and the Jeoseung Saja (the Saja Boys). In the same way, there are many restless ghosts, cursed humans, and mischievous sprites to be used in Brazilian folklore.
The Corpo-Seco (dry body) is a restless undead with dry skin and bare bones. It is the reanimated corpse of men so sinful that their souls were too cruel to pass on and the earth itself spat their body in disgust. Thus, they are cursed to wander cemeteries and empty roads as hauntings to the living.
In São Paulo, they are also known as Unhudo (long-nailed), an undead landlord with a straw hat and long nails who refused to leave his farm and trees even in death.
The Labatut is a monster from the Rio Grande do Norte state. He is a one-eyed ogre with long tusks or fangs, round feet, and hard fur who wanders at night to eat children. He is especially attracted by whistles.
The Labatut was directly inspired by Pierre or Pedro Labatut, a French general who helped in the Brazilian independence wars. He was quite harsh and violent, and so, became a literal monster in the popular consciousness. His look, with large tusks out of his mouth, reminds me of the many dokkaebi demons in the movie.
The Lobisomem (man-wolf) is the Brazilian version of the werewolf. Much like in other cultures, he is a man cursed to become a dangerous beast at certain nights, although in Iberic cultures, lobisomens usually turn monstrous during every Thursday to Friday night rather than every full moon.
They are the seventh son born after six daughters, and in Brazil, they often don't turn into wolves, but rather, dogs and/or pigs, a few rare versions even have donkey werewolves! They have red eyes, long ears that may clap when they run, and must pass though seven cemiteries or parishes every night in order to turn back into humans.
The Quibungo is a common monster in the folklore of the state of Bahia. He is a beastly man-eater with a large, gaping mouth on its back, which it uses to eat naughty children.
The Pé-de-Garrafa (bottle-foot) is a beastly one-eyed humanoid with a single leg that ends in a bottle-shaped hoof, causing the footprints that bestow it its name (you can't follow them this way!). Its hide is invulnerable everywhere but its bellybutton, and it can replicate voices to attract its victims.
The Caboclo d'Água (something like "water fellow") is a common monster of the São Francisco River folklore. He is a strong, stocky amphibious or furry humanoid with webbed feet and hands who lives deep in bodies of water and may attempt to drown swimmers (much like the Water Demons from the movie) or sabotage fishers by scaring fish away or unstabilizing their boats. However, he can be pacified with gifts of food, tobacco, and alcohol, after which he might even help fishers.
The Perna Cabeluda (hairy leg) is a ghostly, bodiless leg with dark fur that haunts the city of Recife, Pernambuco, tripping and kicking nightly wanderers. Some give it a single eye on its knee. This curious, charming urban legend emerged during the 1970´s and quickly became a pop culture icon of the city. It would be a very humorous demon to be fought, that's for sure.
The Iara is the Amazonian siren. A beautiful woman, half fish, who seduces fishers and sailors to their drowned doom by singing false promises of eternal life and treasure in the bottom of her river. It would only be fair that a movie with so much singing had a singing creature to fit the Saja Boys!
Most of these images come from Poranduba - Cartas de Cultura! It's a card game focused on Brazilian folklore, extremely respectful and accurate to Brazilian lore and traditions. I can't recommend enough! cartasdecultura.com.br
Jinu's Pets
The cute magical tiger that serves as Jinu's messenger, Derpy, is directly inspired by Korean art trends, especially the illustrations of a tiger with unfocused eyes and a magpie.
In Brazil, an omnipresent animal in folk culture is the ox. You can see it in folk songs, parties, folktales, and all you can find. Cattle are reliable old companions of small farmers alongside donkeys, and this reflects in our culture. The Bumba-Meu-Boi folk party uses a large and colorful ox costume that celebrates the cyclical ressurection of an ox, beginning before Easter Sunday and culminating in the June Parties. The costume is extremely colorful and full of drawings and patterns. But if we want the kitty, a jaguar is always welcome.
As for Sussie the magpie, if we're sticking to crow relatives, there is the Azure Jay, the symbolic bird of the Paraná state, famous in folklore as an agent of God who plantes the araucaria forests by burying their seeds.
Guys what breed of dog is this i just found it outside
Brazilian Folklore part 4
* JULY 3RD , 1992 ,
Within the last six months, the state of Louisiana has suffered a substantial increase in the number of homicide and missing person reports specifically involving children under the age of 13. As of the current date, we have eight unsolved homicides and four missing person reports with a Imogene Belmarsh being the latest in a string of peculiar disappearances. To address this problem, I have hereby requested the counsel of a serial offender. I am under the impression that the psychology of a William Dugal (I.N. #227501) will deliver significant insight into the pathology and patterns of our current unidentified suspect due to the victims extremely similar injuries.
I hope that my request will be honored and sincerely appreciate the effort in helping me to achieve that end.
Yours for a safer Louisiana,
————- MALAVÈ.
𝐅𝐀𝐃𝐄 𝐈𝐍: 𝐈𝐍𝐓. LOUISIANA STATE PENITENTIARY. 𝐃𝐀𝐘. SPECIAL AGENT(S) ABDIEL PADILLA AND FRANCISCO MALAVÈ ARRIVE. ON THE DRIVE TO THE FARM, THEY PASS A CHEAP, DECREPIT BILLBOARD WITH A AUBURN HAIRED GIRL’S PORTRAIT ON IT. “DO YOU KNOW WHO KILLED ME?” CRISTINA JENKINS (13). THE TASTE OF ALUMINUM IS ON FRANK’S TONGUE , HIS FACE TWISTS AND HE HOPES ABDIEL DIDN’T SEE . THEY’RE DIRECTED THROUGH.
𝙞𝙣𝙩𝙤 𝙨𝙖𝙣𝙜𝙪𝙞𝙣𝙚 𝙥𝙤𝙤𝙡𝙨, ( … ) these unhinged, & famished sharks, 𝐚𝐧𝐠𝐫𝐲 𝐥𝐢𝐤𝐞 𝐡𝐞𝐥𝐥, glare with a scorn like he’s chumming bait. [ a debilitated topsy - turvy catfish performing a galloping 𝚝𝚊𝚗𝚐𝚘 𝚊𝚖𝚒𝚍𝚜𝚝 𝚝𝚑𝚎 𝚓𝚊𝚠𝚜 of DEPRAVITY, a last call for everything bathed in immorality. ] but outside crimson blinders, & violence — riddled orgies of 𝙖 𝙛𝙞𝙛𝙩𝙝 𝙠𝙞𝙣𝙙, they don’t notice the barbed end of a lead speargun; he’s the one hunting.
❝ okay. you two ’re aw’ set. good luck. ❞ [ like holding a blank handgun & yelling: ❛❛ 𝘰𝘯 𝘺𝘰𝘶𝘳 𝘮𝘢𝘳𝘬. 𝘨𝘦𝘵 𝘴𝘦𝘵. 𝘨𝘰. ❜❜ ]
* 𝙉𝙔𝙇𝙊𝙉. 𝐂𝐎𝐔𝐍𝐓𝐘 - 𝐒𝐓𝐑𝐀𝐍𝐆𝐋𝐄𝐑. the name lives like the glow of something almighty; a macrobian superstition deliberated in scholarship notepaper for a full ride : [ ❛❛ 𝘪 𝘢𝘮 𝘦𝘷𝘦𝘳𝘭𝘢𝘴𝘵𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘭𝘦𝘨𝘦𝘯𝘥𝘴 𝘢𝘳𝘦. ❜❜ after all, what are the most grandiose mythologies of the world known for ? / ( like a bad slave, he is in bondage. ) explored like a safari badlands, by a duo of crooks in southern blues. ] ❛❛ you d’ones who gonna’ get me them - uh, magazines, right ? ❜❜
@quibungo : redemption depravity.
If given the chance to go back and repair any mistakes or problems in his past (paternal relationship/ex/etc) would he, regardless of it possibly changing his current life/relationships/timeline?
I DON’T THINK HE WOULD, at least in a conscious sense, he wouldn’t . i think he has resigned himself, & become complacent with all of the failed relationships in his past . IT’S MOST DEFINITELY PRIDE , but at the same time he feels like everything would be entirely falsified if he’d repaired all he’d done to destroy the dynamics of his life ( not to mention most of them are due to him ). A MAJOR ISSUE WITH FRANK is his inability to properly connect with people regardless of interpersonal relationship types. frank is unable to distance himself from the brutality of the world. his devotion to ‘justice’ is a very crucial characteristic, —— critical enough that it borders obsession, but this is as far as he can stomach people . in an environment where he can empathize with the inhumane of humanity, where he can vent his frustrations with the world while doing perceptible good .
for frank, human interaction beyond this is a tiring exercise in attaching, connecting, separating, filtering, & feigning: it very much exhausts him . & he knows this to be his downfall in maintaining relationships , he views himself to be a cancer inherently damaging the happiness of those around him .
Inktober day 11 with Quibungo X Bakasura.
❛ HEY , YOU EVER HEARD ABOUT THAT UHHH DOLL ISLAND ? ❜ thick brows furrow, runs fingers through his hair. the streetlight above them dims then shines bright again. repeats this cycle. there’s an eerieness to the aire, makes butch anxious. ❛ it’s south of mexico, some dude like . . . found a dead girl and found a doll where her body was and he like . . . hung it. and now there’s a shit ton of dolls hangin’ around the island. people say the dolls move their heads and talk to eachother and shit. think you’d ever go there ? ❜ // @quibungo